{"id":39619,"date":"2025-06-01T22:10:40","date_gmt":"2025-06-01T20:10:40","guid":{"rendered":"https:\/\/ulqini-online.com\/sajti\/?p=39619"},"modified":"2025-06-01T22:14:34","modified_gmt":"2025-06-01T20:14:34","slug":"kontestime-dhe-reagime-per-monumentin-e-skenderbeut-ne-ulqin","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=39619","title":{"rendered":"Kontestime dhe reagime p\u00ebr Monumentin e Sk\u00ebnderbeut n\u00eb Ulqin"},"content":{"rendered":"
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Komuna e Ulqinit shpalli rezultatet e konkursit nd\u00ebrkomb\u00ebtar p\u00ebr realizimin e monumentit t\u00eb Gjergj Kastriotit \u2013 Sk\u00ebnderbeut, duke njoftuar p\u00ebrzgjedhjen e tri veprave m\u00eb t\u00eb mira nga 17 punime t\u00eb paraqitura. Monumenti fitues, vep\u00ebr e artistit Sabri Behramaj, u vler\u00ebsua m\u00eb s\u00eb larti nga juria profesionale, por reagimet publike q\u00eb pasuan zbardhjen e rezultateve nuk ishin as t\u00eb heshtura e as t\u00eb nj\u00ebz\u00ebshme, shkruan Ulqini Online.<\/p>\n\n\n\n

N\u00eb vend q\u00eb ky projekt t\u00eb sh\u00ebrbente si pik\u00ebbashkimi simbolik dhe kulturor, ai ndezi nj\u00eb debat t\u00eb gjall\u00eb q\u00eb ng\u00ebrthen brenda vetes shum\u00eb m\u00eb tep\u00ebr se artin \u2013 p\u00ebrplas realitetin estetik me ndjeshm\u00ebrit\u00eb historike, komb\u00ebtare dhe lokale.<\/p>\n\n\n\n

Komisioni dhe p\u00ebrzgjedhja<\/strong><\/p>\n\n\n\n

Juria profesionale p\u00ebrb\u00ebhej nga emra t\u00eb njohur n\u00eb fush\u00ebn e artit dhe historis\u00eb \u2013 Gazmend Leka, Adem Rusinovci, Dejan Durakoviq, Muhamet Mala dhe arkitekti Gazmir Pulti \u2013 nj\u00eb p\u00ebrb\u00ebrje q\u00eb garanton ekspertiz\u00eb, por q\u00eb sipas nj\u00eb pjese t\u00eb publikut nuk p\u00ebrfaq\u00ebsonte ndjeshm\u00ebrin\u00eb lokale t\u00eb Ulqinit.<\/p>\n\n\n\n

Fituesit u shpall\u00ebn sipas renditjes:<\/p>\n\n\n\n

Vendi i par\u00eb: Sabri Behramaj (shifra 2030)<\/p>\n\n\n\n

Vendi i dyt\u00eb: Vasil Rakaj (shifra 54)<\/p>\n\n\n\n

Vendi i tret\u00eb: Agron Ujkashi (shifra PHOENIX)<\/p>\n\n\n\n

Pik\u00ebrisht p\u00ebr vendin e par\u00eb nis\u00ebn edhe debatet m\u00eb t\u00eb forta.<\/p>\n\n\n\n

Kritik\u00eb apo revolt\u00eb?<\/strong><\/p>\n\n\n\n

Nj\u00eb nd\u00ebr komentet m\u00eb t\u00eb z\u00ebshme ishte ai i Zylfije Gjoni Durakut, e cila e quajti p\u00ebrzgjedhjen nj\u00eb \u201cofendim\u201d p\u00ebr figur\u00ebn e heroit dhe vet\u00eb Ulqinin. Ajo ngriti pyetje t\u00eb drejtp\u00ebrdrejta p\u00ebr p\u00ebrb\u00ebrjen e komisionit dhe legjitimitetin e tij n\u00eb raport me qytetin dhe identitetin historik t\u00eb Ulqinit. Reagimi i saj p\u00ebrfaq\u00ebson m\u00eb shum\u00eb sesa nj\u00eb shqet\u00ebsim estetik \u2013 \u00ebsht\u00eb nj\u00eb klithm\u00eb p\u00ebr respekt dhe identifikim.<\/p>\n\n\n\n

N\u00eb nj\u00eb ton m\u00eb t\u00eb matur, Valon Buzuku, duke pranuar profesionalizmin e juris\u00eb, shprehet se punimi i vendit t\u00eb par\u00eb \u00ebsht\u00eb \u201cavangard\u201d dhe jo i kuptuesh\u00ebm p\u00ebr publikun e gjer\u00eb. Sipas tij, vepra e Agron Ujkashit \u2013 nj\u00eb artist vendas \u2013 \u00ebsht\u00eb m\u00eb e qart\u00eb n\u00eb mesazh dhe m\u00eb e kapshme p\u00ebr syrin e qytetar\u00ebve. Ai ngre pyetjen thelb\u00ebsore t\u00eb \u00e7do arti publik: Kujt i flet kjo vep\u00ebr?<\/p>\n\n\n\n

Nd\u00ebrkoh\u00eb, Petrit Llunji dhe Sami Flamuri shkojn\u00eb m\u00eb tej \u2013 duke e par\u00eb p\u00ebrzgjedhjen jo vet\u00ebm si zgjedhje artistike t\u00eb diskutueshme, por si nj\u00eb vendim q\u00eb, sipas tyre, synon zvog\u00eblimin e rolit dhe dukshm\u00ebris\u00eb s\u00eb figur\u00ebs s\u00eb Sk\u00ebnderbeut n\u00eb qytet. Llunji kritikon edhe lokacionin e zgjedhur p\u00ebr monumentin, duke e cil\u00ebsuar t\u00eb pap\u00ebrshtatsh\u00ebm dhe simbolikisht t\u00eb dob\u00ebt.<\/p>\n\n\n\n

Nd\u00ebrmjet artit dhe identitetit<\/strong><\/p>\n\n\n\n

Ky rast ka nxjerr\u00eb n\u00eb pah nj\u00eb nga dilemat m\u00eb t\u00eb vjetra t\u00eb artit publik: A duhet vepra t\u00eb ndjek\u00eb kodet tradicionale q\u00eb ngjallin krenari dhe njohje, apo duhet t\u00eb sfidoj\u00eb, t\u00eb provokoj\u00eb, t\u00eb ofroj\u00eb k\u00ebndv\u00ebshtrime t\u00eb reja? N\u00eb nj\u00eb qytet si Ulqini, ku historia \u00ebsht\u00eb e ngulitur n\u00eb \u00e7do gur, dhe ku Gjergj Kastrioti \u00ebsht\u00eb figur\u00eb e shenjt\u00eb p\u00ebr kujtes\u00ebn komb\u00ebtare, \u00e7do p\u00ebrfaq\u00ebsim vizual i tij bart pesh\u00eb t\u00eb madhe simbolike.<\/p>\n\n\n\n

N\u00eb k\u00ebt\u00eb drit\u00eb, reagimet nuk duhet lexuar si anti-art apo provincializ\u00ebm, por si thirrje p\u00ebr p\u00ebrfshirje m\u00eb t\u00eb thell\u00eb t\u00eb komunitetit n\u00eb vendime q\u00eb i p\u00ebrkasin gjith\u00eb qytetit.<\/p>\n\n\n\n

P\u00ebr nj\u00eb debat t\u00eb hapur dhe transparent<\/strong><\/p>\n\n\n\n

Monumentet nuk jan\u00eb thjesht skulptura n\u00eb sheshe \u2013 ato jan\u00eb pasqyra e asaj q\u00eb nj\u00eb shoq\u00ebri zgjedh t\u00eb kujtoj\u00eb dhe t\u00eb nderoj\u00eb. Prandaj, edhe ky projekt i Ulqinit, sado i realizuar me procedura t\u00eb rregullta dhe me ekspertiz\u00eb profesionale, nuk mund t\u00eb p\u00ebrjashtoj\u00eb diskutimin publik.<\/p>\n\n\n\n

N\u00ebse monumenti synon t\u00eb jet\u00eb pik\u00eb referimi, bashkimi dhe krenarie, at\u00ebher\u00eb duhet t\u00eb rezonoj\u00eb jo vet\u00ebm me syrin e artist\u00ebve, por edhe me zemr\u00ebn e qytetar\u00ebve.<\/p>\n\n\n\n

P\u00ebrndryshe, do t\u00eb jet\u00eb vet\u00ebm nj\u00eb vep\u00ebr arti e paqasshme n\u00eb nj\u00eb shesh t\u00eb heshtur.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Komuna e Ulqinit shpalli rezultatet e konkursit nd\u00ebrkomb\u00ebtar p\u00ebr realizimin e monumentit t\u00eb Gjergj Kastriotit \u2013 Sk\u00ebnderbeut, duke njoftuar p\u00ebrzgjedhjen e tri veprave m\u00eb t\u00eb mira nga 17 punime t\u00eb paraqitura. Monumenti fitues, vep\u00ebr e artistit Sabri Behramaj, u vler\u00ebsua m\u00eb s\u00eb larti nga juria profesionale, por reagimet publike q\u00eb pasuan zbardhjen e rezultateve nuk […]<\/p>\n","protected":false},"author":1,"featured_media":39622,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"%%post_title%% %%sep%% %%sitetitle%%","_seopress_titles_desc":"%%post_excerpt%%","_seopress_robots_index":"","footnotes":""},"categories":[2,12],"tags":[],"class_list":["post-39619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-opinione"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/39619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=39619"}],"version-history":[{"count":1,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/39619\/revisions"}],"predecessor-version":[{"id":39623,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/39619\/revisions\/39623"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/39622"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=39619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=39619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=39619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}