{"id":38867,"date":"2025-03-06T14:24:01","date_gmt":"2025-03-06T13:24:01","guid":{"rendered":"https:\/\/ulqini-online.com\/sajti\/?p=38867"},"modified":"2025-03-06T17:31:58","modified_gmt":"2025-03-06T16:31:58","slug":"kenget-autoktone-permajekrahut-nje-himn-i-harruar-i-malesoreve-shqiptare","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=38867","title":{"rendered":"K\u00ebng\u00ebt autoktone \u00a0p\u00ebrmajekrahut, nj\u00eb himn \u00a0i harruar i mal\u00ebsor\u00ebve shqiptar\u00eb"},"content":{"rendered":"
\"\"<\/figure>\n\n\n

Fadil Velaj dhe  Naxhie Popi nga Kraja<\/em><\/p>\n\n\n\n

Nga Gjek\u00eb Gjonaj<\/strong><\/p>\n\n\n\n

K\u00ebng\u00ebt majekrahut p\u00ebrmajekrahu ( p\u00ebrkryekrahi) , ose si\u00e7 quhen ndryshe  k\u00ebng\u00eb mal\u00ebsor\u00e7e,  jan\u00eb  nd\u00ebr k\u00ebng\u00ebt m\u00eb t\u00eb  hershme  q\u00eb vijn\u00eb nga thell\u00ebsia e shekujve, t\u00eb cilat konsiderohen nd\u00ebr elementet  m\u00eb t\u00eb vjetra t\u00eb trash\u00ebgimis\u00eb jomateriale, q\u00eb mal\u00ebsor\u00ebt i kan\u00eb k\u00ebnduar  n\u00eb dasma,  festa, g\u00ebzime,  logje,   bjeshk\u00eb e raste t\u00eb tjera t\u00eb ve\u00e7anta, madje  edhe  n\u00eb festivale t\u00eb ndryshme  folklorike   brenda dhe jasht\u00eb hap\u00ebsirave shqiptare. K\u00ebto k\u00ebng\u00eb t\u00eb mo\u00e7me t\u00eb tradit\u00ebs gojore  radhiten nd\u00ebr visaret e pakta  t\u00eb kombit ton\u00eb  q\u00eb jan\u00eb trash\u00ebguar  dhe kan\u00eb kaluar  n\u00ebp\u00ebr  faza  t\u00eb reja t\u00eb zhvillimit historik. Ato, sipas muzikolog\u00ebve,  i k\u00ebndojn\u00eb  vet\u00ebm shqiptar\u00ebt  e dialektit geg\u00eb ose t\u00eb Veriut, q\u00eb p\u00ebrb\u00ebjn\u00eb pjes\u00ebn m\u00eb t\u00eb madhe  t\u00eb popullsis\u00eb shqiptare. Shtrirja e  k\u00ebtyre k\u00ebng\u00ebve nd\u00ebr shqiptar\u00eb  \u00ebsht\u00eb mjaft e madhe: Mal\u00ebsi e  Madhe, zona e Mbishkodr\u00ebs, Mal\u00ebsi  e Gjakov\u00ebs,  Tropoj\u00eb , Dukagjin, Rugov\u00eb dhe n\u00eb disa vise t\u00eb Malit t\u00eb Zi.<\/p>\n\n\n\n

Kjo form\u00eb e k\u00ebndimit  t\u00eb shqiptar\u00ebve n\u00eb trevat shqiptare n\u00eb Mal t\u00eb Zi  \u00ebsht\u00eb  p\u00ebrdorur ( interpretuar)  n\u00eb  disa vise  q\u00eb jan\u00eb m\u00eb shum\u00eb kodrinore -malore: n\u00eb  Hot, Grud\u00eb, Triesh, Plav\u00eb e Guci, por edhe  n\u00eb zonat q\u00eb jan\u00eb m\u00eb pak rrafshinore , si\u00e7  jan\u00eb:  Kraja, Ana e Malit, Rrethi i Tivarit dhe Shtoji  i Ulqinit. <\/p>\n\n\n\n

Em\u00ebrtimet e k\u00ebtyre k\u00ebng\u00ebve   na paraqiten t\u00eb ndryshme por t\u00eb p\u00ebraf\u00ebrta. N\u00eb Hot dhe Grud\u00eb  p\u00ebrdoret em\u00ebrtimi \u201c K\u00ebng\u00eb p\u00ebrmajekrahu\u201d, n\u00eb Triesh \u201c K\u00ebng\u00eb p\u00ebrkryekrahi\u201d,  n\u00eb Kraj\u00eb \u201c K\u00ebng\u00eb t\u00eb g\u2019jata, n\u00eb An\u00eb t\u00eb Malit  \u201c Me k\u00ebnue zonisht \u201c, por  m\u00eb t\u00eb parap\u00eblqyera ( preferuara) jan\u00eb dy em\u00ebrtimet e para.<\/p>\n\n\n\n

Studiuesit e fush\u00ebs s\u00eb muzik\u00ebs  vler\u00ebsojn\u00eb se  t\u00eb gjitha k\u00ebto k\u00ebng\u00eb  kan\u00eb elemente t\u00eb p\u00ebrbashk\u00ebta edhe n\u00eb fush\u00ebn  e kultur\u00ebs materiale  dhe shpirt\u00ebrore , e nj\u00ebkoh\u00ebsisht kan\u00eb edhe dallime midis tyre n\u00eb rite,  doke,  zakone dhe  p\u00ebrgjith\u00ebsisht n\u00eb jet\u00ebn muzikore.   Sipas muzikolog\u00ebve,  kjo m\u00ebnyr\u00eb e t\u00eb k\u00ebnduarit  \u00ebsht\u00eb tradit\u00eb e st\u00ebrgjysh\u00ebrve  t\u00eb p\u00ebrbashk\u00ebt, p\u00ebrkund\u00ebr paraqitjeve diku m\u00eb t\u00eb hershme e diku m\u00eb  von\u00eb.<\/p>\n\n\n\n

K\u00ebng\u00ebtar\u00ebt  e vjet\u00ebr mal\u00ebsor\u00eb ( shqiptar\u00eb)  pohojn\u00eb  se  k\u00ebng\u00ebt p\u00ebrkryekrahi  jan\u00eb k\u00ebnduar n\u00eb rast  thirrjesh, kushtrimit  dhe p\u00ebrgjigjesh  nga zona n\u00eb zon\u00eb qysh n\u00eb koh\u00ebn e luft\u00ebrave, p\u00ebr t\u2019u marr\u00eb vesh me njeri-tjetrin, pa u kuptuar nga armiku.  P\u00ebrve\u00e7 k\u00ebsaj  ato, si\u00e7 theksuam m\u00eb lart,   p\u00ebrcjellin lajme t\u00eb ndryshme, t\u00eb g\u00ebzimit, hidh\u00ebrimit… K\u00ebng\u00ebt e tilla kan\u00eb sh\u00ebrbyer  si mjet komunikimi  e sinjalizimi n\u00eb larg\u00ebsi p\u00ebr t\u00eb  dh\u00ebn\u00eb lajmin  e rrezikut.<\/p>\n\n\n\n

K\u00ebng\u00ebt p\u00ebrkryekrahi,  si form\u00eb unike e komunikimit nd\u00ebr shqiptar\u00eb,  jan\u00eb k\u00ebng\u00eb   q\u00eb k\u00ebndohen  solo, pa shoq\u00ebrim instrumental nga nj\u00eb k\u00ebng\u00ebtar ose edhe dy sish . K\u00ebng\u00ebtari  k\u00ebndon  dy ose disa vargje n\u00eb k\u00ebmb\u00eb ose i ulur  n\u00eb dy gjunj\u00eb,  \u00e7on dor\u00ebn mbi krah, e v gishtin n\u00eb vesh ose e mbulon  veshin me shuplak\u00eb, si nj\u00eb ritual p\u00ebr ta p\u00ebrhapur m\u00eb fort jehon\u00ebn  e  nj\u00eb kumti  apo informate. Informata kishte t\u00eb b\u00ebnte me nj\u00eb njoftim a kushtrim p\u00ebr luft\u00eb, p\u00ebr ndonj\u00eb rrezik nga armiqt\u00eb, me t\u00eb cil\u00ebt banor\u00ebt e k\u00ebtyre zonave ishin ball\u00eb p\u00ebr ball\u00eb me shekuj.<\/p>\n\n\n\n

Edhe pse  b\u00ebjn\u00eb pjes\u00eb n\u00eb grupin e k\u00ebng\u00ebve  nj\u00ebz\u00ebshe   n\u00eb interpretimin e k\u00ebtyre k\u00ebng\u00ebve  mund t\u00eb marrin pjes\u00eb   edhe dy e m\u00eb shum\u00eb k\u00ebng\u00ebtar\u00eb. Si t\u00eb tilla  muzikolog\u00ebt mendojn\u00eb se  jan\u00eb k\u00ebng\u00ebt m\u00eb t\u00eb vjetra  t\u00eb fondit folklorik shqiptar q\u00eb na kan\u00eb mbetur,  t\u00eb cilat me shekuj jan\u00eb b\u00ebr\u00eb  himni i vet\u00ebm i  i mal\u00ebsor\u00ebve.<\/p>\n\n\n\n

Dallohen  nga k\u00ebng\u00ebt e tjera shqiptare p\u00ebr cil\u00ebsin\u00eb e z\u00ebrit ( tingullit) muzikor.  K\u00ebng\u00ebtari q\u00eb i  k\u00ebndon k\u00ebto k\u00ebng\u00eb duhet  t\u2019i plot\u00ebsoj\u00eb  t\u00eb gjitha  k\u00ebrkesat estetike t\u00eb z\u00ebrit  me cil\u00ebsit\u00eb m\u00eb t\u00eb larta, dometh\u00ebn\u00eb  t\u00eb ket\u00eb  z\u00ebrin   brilant si pushka ,   t\u00eb lart\u00eb  dhe t\u00eb \u00ebmb\u00ebl q\u00eb  e nis thirrjen dhe menj\u00ebher\u00eb p\u00ebrcillet nga k\u00ebng\u00ebtari tjet\u00ebr, duke unifikuar ( bashkuar)   z\u00ebrat n\u00eb nj\u00eb t\u00eb vet\u00ebm p\u00ebr t\u00eb  fuqizuar  informat\u00ebn, por edhe  t\u00eb p\u00eblqehet nga t\u00eb gjith\u00eb q\u00eb e d\u00ebgjojn\u00eb. P\u00ebrmbajtja e k\u00ebtyre k\u00ebng\u00ebve, pohojn\u00eb specialist\u00ebt ,  \u00ebsht\u00eb nj\u00eb p\u00ebrmbledhje e shkurt\u00ebr n\u00eb tre ose kat\u00ebr rreshta nga tet\u00eb rrokje e nj\u00eb historie apo trim\u00ebrie t\u00eb p\u00ebrmendur.  <\/p>\n\n\n\n

Dr. Rexhep Munishi n\u00eb librin e tij \u201c K\u00ebng\u00eb mal\u00ebsor\u00e7e shqiptare\u201d nd\u00ebr t\u00eb tjera shkruan:<\/p>\n\n\n\n

\u201cKrahas tematik\u00ebs s\u00eb transformuar dhe t\u00eb  ndryshuar n\u00eb tradit\u00ebn e t\u00eb k\u00ebnduarit t\u00eb k\u00ebtyre k\u00ebng\u00ebve mbeti edhe nj\u00eb num\u00ebr k\u00ebng\u00ebsh t\u00eb cilat   gjat\u00eb interpretimit  nuk kan\u00eb kuptim t\u00eb qart\u00eb t\u00eb tekstit, prandaj  edhe  \u00ebsht\u00eb e v\u00ebshtir\u00eb t\u00eb thuhet ( kuptohet)   me siguri se \u00e7far\u00eb ishte tematika e k\u00ebtyre k\u00ebng\u00ebve n\u00eb t\u00eb kaluar\u00ebn e larg\u00ebt. Kjo vlen p\u00ebr t\u00eb gjitha k\u00ebng\u00ebt mal\u00ebsor\u00e7e.\u201d  <\/p>\n\n\n\n

Nga literatura e shfryt\u00ebzuar  dhe gjurmimet n\u00eb terren  kam arritur  t\u00eb  sh\u00ebnoj   disa   k\u00ebng\u00ebtar\u00eb shqiptar\u00eb nga Mali i Zi,   t\u00eb cil\u00ebt jan\u00eb dalluar me interpretimin e k\u00ebtyre k\u00ebng\u00ebve n\u00eb periudha t\u00eb ndryshme kohore, kryesisht n\u00eb shekullin e kaluar. <\/p>\n\n\n\n

Interpretuesit m\u00eb t\u00eb njohur trieshian\u00eb t\u00eb shekullit nj\u00ebzet\u00eb   p\u00ebr k\u00ebng\u00ebn p\u00ebrkryekrahi jan\u00eb:  Nosh Grishi Nikprelaj, Nikoll\u00eb Noshi Nikpr\u00eblaj (bab\u00eb e djal\u00eb) ,  Nosh  Pr\u00ebla  Nikpr\u00eblaj, Dod\u00eb Pr\u00ebka Micakaj ,  Rrok Zefi Pr\u00ebnko\u00e7aj etj.  <\/p>\n\n\n\n

Ja disa  variante k\u00ebng\u00ebsh mal\u00ebsor\u00e7e shqiptare q\u00eb i kan\u00eb k\u00ebnduar n\u00eb Triesh: <\/p>\n\n\n\n

A:<\/strong> Nosh Grishi Nikprelaj nga fshati B\u00ebkaj i Trieshit   e ka k\u00ebnduar  fuqish\u00ebm k\u00ebt\u00eb k\u00ebng\u00eb,  t\u00eb cil\u00ebn   e ka transkriptuar R. Munishi:<\/p>\n\n\n\n

\u201c (0) O, po fja  a \u2013 le  ka \u00e7u u -ve<\/em><\/p>\n\n\n\n

(e) ve se thu-je  Gja-ko-ve es o o po u<\/em><\/p>\n\n\n\n

(e) se ke je  e ga-buo u<\/em><\/p>\n\n\n\n

(u) ve se , tha , thu-je  Gja-ko o u<\/em><\/p>\n\n\n\n

(u) ve se o po ke je e ga-bu u e ja u.<\/em><\/p>\n\n\n\n

…. Fjal\u2019 ka \u00e7ue:<\/em><\/p>\n\n\n\n

Thuj Gjakov\u00ebs : Ke gabue\u201d,<\/em><\/p>\n\n\n\n

Thuj Gjakov\u00ebs: \u201cKe gabue<\/em>\u201d  <\/p>\n\n\n\n

(Burimi:  Anton Kol\u00eb Berishaj \u201d N\u00eb nj\u00eb cep t\u00eb Iliris\u00eb\u201d, f.252)<\/p>\n\n\n\n

B.<\/strong> N\u00eb vazhdim po  japim edhe tri k\u00ebng\u00eb p\u00ebrkryekrahi q\u00eb i mblodh\u00ebm n\u00eb Cem t\u00eb Trieshit.<\/p>\n\n\n\n

1.O po burr\u00eb i vog\u00ebl o<\/em><\/p>\n\n\n\n

O po i hipka  o atit o<\/em><\/p>\n\n\n\n

 O del o  \u00ebn Shkod\u00ebr o \u201c<\/em><\/p>\n\n\n\n

——————-<\/em><\/p>\n\n\n\n

2.O po fjal\u00eb o p\u00ebr tel o<\/em><\/p>\n\n\n\n

O thuoj o Gjakov\u00ebs o<\/em><\/p>\n\n\n\n

O \u00e7ou e del o \u201c<\/em><\/p>\n\n\n\n

———————–<\/em><\/p>\n\n\n\n

3. \u201cO po djal i ri o<\/em><\/p>\n\n\n\n

O veshe  jelekun o\u201d<\/em><\/p>\n\n\n\n

( Tregoi: Lek\u00eb Zef Nikprelaj- Cem i Trieshit)<\/p>\n\n\n\n

K\u00ebng\u00ebt \u00a0p\u00ebrmajekrahu u kan\u00eb sh\u00ebrbyer brezave p\u00ebr komunikim dhe transmetim t\u00eb \u00a0informacionit, pra ato kan\u00eb pasur brenda vetes edhe dimensionin estetik mjaft t\u00eb fuqish\u00ebm. Interpretimi i k\u00ebtyre k\u00ebng\u00ebve \u00a0realizohej me an\u00ebn e theksimeve t\u00eb rrokjeve, q\u00eb informata t\u00eb transmetohej sa m\u00eb e fort\u00eb dhe sa m\u00eb e qart\u00eb, me theksimin e emrave t\u00eb figurave q\u00eb ishin subjekt i informacionit. Ato tashm\u00eb, n\u00eb raport me proceset\u00a0 e sotme dinamike, sociale e kulturore,\u00a0 jan\u00eb shnd\u00ebrruar\u00a0 n\u00eb shenj\u00eb t\u00eb memories kolektive\u00a0 historike.\u00a0 \u00a0\/Koha Javore\/<\/p>\n","protected":false},"excerpt":{"rendered":"

Fadil Velaj dhe  Naxhie Popi nga Kraja Nga Gjek\u00eb Gjonaj K\u00ebng\u00ebt majekrahut p\u00ebrmajekrahu ( p\u00ebrkryekrahi) , ose si\u00e7 quhen ndryshe  k\u00ebng\u00eb mal\u00ebsor\u00e7e,  jan\u00eb  nd\u00ebr k\u00ebng\u00ebt m\u00eb t\u00eb  hershme  q\u00eb vijn\u00eb nga thell\u00ebsia e shekujve, t\u00eb cilat konsiderohen nd\u00ebr elementet  m\u00eb t\u00eb vjetra t\u00eb trash\u00ebgimis\u00eb jomateriale, q\u00eb mal\u00ebsor\u00ebt i kan\u00eb k\u00ebnduar  n\u00eb dasma,  festa, g\u00ebzime,  logje,  […]<\/p>\n","protected":false},"author":1,"featured_media":3431,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"%%post_title%% %%sep%% %%sitetitle%%","_seopress_titles_desc":"%%post_excerpt%%","_seopress_robots_index":"","footnotes":""},"categories":[2,6],"tags":[319,3475],"class_list":["post-38867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-kulture","tag-kraja","tag-naxhie-popi"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/38867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38867"}],"version-history":[{"count":3,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/38867\/revisions"}],"predecessor-version":[{"id":38877,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/38867\/revisions\/38877"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/3431"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=38867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=38867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}