{"id":38079,"date":"2024-10-05T09:11:00","date_gmt":"2024-10-05T07:11:00","guid":{"rendered":"https:\/\/ulqini-online.com\/sajti\/?p=38079"},"modified":"2024-10-05T10:12:45","modified_gmt":"2024-10-05T08:12:45","slug":"nje-durrsak-ne-kotorr-artisti-i-argjendarise-andrija-izat","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=38079","title":{"rendered":"Nj\u00eb durrsak n\u00eb Kotorr \u2013 artisti i argjendaris\u00eb, Andrija Izat"},"content":{"rendered":"
\"\"<\/figure>\n\n\n

Detaj nga reliefi n\u00eb altarin e Katedrales s\u00eb Sh\u00ebn Trifonit n\u00eb Kotorr, n\u00eb t\u00eb cilin ka punuar edhe Andrea Izati. Sh\u00ebn Trifoni mban n\u00eb dor\u00eb modelin e qytetit t\u00eb Kotorrit<\/em><\/p>\n\n\n\n

Nga:\u00a0Ylber Hysa*<\/p>\n\n\n\n

Kotorri, si vend strategjik n\u00eb gryk\u00ebn e njohur, n\u00eb Bok\u00ebn e Kotorrit, t\u00ebrhoqi mjaft tregtar\u00eb, nd\u00ebrmarr\u00ebs, zejtar\u00eb e ushtar\u00eb me origjin\u00eb shqiptare. Nd\u00ebr ta p\u00ebrmendet edhe mjeshtri, artisti i argjendaris\u00eb \u2013 Andrija Izati. Durrsaku, n\u00eb fakt, ishte nj\u00eb personalitet origjinal q\u00eb la gjurm\u00eb n\u00eb artin e Kotorrit dhe m\u00eb gjer\u00eb. Njihej si artist i shekullit XV q\u00eb b\u00ebnte vepra argjendarie dhe ishte i njohur edhe p\u00ebr fark\u00ebtimin e t\u00eb hollave, perp\u00ebrve dhe grosh\u00ebve t\u00eb Kotorrit, objekteve t\u00eb ndryshme n\u00eb argjend me karakter fetar dhe paraqitje t\u00eb tjera n\u00eb domenin e artit aplikativ.<\/p>\n\n\n\n

Kotorri n\u00eb mesjet\u00eb ka pasur lidhje intensive me Kosov\u00ebn dhe xehetarin\u00eb e saj.<\/p>\n\n\n\n

N\u00eb fakt, n\u00eb nj\u00eb koh\u00eb \u2013 duke qen\u00eb liman n\u00ebn kontrollin e Nemanjiq\u00ebve \u2013 Kotorri p\u00ebrdori k\u00ebt\u00eb situat\u00eb duke krijuar monopol n\u00eb tregti, q\u00eb p\u00ebrfshinte edhe xehetarin\u00eb, sidomos arin e argjendin e k\u00ebrkuar n\u00eb at\u00eb koh\u00eb q\u00eb vinte nga brendia e Ballkanit, p\u00ebrfshir\u00eb Kosov\u00ebn.<\/p>\n\n\n\n

Kotorri n\u00eb k\u00ebt\u00eb koh\u00eb ishte dhe me ndikim n\u00eb \u00e7\u00ebshtjen e protezhimit t\u00eb kish\u00ebs katolike n\u00eb Kosov\u00eb dhe kotorrasit ishin edhe nd\u00ebrtues kishash katolike, n\u00eb t\u00eb cilat sh\u00ebrbenin nj\u00eb num\u00ebr i madh shqiptar\u00ebsh si klerik\u00eb katolik\u00eb. Kjo n\u00ebnkuptoj edhe ndikime n\u00eb stilin arkitektonik dhe artit, jo vet\u00ebm n\u00eb kishat katolike.
Nj\u00eb \u00e7\u00ebshtje e k\u00ebtill\u00eb ndryshoi pak n\u00eb rrethana t\u00eb tjera kur Kotorri u b\u00eb pjes\u00eb e Republik\u00ebs vendikase t\u00eb Sh\u00ebn Markut, dhe u imponuan rrethana t\u00eb reja politike dhe sisteme e monopole t\u00eb tjera tregtish me xehe. Kjo n\u00ebnkuptoi edhe p\u00ebrpjekjen e monopolit me katolicizmin n\u00eb brend\u00ebsi t\u00eb Ballkanit, p\u00ebrfshir\u00eb Kosov\u00ebn.<\/p>\n\n\n\n

Rrug\u00ebt jetike Adriatik-Kosov\u00eb<\/strong><\/p>\n\n\n\n

Kotorri n\u00eb mesjet\u00eb ishte shum\u00eb i lidhur me Kosov\u00ebn, kryesisht p\u00ebr shkak t\u00eb interesit p\u00ebr miniera e xehe, sidomos ar e argjend por edhe mallra e interesa t\u00eb tjera. Andaj, rrug\u00ebt ishin shum\u00eb e r\u00ebnd\u00ebsishme p\u00ebr k\u00ebt\u00eb komunikim jetik: Adriatik \u2013 Kosov\u00eb.<\/p>\n\n\n\n

N\u00eb fakt, ishin disa rrug\u00eb t\u00eb etabluara prej nga b\u00ebhej komunikimi Kotorr-Kosov\u00eb. Ato nuk ishin rrug\u00eb t\u00eb thjeshta dhe shpinin n\u00eb brend\u00ebsi, n\u00eb nj\u00eb reliev t\u00eb v\u00ebshtir\u00eb malor. Ishin tri drejtime me r\u00ebnd\u00ebsi: i pari shkonte nga bregu i liqenit t\u00eb Shkodr\u00ebs, nga pjesa m\u00eb mo\u00e7alike dhe nga pjesa e ep\u00ebrme e lugin\u00ebs s\u00eb lumit Lim deri n\u00eb Pej\u00eb; I dyti nga qyteti mesjetar Danji, me dogan\u00ebn e tij t\u00eb njohur. Q\u00eb n\u00eb koh\u00ebn veneciane i ishte dh\u00ebn\u00eb n\u00ebn qeverisje familjes s\u00eb njohur kotorrase Draga dhe vazhdonte tutje n\u00eb Bjeshk\u00ebt e Nemuna shqiptare drejt Prizrenit; drejtimi i tret\u00eb njihej si rruga e Zet\u00ebs, via Zenta, n\u00eb t\u00eb cil\u00ebn p\u00ebrve\u00e7 Kotorrit lidheshin edhe Budva e Tivari dhe q\u00eb p\u00ebrtej maleve nga Cetina zbriste n\u00eb Podgoric\u00eb kapte Plav\u00ebn ose edhe minier\u00ebn Brskovo dhe tutje n\u00eb Pej\u00eb. Por, kjo rrug\u00eb p\u00ebrmendej edhe p\u00ebr v\u00ebshtir\u00ebsi dhe rreziqe nga ka\u00e7ak\u00ebt shqiptar\u00eb. <\/p>\n\n\n\n

Dy rrug\u00ebt e para \u2013 p\u00ebrve\u00e7 qyteteve me r\u00ebnd\u00ebsi si Shkodra e Lezha e qytetet bregdetare Tivari, Ulqini, Budva, Kotorri e Dubrovniku \u2013 kapnin edhe pika t\u00eb ndryshme komunikative me r\u00ebnd\u00ebsi n\u00eb mesjet\u00eb si, Manastiri Rotecco, Sh\u00ebn Nikolla e Sh\u00ebn Shirxhi n\u00eb Bun\u00eb, Shasi, Sapa, Danji, Drishti e t\u00eb tjera.<\/p>\n\n\n\n

Po ashtu, nga Kosova, pra p\u00ebrmes dy pikave hyr\u00ebse, kryesisht Pej\u00eb e Prizren, vazhdoheshin deg\u00ebzimet tjera m\u00eb lidhje t\u00eb karvan\u00ebve. Drejtimi nga liqeni i Shkodr\u00ebs p\u00ebr n\u00eb Prizren p\u00ebraf\u00ebrsisht merrte nga 35 or\u00eb udh\u00ebtimi. Nga Prizreni tutje shkohej n\u00eb Lipjan ose Janjev\u00eb dhe p\u00ebrmes Ka\u00e7anikut e Shkupit rrug\u00ebve t\u00eb lugin\u00ebs s\u00eb Vardarit, tutje nga Bullgaria ose Greqia.<\/p>\n\n\n\n

Prizreni ishte nj\u00eb pik\u00eb q\u00eb pik\u00ebtakonte interesat rivale t\u00eb Kotorrit me Dubrovnikun.<\/p>\n\n\n\n

N\u00eb fakt, lidhja e Kotorrit dhe pjes\u00ebs s\u00eb Adriatikut, p\u00ebrfshir\u00eb edhe Dubrovnikun, n\u00eb brend\u00ebsi t\u00eb Ballkanit kryesisht shkonte nga hap\u00ebsirat e Shqip\u00ebris\u00eb Veriore dhe Zet\u00ebs dhe pashmangsh\u00ebm vinte n\u00eb Kosov\u00eb e m\u00eb tutje. Nj\u00eb rrug\u00eb e till\u00eb kishte r\u00ebnd\u00ebsi primare gjat\u00eb t\u00ebr\u00eb mesjet\u00ebs, por m\u00eb von\u00eb ndryshoi me rrethana tjera gjeopolitike me dominimin osman dhe humbjen e r\u00ebnd\u00ebsis\u00eb q\u00eb pat\u00ebn minierat n\u00eb Kosov\u00eb e rajon, sidomos pas sigurimit t\u00eb tregjeve t\u00eb tjera nd\u00ebrkomb\u00ebtare, sidomos me zbulimin e resurseve tejoqeanike.<\/p>\n\n\n\n

Personalitet origjinal q\u00eb la gjurm\u00eb n\u00eb artin e Kotorrit<\/strong><\/p>\n\n\n\n

Kotorri pra, si vend strategjik n\u00eb gryk\u00ebn e njohur, n\u00eb Bok\u00ebn e Kotorrit, t\u00ebrhoqi mjaft tregtar\u00eb, nd\u00ebrmarr\u00ebs, zejtar\u00eb e ushtar\u00eb me origjin\u00eb shqiptare.<\/p>\n\n\n\n

Nd\u00ebr ta p\u00ebrmendet edhe mjeshtri, artisti i argjendaris\u00eb \u2013 Andrija Izati.<\/p>\n\n\n\n

Durrsaku Andrea Izat, n\u00eb fakt, ishte nj\u00eb personalitet origjinal q\u00eb la gjurm\u00eb n\u00eb artin e Kotorrit dhe m\u00eb gjer\u00eb. Andrea Izat njihej si artist i shekullit XV q\u00eb b\u00ebnte vepra argjendarie dhe ishte i njohur edhe p\u00ebr fark\u00ebtimin e t\u00eb hollave, perp\u00ebrve dhe grosh\u00ebve t\u00eb Kotorrit, objekteve t\u00eb ndryshme n\u00eb argjend, aso me karakter fetar dhe paraqitje t\u00eb tjera n\u00eb domenin e artit aplikativ, q\u00eb ishte mjaft i k\u00ebrkuar sipas shijes mesjetare.<\/p>\n\n\n\n

Andrea Izati ishte nd\u00ebr argjendar\u00ebt m\u00eb t\u00eb njohur t\u00eb Kotorrit, s\u00eb bashku me dy t\u00eb huaj t\u00eb tjer\u00eb: Marin Adamin q\u00eb ka punuar n\u00eb Dubrovnik dhe Johani i Bazelit, q\u00eb p\u00ebrmes Venedikut ishte vendosur n\u00eb Kotorr, ku ishte martuar dhe m\u00eb von\u00eb po ashtu kishte kaluar n\u00eb Dubrovnik.<\/p>\n\n\n\n

Izat ka punuar n\u00eb kryevepr\u00ebn artizanale \u2013 n\u00eb pal\u00ebn e argjendt\u00eb n\u00eb Katedralen e Sh\u00ebn Trifonit, katedralen ikonike q\u00eb simbolizon Kotorrin.<\/p>\n\n\n\n

Kjo \u00ebsht\u00eb kryevepra e tij q\u00eb e ka b\u00ebr\u00eb me nam dhe t\u00eb kujtuar.<\/p>\n\n\n\n

Tradita q\u00eb n\u00eb altar\u00eb t\u00eb vendos\u00ebn pala t\u00eb argjendta n\u00eb flak\u00eb ari me figura e relieve t\u00eb shenjtor\u00ebve u p\u00ebrhap n\u00eb qytete jugore bregdetare aty nga shekulli XIV dhe fillimi i shekullit XV, saq\u00eb filloi edhe nj\u00eb gar\u00eb me qytete tjera bregdetare italiane dhe t\u00eb Evrop\u00ebs per\u00ebndimore. <\/p>\n\n\n\n

Dubrovniku n\u00eb fqinj\u00ebsi t\u00eb Kotorrit, n\u00eb kish\u00ebn e mbrojt\u00ebsit t\u00eb saj, Sh\u00ebn Vllahut, e kishte pal\u00ebn e saj para Kotorrit. Kotorri n\u00eb decenien e fundit t\u00eb shekullit XV nisi iniciativ\u00ebn dhe debatin mbi k\u00ebt\u00eb gj\u00eb, duke iniciuar zbukurimin e palave n\u00eb kishat e saj. Kjo u p\u00ebrfundua m\u00eb 1453 n\u00ebn udh\u00ebheqjen e et\u00ebrve t\u00eb qytetit q\u00eb angazhuan mjeshtrit m\u00eb n\u00eb z\u00eb t\u00eb koh\u00ebs. P\u00ebr m\u00eb tep\u00ebr, kjo vep\u00ebr q\u00eb e p\u00ebrmend\u00ebm, n\u00eb Kotorr \u00ebsht\u00eb pala e vetme e mbijetuar n\u00eb k\u00ebt\u00eb pjes\u00eb t\u00eb bregdetit. \u00cbsht\u00eb e b\u00ebr\u00eb n\u00eb stilin e poliptahut gotik me figura shenjtor\u00ebsh, evangjesit\u00ebsh dhe apostujve, p\u00ebrfshir\u00eb Sh\u00ebn Trifonin dhe me paraqitjen e Dezies dhe relieve t\u00eb gjata afro gjysm\u00eb met\u00ebr q\u00eb rrethohen m\u00eb harqe gotike e t\u00eb tjera.<\/p>\n\n\n\n

Kjo d\u00ebshmon m\u00eb s\u00eb miri p\u00ebr seriozitetin dhe r\u00ebnd\u00ebsin\u00eb e k\u00ebsaj vepre madh\u00ebshtore n\u00eb t\u00eb cil\u00ebn mori pjes\u00eb Andrea Izati.<\/p>\n\n\n\n

Nj\u00eb histori q\u00eb lidhet me priftin e diplomatin e Sk\u00ebnderbeut<\/strong><\/p>\n\n\n\n

N\u00eb fakt, Andrea Izati \u00ebsht\u00eb i njohur dhe p\u00ebr porosin\u00eb q\u00eb iu b\u00eb n\u00eb Kotorr n\u00eb vitin 1441. Porosit\u00ebsja ishte Jelena Balshaj-Hraniq, e bija e princit Lazar. Ajo e kishte porositur vepr\u00ebn p\u00ebrmes kancelarit t\u00eb saj Doberko Mariniq, e q\u00eb ishin faqet e argjendta p\u00ebr mb\u00ebshtjell\u00ebsin e librit fetar me fytyr\u00ebn e Krishtit Shp\u00ebtimtar, si\u00e7 e donte moda e koh\u00ebs.<\/p>\n\n\n\n

M\u00eb 1445 njihet nj\u00eb vep\u00ebr tjet\u00ebr e Andrea Izatit. B\u00ebhet fjal\u00eb p\u00ebr kryqin e argjendt\u00eb p\u00ebr kish\u00ebn e bashk\u00ebsis\u00eb s\u00eb rendit t\u00eb flagelant\u00ebve n\u00eb Kotorr. <\/p>\n\n\n\n

P\u00ebrndryshe, argjendaria ishte shum\u00eb n\u00eb z\u00eb n\u00eb Kotorrin mesjetar. P\u00ebrve\u00e7 artist\u00ebve t\u00eb njohur, si Andrea Izat, Marini Adami, Johani Bazelit, aty punoi edhe Trifon Palma q\u00eb ishte i angazhuar edhe n\u00eb Mosk\u00eb, n\u00eb pallatin e princit t\u00eb madh rus Ivanit III Vasileviq, ku q\u00ebndroi m\u00eb 1473. Kotorri, pra ishte nj\u00eb punishte e artist\u00ebve serioz\u00eb q\u00eb kishin z\u00eb dhe angazhim n\u00eb nj\u00eb sken\u00eb m\u00eb t\u00eb gjer\u00eb punimesh e veprash artistike.
Zanatlinjt\u00eb e kishin edhe v\u00ebllaz\u00ebrin\u00eb e tyre t\u00eb organizuar me qend\u00ebr, af\u00ebr kish\u00ebs s\u00eb Sh\u00ebn Luk\u00ebs
Andrea Izat, apo Isat, p\u00ebrmendet edhe n\u00eb nj\u00eb rrethan\u00eb e rol tjet\u00ebr interesant, i nd\u00ebrlidhur n\u00eb m\u00ebnyr\u00eb indirekte me kolegun e tij nga Kotorri Marin Adami dhe priftin e diplomatin e Sk\u00ebnderbeut, Gjergj Pelini nga manastiri bendiktin Roteco, af\u00ebr Tivarit. N\u00eb n\u00ebntor 1436 kolegu i tij, argjendari i njohur Marin Adami, kishte hyr\u00eb n\u00eb kontrat\u00eb me priftin dhe diplomatin e njohur Gjergj Pelini, nga manastiri benediktan i Rotecit, q\u00eb te b\u00ebnte nj\u00eb vep\u00ebr, censer argjendi (unum turibulum de argento). Te noteri ishte sh\u00ebnuar q\u00eb m\u00eb 12 qershor 1444, \u201cn\u00eb prezenc\u00eb t\u00eb Princ\u00ebrve dhe Magjistrateve, argjendari Marin pranoi nga Noteri n\u00eb Kotorr nj\u00eb paund argjendi n\u00eb aspron\u00eb dhe argjendi d\u00ebrguar tek ai nga murgu Pelini p\u00ebrmes sh\u00ebrb\u00ebtorit te tij, Pjetrit\u201d. Pas k\u00ebsaj, n\u00eb 5 tetor 1444, Marin Adami pranoi s\u00eb farkuari vepr\u00ebn n\u00eb fjal\u00eb dhe Pelini pranoi se do t\u00eb paguante shum\u00ebn e paracaktuar. Pelini pranoi t\u00eb paguaj\u00eb 6 grosh\u00eb p\u00ebr k\u00ebt\u00eb vep\u00ebr n\u00eb vler\u00eb nj\u00eb unc\u00eb argjendi. M\u00eb 14 dhjetor 1444, Princat dhe Magjistratet k\u00ebrkuan nga Marini t\u00eb dor\u00ebzonte vepr\u00ebn sipas marr\u00ebveshjes me Manastirin Roteco.<\/p>\n\n\n\n

. <\/p>\n\n\n\n

\"\"\/
Kotorri, gravur\u00eb e gjysm\u00ebs s\u00eb dyt\u00eb t\u00eb shekullit XVI, Giuseppe Rosaccio<\/figcaption><\/figure>\n\n\n\n

Por, sipas d\u00ebshmis\u00eb s\u00eb Andrija Isat, argjendi i dor\u00ebzuar te Marini p\u00ebrmes sh\u00ebrb\u00ebtorit t\u00eb Pelinit kishte peshuar 3,2 paund\u00eb m\u00eb pak sesa p\u00ebrmbante shtresa bakri, bazuar edhe n\u00eb Ligjin e Dubrovnikut, e q\u00eb u demonstrua nga argjendari Andrija Isat. <\/p>\n\n\n\n

Pra, Isat p\u00ebrve\u00e7 se artist e mjesht\u00ebr, del edhe si njoh\u00ebs e vler\u00ebsues i past\u00ebrtis\u00eb s\u00eb argjendit dhe ekspert n\u00eb raste kontestimesh profesionale. <\/p>\n\n\n\n

N\u00eb fakt, Kotorri s\u00eb bashku me Dubrovnikun, zhvilloi nj\u00eb form\u00eb tjet\u00ebr m\u00eb specifike e komplementare sa pjesa tjet\u00ebr e bregdetit dalmatin duke p\u00ebrthithur ndikime evropiane, mediterane, por edhe nga hinterlandi ballkanik. Kjo, fal\u00eb bashk\u00ebpunimit me nj\u00eb perimet\u00ebr m\u00eb t\u00eb gjer\u00eb porosish e shk\u00ebmbimesh edhe n\u00eb brend\u00ebsi t\u00eb Ballkanit dhe p\u00ebrtej detit, q\u00eb gjeti nj\u00eb form\u00eb tjet\u00ebr t\u00eb shprehjes s\u00eb gjuh\u00ebs s\u00eb argjendaris\u00eb dhe u tipizua me nj\u00eb lloj shkolle t\u00eb saj t\u00eb ve\u00e7ant\u00eb q\u00eb pati nj\u00eb veprimtari e jehon\u00eb t\u00eb shtrir\u00eb, reprezentative e t\u00eb dallueshme. <\/p>\n\n\n\n

Por, p\u00ebr dallim nga qendrat tjera zejtare, Kotorri kishte nj\u00eb ep\u00ebrsi n\u00eb zhvillimin e argjendaris\u00eb kryesisht fal\u00eb qasjes m\u00eb t\u00eb privilegjuar ndaj xeheve dhe materialit minerar, para s\u00eb gjithash arit e argjendit. Kjo gjithsesi n\u00ebnkupton edhe qasjen n\u00eb minierat mesjetare n\u00eb Kosov\u00eb.<\/p>\n\n\n\n

Por, durrsaku Andrea Izati q\u00eb u b\u00eb i njohur n\u00eb Kotorr e shum\u00eb m\u00eb gjer\u00eb me veprat e tij fine artistike, njihet fare pak, ose nuk njihet fare, n\u00eb historin\u00eb e artit n\u00eb gjuhen shqipe. <\/p>\n\n\n\n

Kjo \u00ebsht\u00eb nj\u00eb p\u00ebrpjekje modeste p\u00ebr ta sjell\u00eb at\u00eb n\u00eb v\u00ebmendjen e fush\u00ebs s\u00eb albanologjis\u00eb.<\/p>\n\n\n\n

Fusnotat jan\u00eb hequr nga Redaksia. <\/strong><\/em><\/p>\n\n\n\n

\/* Marr\u00eb nga KohaNet\/<\/p>\n","protected":false},"excerpt":{"rendered":"

Detaj nga reliefi n\u00eb altarin e Katedrales s\u00eb Sh\u00ebn Trifonit n\u00eb Kotorr, n\u00eb t\u00eb cilin ka punuar edhe Andrea Izati. Sh\u00ebn Trifoni mban n\u00eb dor\u00eb modelin e qytetit t\u00eb Kotorrit Nga:\u00a0Ylber Hysa* Kotorri, si vend strategjik n\u00eb gryk\u00ebn e njohur, n\u00eb Bok\u00ebn e Kotorrit, t\u00ebrhoqi mjaft tregtar\u00eb, nd\u00ebrmarr\u00ebs, zejtar\u00eb e ushtar\u00eb me origjin\u00eb shqiptare. Nd\u00ebr […]<\/p>\n","protected":false},"author":1,"featured_media":38082,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"%%post_title%% %%sep%% %%sitetitle%%","_seopress_titles_desc":"%%post_excerpt%%","_seopress_robots_index":"","_seopress_analysis_target_kw":"","footnotes":""},"categories":[2,18,12],"tags":[],"class_list":["post-38079","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-histori","category-opinione"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/38079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38079"}],"version-history":[{"count":2,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/38079\/revisions"}],"predecessor-version":[{"id":38085,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/38079\/revisions\/38085"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/38082"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=38079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=38079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}