{"id":37715,"date":"2024-07-18T11:05:19","date_gmt":"2024-07-18T09:05:19","guid":{"rendered":"https:\/\/ulqini-online.com\/sajti\/?p=37715"},"modified":"2024-07-18T11:05:33","modified_gmt":"2024-07-18T09:05:33","slug":"lehtesia-e-padurueshme-e-postmodernizmit","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=37715","title":{"rendered":"Leht\u00ebsia e padurueshme e postmodernizmit"},"content":{"rendered":"
\"\"<\/figure>\n\n\n

Nga Bernard \u00c7obaj<\/em><\/p>\n\n\n\n

Dashurit\u00eb jan\u00eb si perandorit\u00eb po t\u00eb zhduket ideja mbi t\u00eb cil\u00ebn jan\u00eb ngritur, ata shuhen bashk\u00eb me t\u00eb<\/p>\n\n\n\n

Romani nuk i p\u00ebrshtatet mostr\u00ebs s\u00eb shkrimit realist n\u00eb struktur\u00ebn e vet, por p\u00ebrb\u00ebhet nga disa rr\u00ebfime, me struktur\u00eb romaneske t\u00eb nd\u00ebrthurur me refleksione eseistike.<\/p>\n\n\n\n

Stili postmodern i Kunder\u00ebs p\u00ebrqafon me duarhapur shum\u00ebsin\u00eb e jet\u00ebs kulturore bashk\u00ebkohore dhe n\u00eb vete ushqen elementin metafiksional (gjat\u00eb krijimit t\u00eb fiksionit t\u00eb b\u00ebsh deklarata p\u00ebr krijimin e atij fiksion).<\/p>\n\n\n\n

\u201cDo t\u00eb ishte idiot\u00ebsi e autorit n\u00ebse do t\u00eb donte t\u2019i bindte lexuesit t\u00eb besonin se personazhet e tij kan\u00eb ekzistuar me t\u00eb v\u00ebrtet\u00eb. Ata nuk jan\u00eb lindur nga ndonj\u00eb trup am\u00ebsor, por nga disa fraza kujtimndjell\u00ebse apo nga ndonj\u00eb situat\u00eb ky\u00e7. Tomasi u lind nga fraza \u201ceinmal ist keinmal\u201d. Tereza nga gurgullima e zorr\u00ebve. \u201c   <\/p>\n\n\n\n

\u201cEdhe nj\u00eb her\u00eb, po e shoh ashtu si m\u2019u shfaq n\u00eb fillim t\u00eb k\u00ebtij romani. Ai \u00ebsht\u00eb n\u00eb dritare dhe sheh n\u00eb oborr murin e nd\u00ebrtes\u00ebs p\u00ebrball\u00eb.\u201d<\/p>\n\n\n\n

Romani postmodernist pyet, a mund t\u00eb ndahet realiteti nga historit\u00eb q\u00eb tregojm\u00eb p\u00ebr t\u00eb?<\/p>\n\n\n\n

Karakteristika qendrore e formave t\u00eb artit postmodernist \u00ebsht\u00eb v\u00ebnia n\u00eb pik\u00ebpyetje e kushteve t\u00eb tyre t\u00eb ekzistenc\u00ebs. Kjo prodhon efekte ironike. P\u00ebrve\u00e7 p\u00ebrdorimit t\u00eb gjuh\u00ebs, rr\u00ebfimi\/fiksioni postmodern tematizon vet p\u00ebrdorimin e gjuh\u00ebs.<\/p>\n\n\n\n

Historia kryesore, ajo mes Terez\u00ebs dhe Tomasit, p\u00ebrfundon shum\u00eb para t\u00eb fundit t\u00eb romanit, p\u00ebr t’u rikthyer s\u00ebrish n\u00ebp\u00ebrmes reflektimeve t\u00eb rr\u00ebfyesve t\u00eb ndrysh\u00ebm,  me disa udh\u00ebzime se mund t\u00eb kuptohej ndryshe. Pjes\u00ebt e romanit nuk titullohen n\u00eb kuptimin q\u00eb tregojn\u00eb disa tema dhe personazhe, por vet\u00ebm paralajm\u00ebrojn\u00eb nj\u00eb l\u00ebvizje abstrakte n\u00eb nj\u00eb rreth: Leht\u00ebsia dhe R\u00ebndesa,  Shpirti dhe Trupi, pjesa e tret\u00eb, Fjal\u00ebt e pakuptuara, p\u00ebr t\u2019u p\u00ebrs\u00ebritur s\u00ebrish n\u00eb rend t\u00eb kund\u00ebrt titujt Shpirti dhe Trupi dhe Leht\u00ebsia dhe R\u00ebndesa, t\u00eb ndjekura nga dy pjes\u00ebt p\u00ebrfundimtare t\u00eb titulluar Marshimi i Madh dhe Buz\u00ebqeshja e Kareninit.  Ajo p\u00ebrshkon nj\u00eb l\u00ebvizje rrethore, si koha e akrepave t\u00eb nj\u00eb ore, se as akrepat nuk ecin para si t\u00eb \u00e7mendur, por vijn\u00eb rrotull n\u00eb nj\u00eb fush\u00eb ore, dit\u00eb pas dit\u00eb, sipas s\u00eb nj\u00ebjt\u00ebs trajektore.<\/p>\n\n\n\n

\u201cAi ka lindur nga kjo sh\u00ebmb\u00eblltyr\u00eb. Si\u00e7 e kam th\u00ebn\u00eb tashm\u00eb, personazhet nuk lindin nga nj\u00eb trup n\u00ebne si lindin qeniet e gjalla, por nga nj\u00eb situat\u00eb, nj\u00eb fraz\u00eb, nj\u00eb metafor\u00eb e cila mban far\u00ebn e nj\u00eb mund\u00ebsie njer\u00ebzore baz\u00eb, q\u00eb autori mendon se nuk \u00ebsht\u00eb zbuluar ende ose se p\u00ebr t\u00eb nuk \u00ebsht\u00eb th\u00ebn\u00eb ende asgj\u00eb thelb\u00ebsore. Por a nuk themi se nj\u00eb autor s\u2019mund t\u00eb flas\u00eb p\u00ebr tjet\u00ebr gj\u00eb, ve\u00e7se p\u00ebr veten?<\/p>\n\n\n\n

Personazhet e romanit tim jan\u00eb vet\u00eb mund\u00ebsit\u00eb e mia, q\u00eb nuk u realizuan. Prandaj i dua t\u00eb gjith\u00eb dhe t\u00eb gjith\u00eb m\u00eb frik\u00ebsojn\u00eb nj\u00eblloj. Secili prej tyre e ka kaluar kufirin, nd\u00ebrsa un\u00eb vet\u00ebm i kam r\u00ebn\u00eb rrotull. Ky kalim i kufirit (kufiri, p\u00ebrtej t\u00eb cilit mbaron uni im) m\u00eb ndjell. Dhe vet\u00ebm n\u00eb an\u00ebn tjet\u00ebr nis misteri, q\u00eb do t\u00eb zbuloj\u00eb romani. Romani nuk \u00ebsht\u00eb nj\u00eb rr\u00ebfim i autorit, por nj\u00eb eksplorim i jet\u00ebs njer\u00ebzore n\u00eb k\u00ebt\u00eb bot\u00eb, q\u00eb \u00ebsht\u00eb kthyer n\u00eb kurth.\u201d<\/p>\n\n\n\n

Proza postmoderne duket se me vet\u00ebdije shmang \u00e7do vendim p\u00ebrfundimtar, si n\u00eb teknik\u00ebn e rr\u00ebfimit, ashtu edhe n\u00eb rrafshin tematik, por mendjeleht\u00ebsia e saj n\u00eb dukje shpesh p\u00ebrmban mesazhe shum\u00eb serioze, t\u00eb cilat m\u00eb s\u00eb shpeshti rrezatojn\u00eb nj\u00eb lloj pesimizmi p\u00ebr kuptimin e let\u00ebrsis\u00eb.<\/p>\n\n\n\n

Historia e Edipit shfaqet si lajtmotiv n\u00eb l\u00ebvrimin tematik t\u00eb okupimit t\u00eb \u00c7ekosllovakis\u00eb (k\u00ebtu romani t[rthorazi komunikon me vepr\u00ebn e Orhan Pamukut \u201cFlok\u00ebkuqja\u201d) dhe p\u00ebrgjegj\u00ebsis\u00eb t\u00eb elit\u00ebs intelektuale karshi gjendjes n\u00eb vend.<\/p>\n\n\n\n

\u201cNuk ka asnj\u00eb justifikim. Askush nuk ishte aq i pafajsh\u00ebm, thell\u00eb n\u00eb shpirt dhe n\u00eb nd\u00ebrgjegje, sa Edipi. E megjithat\u00eb ai e nd\u00ebshkoi vet\u00eb veten, kur pa se \u00e7\u2019kishte b\u00ebr\u00eb.\u201d<\/p>\n\n\n\n

\u201cEinmail ist keinmail. Nj\u00eb her\u00eb nuk quhet. Nj\u00eb her\u00eb \u00ebsht\u00eb si asnj\u00ebher\u00eb. Historia e Bohemis\u00eb nuk do t\u00eb p\u00ebrs\u00ebritet edhe nj\u00eb her\u00eb, as historia e Evrop\u00ebs. Historia e Bohemis\u00eb dhe historia e Evrop\u00ebs jan\u00eb dy skica t\u00eb ravij\u00ebzuara nga mosp\u00ebrvoja fatale e njer\u00ebzimit. Historia \u00ebsht\u00eb po aq e leht\u00eb sa jeta e individit, e leht\u00eb sa nuk durohet, e leht\u00eb si nj\u00eb pup\u00ebl, si pluhuriza q\u00eb v\u00ebrtitet n\u00eb aj\u00ebr, si nj\u00eb gj\u00eb q\u00eb nes\u00ebr nuk do t\u00eb jet\u00eb m\u00eb.\u201d<\/p>\n\n\n\n

Nga ana tjet\u00ebr, plotfuqia e let\u00ebrsis\u00eb artistike n\u00eb proz\u00ebn bashk\u00ebkohore shpesh ruan nj\u00ebfar\u00eb optimizmi p\u00ebr t\u00eb ardhmen e let\u00ebrsis\u00eb. Besohet se liria e papenguar e shprehjes letrare q\u00eb shkon nduarnduar me pluralizmin e theksuar t\u00eb teknikave dhe pik\u00ebpamjeve, paraqet korniz\u00ebn e nj\u00eb epoke t\u00eb re letrare ,q\u00eb n\u00eb m\u00ebnyra t\u00eb ndryshme i kthehet realizmit, por nuk e ka parasysh t\u00eb nj\u00ebjtin t\u00eb kuptuar t\u00eb realitetit.  <\/p>\n\n\n\n

(vazhdon)<\/p>\n","protected":false},"excerpt":{"rendered":"

Nga Bernard \u00c7obaj Dashurit\u00eb jan\u00eb si perandorit\u00eb po t\u00eb zhduket ideja mbi t\u00eb cil\u00ebn jan\u00eb ngritur, ata shuhen bashk\u00eb me t\u00eb Romani nuk i p\u00ebrshtatet mostr\u00ebs s\u00eb shkrimit realist n\u00eb struktur\u00ebn e vet, por p\u00ebrb\u00ebhet nga disa rr\u00ebfime, me struktur\u00eb romaneske t\u00eb nd\u00ebrthurur me refleksione eseistike. Stili postmodern i Kunder\u00ebs p\u00ebrqafon me duarhapur shum\u00ebsin\u00eb e jet\u00ebs […]<\/p>\n","protected":false},"author":1,"featured_media":37718,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"%%post_title%% %%sep%% %%sitetitle%%","_seopress_titles_desc":"%%post_excerpt%%","_seopress_robots_index":"","footnotes":""},"categories":[2,12],"tags":[],"class_list":["post-37715","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-opinione"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/37715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37715"}],"version-history":[{"count":1,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/37715\/revisions"}],"predecessor-version":[{"id":37719,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/37715\/revisions\/37719"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/37718"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=37715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=37715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}