{"id":35435,"date":"2023-08-11T08:47:03","date_gmt":"2023-08-11T06:47:03","guid":{"rendered":"https:\/\/ulqini-online.com\/sajti\/?p=35435"},"modified":"2023-08-11T08:52:26","modified_gmt":"2023-08-11T06:52:26","slug":"szymborska-e-poezise-shqipe","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=35435","title":{"rendered":"SZYMBORSKA E POEZIS\u00cb SHQIPE"},"content":{"rendered":"
\"Kalimera<\/figure>\n\n\n

(Mbi krijimtarin\u00eb poetike t\u00eb autores Nurie Emrullai)<\/strong><\/p>\n\n\n\n

Nga: Arg\u00ebzon Sulejmani<\/em><\/strong><\/p>\n\n\n\n

Guxoj ta nis\u00eb k\u00ebt\u00eb analiz\u00eb me iden\u00eb e par\u00eb asociative q\u00eb m\u00eb shkoi nd\u00ebrmend vite m\u00eb par\u00eb, pas leximit rishtar t\u00eb poezive t\u00eb autores shqiptare nga Maqedonia e Veriut. Fjala \u00ebsht\u00eb p\u00ebr Nurie Emrullain, nj\u00eb em\u00ebr tashm\u00eb i d\u00ebshmuar dhe i lakuar n\u00eb let\u00ebrsin\u00eb shqipe dhe m\u00eb gjer\u00eb. Me bindjen e par\u00eb prej lexuesi dhe dashamiri t\u00eb poezis\u00eb k\u00ebt\u00eb em\u00ebr e pata sh\u00ebnuar si Szymborska e let\u00ebrsis\u00eb son\u00eb.<\/p>\n\n\n\n

Wislawa Szymborska \u00ebsht\u00eb poetja polake, p\u00ebrkthyesja dhe kritikja letrare n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, nobelistja p\u00ebr let\u00ebrsi e vitit 2006.<\/p>\n\n\n\n

Sikurse vet\u00eb Szymborska ashtu dhe Emrullai, me sa kam lexuar dhe d\u00ebgjuar deri m\u00eb tani, “u ik\u00eb fjal\u00ebve t\u00eb m\u00ebdha, nuk parap\u00eblqen t\u00eb interferoj\u00eb n\u00eb ekspresivitetin e poezive si dhe n\u00eb qend\u00ebr t\u00eb poetik\u00ebs s\u00eb saj gjithnj\u00eb v\u00eb njeriun e dit\u00ebve t\u00eb saj”. Historit\u00eb njer\u00ebzore jan\u00eb historia e njer\u00ebzimit n\u00eb nj\u00ebfar\u00eb m\u00ebnyre – nga prizmi i t\u00eb dy k\u00ebtyre autoreve.<\/p>\n\n\n\n

Kulmi i pjekuris\u00eb sime \/ qenka i barbart\u00eb me pendes\u00ebn \/ e pritjes s\u00eb momentit \/ q\u00eb tani s’\u00ebsht\u00eb m\u00eb i r\u00ebnd\u00ebsish\u00ebm edhe po t\u00eb vij\u00eb. (…)<\/em><\/p>\n\n\n\n

(Poezia: Histori njer\u00ebzore).<\/em><\/p>\n\n\n\n

Gjuh\u00eb poetike q\u00eb synon p\u00ebrsosshm\u00ebrin\u00eb<\/strong><\/p>\n\n\n\n

Meqen\u00ebse poezia \u00ebsht\u00eb si nj\u00eb gjymtyr\u00eb e rrall\u00eb q\u00eb zhvillohet e pse jo dhe transformohet me jet\u00ebn e poetit, mund t\u00eb thuhet q\u00eb poezia e faz\u00ebs s\u00eb par\u00eb t\u00eb Emrullait \u00ebsht\u00eb nj\u00eb poezi e konsoliduar me prirje dhe tendenca drejt inovatives e origjinalitetit. N\u00eb pah vihet ve\u00e7anarisht g\u00ebrshetimi i reales me porosit\u00eb e shumta q\u00eb p\u00ebr\u00e7ohen po me nj\u00eb realiz\u00ebm magjik. Ky kombinim i poetik\u00ebs realiste me at\u00eb lirike-moderniste e b\u00ebn lexuesin pjes\u00ebmarr\u00ebs n\u00eb shum\u00eb prej poezive t\u00eb saj meqen\u00ebse temat e rrokura jan\u00eb universale (pankohore) pavar\u00ebsisht qosheve t\u00eb harruara t\u00eb bot\u00ebs nga ku mund t\u00eb sh\u00ebnohen. Gjuha poetike e Emrullait \u00ebsht\u00eb nj\u00eb gjuh\u00eb poetike e p\u00ebrsosur, stili i saj respekton linj\u00ebn lirike autoriale, kurse p\u00ebrdorimi i figurave letrare shkon n\u00eb sinkron dhe n\u00eb funksion t\u00eb bu\u00e7itjes s\u00eb mesazhit artistik. S\u00eb k\u00ebndejmi, \u00ebsht\u00eb nj\u00eb poezi q\u00eb lexohet leht\u00eb, analizohet qart\u00eb dhe do t\u00eb mund t\u00eb studiohej thell\u00eb var\u00ebsisht prej kapacitetit t\u00eb vet\u00eb lexuesit.<\/p>\n\n\n\n

Po flejn\u00eb qet\u00eb ata q\u00eb harruan koh\u00ebn, \/<\/em><\/p>\n\n\n\n

E ata q\u00eb i harroi koha, s\u2019flejn\u00eb, \u00ebnd\u00ebrrojn\u00eb.<\/em><\/p>\n\n\n\n

(Poezia: thell\u00ebsia)<\/em><\/p>\n\n\n\n

“Locus poetica”<\/strong><\/p>\n\n\n\n

Poezia \u00ebsht\u00eb nj\u00eb \u00e7ast n\u00eb eter. Ka raste kur poeti e kap\u00eb, e p\u00ebrpunon dhe e publikon. Shum\u00eb her\u00eb m\u00eb shum\u00eb se kaq raste ajo bie n\u00eb tok\u00eb dhe zhduket p\u00ebrgjithmon\u00eb si nj\u00eb pend\u00ebl zogu. Mir\u00ebpo, te poezia e Emrullait p\u00ebrve\u00e7se momentumit si muz\u00eb, emocion dhe mendim, \u00ebsht\u00eb edhe vet\u00eb fizikusi i \u00e7astit q\u00eb merr ngjyra poetike dhe n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb: nj\u00eb k\u00ebnd kafeneje, nj\u00eb stacion urbani apo nj\u00eb stol parku b\u00ebhet k\u00ebndsh\u00ebm “locus poetica” ku lexuesi ka d\u00ebshir\u00eb t\u00eb rrij\u00eb, t\u00eb pres\u00eb apo t\u00eb pushoj\u00eb. Lirikat e peizazhit dhe urbanes b\u00ebhen nj\u00eb n\u00eb disa pika sikurse dy telat e vokalit q\u00eb nxjerrin z\u00eb ve\u00e7 nga p\u00ebrp\u00eblitja me nj\u00ebri-tjetrin. Ajo arrin\u00eb mjesht\u00ebrisht t\u00eb ul\u00eb n\u00eb tok\u00eb tema t\u00eb m\u00ebdha t\u00eb koh\u00ebve, si: historia, atdhedashuria, per\u00ebndia, kurse arrin\u00eb t’u jap\u00eb sentenca poetike temave t\u00eb n\u00ebp\u00ebrk\u00ebmbura t\u00eb koh\u00ebve si: p\u00ebrditshm\u00ebria, nd\u00ebrnjer\u00ebzorja dhe mjedisi ku k\u00ebto zhvillohen dhe bashk\u00ebveprojn\u00eb.<\/p>\n\n\n\n

secili pyet sa metra katror\u00eb i duhet t\u00eb gjallit? \/<\/em><\/p>\n\n\n\n

Nj\u00eb taksist i thinjur n\u00eb fund t\u00eb rrug\u00ebs pret dy \/ udh\u00ebtar\u00eb.<\/em><\/p>\n\n\n\n

(Poezia: N\u00eb or\u00ebn moderne t\u00eb per\u00ebndive)<\/em><\/p>\n\n\n\n

Emrullai prezanton nj\u00eb z\u00eb t\u00eb rrall\u00eb, mirkumbues do t\u00eb thonte Koliqi, p\u00ebr let\u00ebrsin\u00eb ton\u00eb. Poezia e saj vjen e qasht\u00ebr, n\u00ebn fjal\u00ebt e njeriut t\u00eb dit\u00ebs, t\u00eb v\u00ebna n\u00eb vendin e merituar. Mesazhi, pa dyshim, \u00ebsht\u00eb qendra e v\u00ebmendjes. Mesazhi \u00ebsht\u00eb i p\u00ebrpunuar qart\u00eb deri n\u00eb thell\u00ebsit\u00eb e detajeve. Poezin\u00eb e p\u00ebrcjell\u00eb nj\u00eb varg i lir\u00eb deri n\u00eb k\u00ebputje dhe kjo duket t\u00eb jet\u00eb melodia p\u00ebrcjell\u00ebse e cila p\u00ebr\u00e7on ankth dhe senzacion nj\u00ebher\u00ebsh.<\/p>\n\n\n\n

N\u00eb krijimtarin\u00eb e saj gjejm\u00eb poezi trivarg\u00ebshe por edhe poema, gj\u00eb q\u00eb e b\u00ebn t\u00eb qart\u00eb se sa shum\u00eb poetja e vler\u00ebson mesazhin poetik; me raste ai vjen direkt, p\u00ebrmbledhtazi, kurse n\u00eb t\u00eb tjera raste, si te poemat, vjen i hap\u00ebrdar\u00eb n\u00eb nj\u00eb hap\u00ebsir\u00eb poetike tejet t\u00eb p\u00ebrpunuar. P\u00ebr k\u00ebt\u00eb arsye, p\u00ebrmbledhjet e Emrullait mund t\u00eb lexohen edhe dit\u00ebve t\u00eb ver\u00ebs, si\u00e7 mund t\u00eb k\u00ebndohen edhe net\u00ebve t\u00eb gjata t\u00eb arbainit.<\/p>\n\n\n\n

Male!\/E lam\u00eb z\u00ebrin \/ n\u00eb nin\u00ebz t\u00eb drit\u00ebs \/ O male! (Poezia: Iso)<\/em><\/p>\n\n\n\n

N\u00eb poezin\u00eb e Emrullait meriton t\u00eb ve\u00e7ohet ve\u00e7anarisht gjuha briliante dhe filozofia e thell\u00eb q\u00eb deliron prej k\u00ebsaj gjuhe. Gjuha, n\u00eb k\u00ebt\u00eb rast, p\u00ebrve\u00e7se mjet \u00ebsht\u00eb dhe objekt t\u00eb cilin poetja e nd\u00ebrton me shum\u00eb pasion e kujdes. Jo m\u00eb kot thuhet q\u00eb e bukura dhe e fuqishmja q\u00ebndron te thjesht\u00ebsia, te qart\u00ebsia. Gjuha poetike e Emrullait vjen e shkarkuar prej stereotipeve t\u00eb autor\u00ebve t\u00eb rinj, k\u00earrusur prej tog\u00ebfjal\u00ebshave q\u00eb t\u00eb marrin frym\u00ebn por s’t\u00eb hapin mendjen. Ajo \u00ebsht\u00eb e qasht\u00ebr dhe e rrjedhshme si burimet e lumenjve t\u00eb rilindasve tan\u00eb, kurse n\u00eb an\u00ebn tjet\u00ebr p\u00ebrmban\u00eb dhe p\u00ebr\u00e7on nj\u00eb filozofi mendimi t\u00eb thell\u00eb q\u00eb t\u00eb merr leht\u00ebsisht me vete nga leximi n\u00eb rilexim. Kjo \u00ebsht\u00eb nj\u00eb perspektiv\u00eb q\u00eb nuk e gjejm\u00eb shum\u00eb t\u00eb p\u00ebrhapur n\u00eb let\u00ebrsin\u00eb ton\u00eb, ndoshta t\u00eb mbingarkuar s\u00eb tep\u00ebrmi me skema, figura, metafora skematike etj. Emrullai n\u00eb k\u00ebt\u00eb drejtim \u00ebsht\u00eb nj\u00eb puhiz\u00eb q\u00eb miklon, nj\u00eb er\u00eb e k\u00ebndshme q\u00eb t\u00eb kujton poetin ton\u00eb t\u00eb ndjer\u00eb Xhevdet Bajrajn ose, deri diku, bashk\u00ebshtetasin e saj, poetin Lulzim Haziri e, n\u00eb rastin m\u00eb emotiv, autorin e saj t\u00eb preferuar Zagajewskin. Gjithsesi, them un\u00eb, kjo poete ka shansin q\u00eb t\u00eb b\u00ebj\u00eb nj\u00eb em\u00ebr t\u00eb vetin, krahasimisht t\u00eb vler\u00ebsuar me penat m\u00eb t\u00eb lexuara t\u00eb let\u00ebrsis\u00eb bot\u00ebrore. N\u00eb k\u00ebt\u00eb rast, lexuesi dhe kritika jon\u00eb nuk duhet t\u00eb pres\u00eb bekimet nd\u00ebrkomb\u00ebtare p\u00ebr vlerat e veta komb\u00ebtare sepse k\u00ebshtu e p\u00ebrjashton veten nga arritjet e emrave t\u00eb dalluar dhe ia c\u00ebnon autorit p\u00ebrfaq\u00ebsimin mbar\u00ebpopullor.<\/p>\n\n\n\n

“Ku do t\u00eb varroset ajo, \/ q\u00eb vendin e varrit t\u00eb vet nuk e lindi?” \/ Se gruan ve\u00e7 f\u00ebmija e lidh p\u00ebr vendit t’vorrit.”<\/em><\/p>\n\n\n\n

(Poezia: P\u00ebr gj\u00ebrat q\u00eb s’flitet)<\/em><\/p>\n\n\n\n

Toni i ri i revolt\u00ebs<\/strong><\/p>\n\n\n\n

Z\u00ebri poetik i Emrullait \u00ebsht\u00eb z\u00eb fem\u00ebror. \u00cbsht\u00eb z\u00eb i bukur. Por nuk \u00ebsht\u00eb i bukur n\u00eb variantin e p\u00ebrditshm\u00ebris\u00eb dhe kall\u00ebpeve t\u00eb parakrijuara. \u00cbsht\u00eb nj\u00eb z\u00eb i qart\u00eb, i formuar dhe i sigurt fem\u00ebror. \u00cbsht\u00eb nj\u00eb z\u00eb q\u00eb t\u00eb l\u00eb pa fjal\u00eb dhe t\u00eb mbush\u00eb me poetik\u00eb. \u00cbsht\u00eb nj\u00eb z\u00eb q\u00eb nuk shkele dhe as nuk shtyn\u00eb. \u00cbsht\u00eb nj\u00eb z\u00eb q\u00eb t\u00eb b\u00ebn p\u00ebr vete, pavar\u00ebsisht dallimeve dhe pik\u00ebv\u00ebshtrimeve. \u00cbsht\u00eb nj\u00eb revolt\u00eb ndryshe nga \u00e7’jemi m\u00ebsuar t\u00eb njohim dhe t\u00eb shohim. \u00cbsht\u00eb modeli i revolt\u00ebs s\u00eb duhur t\u00eb k\u00ebtij shekulli. \u00cbsht\u00eb nj\u00eb z\u00eb i duhur me t\u00eb gjitha dimensionet e duhura.<\/p>\n\n\n\n

Mue, \/ nan\u00ebn, \/ mikeshat e mia, \/ Kan\u00eb me na varros \/ Nj\u00ed met\u00ebr ma thell\u00eb se tjer\u00ebt \/\/ Ve\u00e7 se ishim gra…<\/em><\/p>\n\n\n\n

(Poezia: P\u00ebr gjyshen dhe nan\u00ebn dhe mue – Evat dhe Havat)<\/em><\/p>\n\n\n\n

P\u00ebrve\u00e7 se temat e poezive t\u00eb saj jan\u00eb tema t\u00eb bashk\u00ebkohores, edhe temat e saj rrin\u00eb shum\u00eb af\u00ebr kuptimeve t\u00eb k\u00ebtyre dit\u00ebve. Poetja u rri larg p\u00ebrshkrimeve patetike dhe eksploduese, edhe kur \u00ebsht\u00eb fjala p\u00ebr raportin me temat m\u00eb egzistenciale ose kruciale t\u00eb jet\u00ebs. Ajo flet fort njer\u00ebzisht me Zotin, shprehet me thjesht\u00ebsin\u00eb e amorit me dashurin\u00eb dhe shkruan me nj\u00eb imagjinat\u00eb te pangarkuar infantile kur b\u00ebhet fjal\u00eb p\u00ebr temat m\u00eb konzervatore t\u00eb shoq\u00ebris\u00eb. Kjo i jep krijimtaris\u00eb s\u00eb saj etalonin e nj\u00eb deti q\u00eb secili e merr vesh vet\u00ebm ku fillon. Nj\u00eb poezi e mir\u00eb kumbon dhe nuk mbaron kurr\u00eb.<\/p>\n\n\n\n

Ti mbaj zotin t\u00ebnd \/ un\u00eb timin, \/ at\u00eb q\u00eb e njoh dhe m\u00eb njeh deri n\u00eb frym\u00ebmarrje t\u00eb shpirtit. \/ ai q\u00eb vjen \/ \u00e7do nat\u00eb dhe d\u00ebgjon lutjet e mia, \/ fshin lot\u00ebt nga syt\u00eb e mi.<\/em><\/p>\n\n\n\n

(Poezia: Zotit tim t\u00eb ndjesh\u00ebm).<\/em><\/p>\n\n\n\n

Energji q\u00eb e lart\u00ebson urt\u00ebsin\u00eb fem\u00ebrore<\/strong><\/p>\n\n\n\n

Deri m\u00eb sot, let\u00ebrsia shqipe ka p\u00ebrdor\u00eb e keqp\u00ebrdor\u00eb ne mas\u00eb t\u00eb madhe historit\u00eb orale t\u00eb trash\u00ebguara brez m\u00eb brez ose vesh m\u00eb vesh. Sidomos n\u00eb poezi, k\u00ebsodore, jan\u00eb shfryt\u00ebzuar shum\u00eb histori, biles shum\u00eb aforizma q\u00eb b\u00ebjn\u00eb qen\u00ebsoren p\u00ebr nj\u00eb pjes\u00eb t\u00eb madhe t\u00eb atyre poezive. Por, fjala nuk e p\u00ebr\u00e7on gjithnj\u00eb frym\u00ebn dhe energjin\u00eb e nj\u00eb populli apo nj\u00eb gjuhe. \u00cbsht\u00eb pik\u00ebrisht, fryma dhe energjia e femr\u00ebs shqiptare q\u00eb z\u00eb vend fort bindsh\u00ebm n\u00eb poetik\u00ebn e Emrullait. Nj\u00eb z\u00eb i \u00ebmb\u00ebl, me psher\u00ebtima t\u00eb shumta, nj\u00eb mendje q\u00eb punon shpejt dhe nj\u00eb fjal\u00eb q\u00eb del kujdessh\u00ebm jan\u00eb ve\u00e7orit\u00eb e poetik\u00ebs s\u00eb shqiptares s\u00eb shum\u00eb shekujve q\u00eb vihet re qart\u00ebsisht n\u00eb shumic\u00ebn e poezive t\u00eb Emrullait. Kjo frym\u00eb ju mungon let\u00ebrsive t\u00eb vogla demografike t\u00eb cilat kan\u00eb prirje tu jepen rrymave t\u00eb let\u00ebrsive t\u00eb m\u00ebdha t\u00eb k\u00ebsaj natyre dhe t\u00eb cilat k\u00ebto tema mund t’i ken\u00eb tejkaluar ose margjinalizuar p\u00ebrkoh\u00ebsisht. Ndaj\u00eb bindjen q\u00eb urt\u00ebsia shqiptare do t\u00eb p\u00ebrfitonte shum\u00eb n\u00ebse do t\u00eb p\u00ebrpunoheshin dhe sh\u00ebnoheshin pa ngarkesa t\u00eb s\u00eb sotmes goj\u00ebdh\u00ebnat e urtakeve shqiptare me n\u00eb sfond murrlanin e koh\u00ebve p\u00ebrkat\u00ebse.<\/p>\n\n\n\n

Fjal\u00ebt p\u00ebrkunden n\u00eb goj\u00ebn ton\u00eb, \/ han\u00eb nga net\u00ebt tona n\u00eb urin\u00eb e jet\u00ebs: \/ rr\u00ebfimi i jet\u00ebs suaj do t\u00eb filloj\u00eb me \/ \u201cNa ishte nj\u00ebher\u00eb\u2026\u201d<\/em><\/p>\n\n\n\n

(Poezia: Na ishte nj\u00ebher\u00eb).<\/em><\/p>\n\n\n\n

P\u00ebr gjith\u00e7ka u tha, poezia e Emrullait meriton t\u00eb lexohet dhe analizohet, meriton lexues t\u00eb zgjedhur dhe \u00ebsht\u00eb zgjedhja m\u00eb e mir\u00eb p\u00ebr secilin q\u00eb k\u00ebrkon ta mbush\u00eb dit\u00ebn dhe jet\u00ebn me elemente poetike. \u00cbsht\u00eb nj\u00eb poezi q\u00eb godet me mesazhe t\u00eb qarta t\u00eb cilat hapin perde dhe nxisin pik\u00ebv\u00ebshtrime. N\u00eb an\u00ebn tjet\u00ebr, pa as m\u00eb t\u00eb voglin dyshim, poezia e saj p\u00ebrmban\u00eb nj\u00eb am\u00eb t\u00eb pasur leksikore dhe poetike q\u00eb mund t’u hyj\u00eb n\u00eb pun\u00eb studiuesve dhe l\u00ebvruesve t\u00eb let\u00ebrsis\u00eb e poezis\u00eb. Koha do ta d\u00ebshmoj\u00eb, por ndaj bindjen q\u00eb, shum\u00eb vargje t\u00eb Emrullait, me koh\u00ebn do t\u00eb b\u00ebhen komponent\u00eb aforizmatik dhe refrene sh\u00ebnjuese. Dhe, n\u00eb nj\u00eb bot\u00eb q\u00eb e p\u00ebrs\u00ebrit\u00eb pambarimisht veten, nuk mund t\u00eb ket\u00eb ndales\u00eb dhe sh\u00ebnim m\u00eb t\u00eb mir\u00eb se refrenet poetike.<\/p>\n\n\n\n

Nurie Emrullai<\/strong> (1992), nga K\u00ebr\u00e7ova e Maqedonis\u00eb s\u00eb Veriut. Ka mbaruar Fakultetin p\u00ebr gjuh\u00eb dhe let\u00ebrsi, aktualisht \u00ebsht\u00eb pedagoge n\u00eb Universitetin e Tetov\u00ebs. Ka qen\u00eb pjes\u00eb e shum\u00eb mbr\u00ebmjeve dhe festivaleve poetike, \u00ebsht\u00eb p\u00ebrzgjedhur si pjes\u00ebmarr\u00ease e shum\u00eb antologjive poetike si dhe \u00ebsht\u00eb fituese e shum\u00eb \u00e7mimeve letrare komb\u00ebtare e nd\u00ebrkomb\u00ebtare. \u00cbsht\u00eb autore e tri librave me poezi: “P\u00ebr gjysm\u00ebn tjet\u00ebr t\u00eb h\u00ebn\u00ebs, Syth, Tetov\u00eb, 2019; “Vargmale n\u00ebn dh\u00e9”, Onufri, Tiran\u00eb, 2020; “N\u00eb or\u00ebn moderne t\u00eb Per\u00ebndive”, Onufri, Tiran\u00eb, 2021. S\u00eb fundmi \u00ebsht\u00eb fituese e \u00e7mimit Kadare me romanin “Duhet t\u00eb jet\u00eb dashuri”, Onufri 2023.<\/p>\n\n\n\n

Autorja ka nderuar qytetin e Ulqinit si dhe dashamir\u00ebt e kultur\u00ebs, me mbr\u00ebmje autoriale n\u00eb kuad\u00ebr t\u00eb manifestimit t\u00eb p\u00ebrvitsh\u00ebm “Kalimera Poetike Basri \u00c7apriqi” edicioni i 31-t\u00eb, mbr\u00ebmje e cila \u00ebsht\u00eb mbajtur n\u00eb Muzeun Etnografik n\u00eb Dragin\u00eb – Ulqin.<\/p>\n\n\n\n

Koha Javore, dt. 10.08.2023, nr. 1072.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

(Mbi krijimtarin\u00eb poetike t\u00eb autores Nurie Emrullai) Nga: Arg\u00ebzon Sulejmani Guxoj ta nis\u00eb k\u00ebt\u00eb analiz\u00eb me iden\u00eb e par\u00eb asociative q\u00eb m\u00eb shkoi nd\u00ebrmend vite m\u00eb par\u00eb, pas leximit rishtar t\u00eb poezive t\u00eb autores shqiptare nga Maqedonia e Veriut. Fjala \u00ebsht\u00eb p\u00ebr Nurie Emrullain, nj\u00eb em\u00ebr tashm\u00eb i d\u00ebshmuar dhe i lakuar n\u00eb let\u00ebrsin\u00eb shqipe […]<\/p>\n","protected":false},"author":1,"featured_media":35395,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"%%post_title%% %%sep%% %%sitetitle%%","_seopress_titles_desc":"%%post_excerpt%%","_seopress_robots_index":"","footnotes":""},"categories":[2,6,12],"tags":[],"class_list":["post-35435","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-kulture","category-opinione"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/35435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35435"}],"version-history":[{"count":1,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/35435\/revisions"}],"predecessor-version":[{"id":35438,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/35435\/revisions\/35438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/35395"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=35435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=35435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}