{"id":32851,"date":"2022-08-05T13:16:32","date_gmt":"2022-08-05T11:16:32","guid":{"rendered":"https:\/\/ulqini-online.com\/sajti\/?p=32851"},"modified":"2022-08-05T13:21:12","modified_gmt":"2022-08-05T11:21:12","slug":"vazhdimesia-e-tradites-dhe-rikthimi-ne-kalane-e-ulqinit","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=32851","title":{"rendered":"Vazhdim\u00ebsia e tradit\u00ebs dhe rikthimi n\u00eb Kalan\u00eb e Ulqinit"},"content":{"rendered":"<figure class=\"wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"400\" src=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2021\/02\/kalaja-e-ulqinit.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" style=\"object-fit:cover;\" srcset=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2021\/02\/kalaja-e-ulqinit.jpg 300w, https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2021\/02\/kalaja-e-ulqinit-225x300.jpg 225w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n<p>Shoqata e Artist\u00ebve dhe Intelektual\u00ebve \u201cArt Club\u201d organizoi m\u00eb 27-29 korrik 2022, n\u00eb mjediset e Muzeut n\u00eb Kalan\u00eb e Ulqinit, edicionin e 30-t\u00eb jubilar t\u00eb manifestimit letrar \u201cKalimera Poetike \u2013 Basri \u00c7apriqi\u201d. Pas tre viteve, p\u00ebr shkak t\u00eb pandemis\u00eb, \u201cKalimera Poetike \u2013 Basri \u00c7apriqi\u201d u rikthye n\u00eb Kalan\u00eb e Ulqinit, n\u00eb vendin ku dhe n\u00eb koh\u00ebn kur organizohet zakonisht.<br>N\u00eb fjal\u00ebn e hapjes, kryetari i SHAI \u201cArt Club\u201d, Ismet Kallaba, ka th\u00ebn\u00eb se pavar\u00ebsisht faktit se t\u00eb jetosh nga let\u00ebrsia sot \u00ebsht\u00eb (pothuajse) e pamundur, shkrimtar\u00ebt e v\u00ebrtet\u00eb p\u00ebrpiqen ta ruajn\u00eb rolin e saj iluminues n\u00eb shoq\u00ebri.<br>Duke folur p\u00ebr manifestimin letrar \u201cKalimera Poetike\u201d, ai ka th\u00ebn\u00eb se ky manifestim \u00ebsht\u00eb p\u00ebrpjekur dhe ka arritur t\u00eb ruaj\u00eb cil\u00ebsin\u00eb e vet, duke ftuar jo shkrimtar\u00ebt m\u00eb n\u00eb \u201cmod\u00eb\u201d t\u00eb koh\u00ebs, por ata q\u00eb me shkrimin e tyre kan\u00eb l\u00ebn\u00eb gjurm\u00eb n\u00eb let\u00ebrsi.<br>\u201cAjo ka krijuar nj\u00eb tradit\u00eb t\u00eb mir\u00eb, por t\u00eb ruash vazhdim\u00ebsin\u00eb dhe tradit\u00ebn \u00ebsht\u00eb gj\u00ebja m\u00eb e v\u00ebshtir\u00eb. E personifikuar me emrin e poetit dhe studiuesit t\u00eb ndjer\u00eb Basri \u00c7apriqi, edhe pas 30 vitesh ajo zhvillohet me po t\u00eb nj\u00ebjtin pasion t\u00eb fillimit, duke ruajtur identitetin shqiptar n\u00eb k\u00ebto treva\u201d, ka th\u00ebn\u00eb ai.<br>Gjat\u00eb tri net\u00ebve u mbajt\u00ebn mbr\u00ebmje autoriale me shkrimtar\u00ebt Ylljet Ali\u00e7ka, Donika Dabishevci dhe Dragan Radulloviq, tre autor\u00eb ku secili krijon n\u00eb m\u00ebnyr\u00ebn e vet, n\u00eb forma dhe tematika t\u00eb larmishme, te krijimtaria e t\u00eb cil\u00ebve mish\u00ebrohet m\u00eb s\u00eb miri let\u00ebrsia si art i fjal\u00ebs dhe na p\u00ebrkujton se e para \u00ebsht\u00eb (mbetet) fjala.<\/p>\n\n\n\n<p><strong>Leht\u00ebsia e pap\u00ebrballueshme e rr\u00ebfimit<br><\/strong>Mbr\u00ebmja e par\u00eb autoriale iu kushtua shkrimtarit Ylljet Ali\u00e7ka, i njohur p\u00ebr lexuesin e huaj po aq sa p\u00ebr at\u00eb shqiptar, let\u00ebrsia dhe skenaret e t\u00eb cilit ironizojn\u00eb absurditetin komunist dhe t\u00eb transicionit shqiptar.<br>N\u00eb bised\u00eb me shkrimtarin Mark Lucgjonaj, Ali\u00e7ka ka folur p\u00ebr krijimtarin\u00eb e tij t\u00eb dyzuar nd\u00ebmjet let\u00ebrsis\u00eb dhe kinematografis\u00eb, arsyen pse ka filluar t\u00eb shkruaj von\u00eb, r\u00ebnd\u00ebsin\u00eb e takimeve promovuese p\u00ebr shkrimtar\u00ebt etj.<br>Ai ka treguar se ka mbaruar p\u00ebr biologji dhe nuk ka pasur ndonj\u00eb \u00ebnd\u00ebrr p\u00ebr t\u2019u b\u00ebr\u00eb shkrimtar ndonj\u00ebher\u00eb.<br>\u201cLet\u00ebrsia e ndaluar na ka nxitur shum\u00eb n\u00eb at\u00eb koh\u00eb q\u00eb t\u00eb lexojm\u00eb sa m\u00eb shum\u00eb, t\u00eb gjurmonim libra n\u00eb gjuh\u00eb t\u00eb huaj, t\u00eb ndaluar. Kjo ka diktuar edhe shijen e leximit, q\u00eb qe shum\u00eb e lart\u00eb. Pra, gjat\u00eb diktatur\u00ebs, nj\u00eb nga ato \u2018meritat\u2019 q\u00eb mund t\u2019i quajm\u00eb, ka qen\u00eb shija e leximit dhe v\u00ebmendja ndaj kultur\u00ebs, kryesisht asaj t\u00eb ndaluar. Nd\u00ebrsa sot ka nj\u00eb ndryshim t\u00eb madh ndaj asaj q\u00eb do ta quaja shije e let\u00ebrsis\u00eb\u201d, ka th\u00ebn\u00eb shkrimtari.<br>Ali\u00e7ka ka theksuar se t\u00eb shkruarit i jep k\u00ebnaq\u00ebsi.<br>\u201cAto pak libra q\u00eb kam shkruar, m\u00eb kan\u00eb dh\u00ebn\u00eb k\u00ebnaq\u00ebsi, jan\u00eb p\u00ebrkthyer n\u00eb disa gjuh\u00eb. Mbi librat e mi jan\u00eb b\u00ebr\u00eb edhe disa filma, me t\u00eb cilin krenohem me filmin \u201cSlogans\u201d (Parullat), i cili n\u00eb vitin 2002 u p\u00ebrzgjodh n\u00eb Festivalin e Filmit n\u00eb Kan\u00eb dhe mori nj\u00eb \u00e7mim kritike aty. Q\u00eb nga ajo dit\u00eb, un\u00eb tregimet e mia ose librat e mi i p\u00ebrshtas p\u00ebr skenare filmi. Pra, merrem me t\u00eb dyja tani, edhe me let\u00ebrsi, edhe me kinematografi\u201d, \u00ebsht\u00eb shprehur shkrimtari.<br>P\u00ebr krijimtarin\u00eb e tij ka folur studiuesja e let\u00ebrsis\u00eb dhe pedagogia Prof. dr. Persida Asllani, e cila ka th\u00ebn\u00eb se n\u00ebse ka di\u00e7ka q\u00eb e b\u00ebn kaq t\u00eb paharrueshme p\u00ebrvoj\u00ebn e leximit t\u00eb vepr\u00ebs s\u00eb Ylljetit \u00ebsht\u00eb leht\u00ebsia e pap\u00ebrballueshme e rr\u00ebfimit.<br>\u201cDo t\u00eb thot\u00eb, \u00ebsht\u00eb nj\u00eb rr\u00ebfim q\u00eb nuk mund ta harrosh m\u00eb, sepse \u00ebsht\u00eb nj\u00eb rr\u00ebfim q\u00eb trondit.<br>Dhe mendoj q\u00eb kjo tronditje, ky s\u00ebmbim q\u00eb t\u00eb l\u00eb gjat\u00eb leximit, por edhe pas leximit, m\u00ebnyra e shkrimit t\u00eb Ylljetit ushqehet ose buron tek ai paradoks, shum\u00eb l\u00ebndues p\u00ebr mua, por edhe shum\u00eb i v\u00ebrtet\u00eb, i rr\u00ebfimit t\u00eb absurdit dhe t\u00eb tragjikes, p\u00ebrmes ironis\u00eb. \u00cbsht\u00eb kjo nj\u00eb gjendje shum\u00eb e ve\u00e7ant\u00eb e shkrimit, q\u00eb nuk e gjen leht\u00eb, ndon\u00ebse tradita shqiptare \u00ebsht\u00eb e pasur me shkrimin e satir\u00ebs apo shkrimin ironik\u201d, ka th\u00ebn\u00eb ajo<\/p>\n\n\n\n<p><strong>Poetja e lirikave t\u00eb fuqishme t\u00eb dashuris\u00eb<br><\/strong>Mbr\u00ebmja e dyt\u00eb autoriale i \u00ebsht\u00eb kushtuar poetes Donika Dabishevci nga Kosova, nj\u00eb z\u00eb fem\u00ebror i ve\u00e7ant\u00eb dhe i fuqish\u00ebm n\u00eb let\u00ebrsin\u00eb shqipe, e cila lirin\u00eb poetike e p\u00ebrdor p\u00ebr t\u00eb thyer tabut\u00eb.<br>N\u00eb bashk\u00ebbisedim me poetin, studiuesin e let\u00ebrsis\u00eb dhe profesorin universitar Arben Prendi, poetja ka folur p\u00ebr receptimin, kuptimin dhe m\u00ebnyr\u00ebn e interpretimit t\u00eb poezis\u00eb s\u00eb saj nga kritika dhe lexuesi.<br>Ajo ka th\u00ebn\u00eb se m\u00eb mir\u00eb se vet\u00eb poezia, nuk beson se asnj\u00eb lloj interpretimi mund t\u00eb flas\u00eb, aq m\u00eb pak interpretimi i vet\u00eb autorit.<br>\u201cDihet q\u00eb n\u00eb momentin q\u00eb botohet nj\u00eb tekst, ai nuk i p\u00ebrket m\u00eb autorit. \u00cbsht\u00eb i lexuesit dhe kuptimi\u2026 Dometh\u00ebn\u00eb, secili lexues ia mvesh tekstit at\u00eb p\u00ebrvoj\u00ebn e vet, dhe tashm\u00eb ai \u00ebsht\u00eb pjes\u00eb e secilit prej tyre n\u00eb variantet e tyre\u201d, ka th\u00ebn\u00eb poetja.<br>Duke folur p\u00ebr temat q\u00eb mbizot\u00ebrojn\u00eb n\u00eb krijimtarin\u00eb e saj poetike, si dashuria dhe vdekja, Dabishevci ka th\u00ebn\u00eb se \u201cDashuria dhe vdekja jan\u00eb prej atyre temave t\u00eb p\u00ebrbotshme q\u00eb e kan\u00eb sunduar let\u00ebrsin\u00eb prej antikitetit deri m\u00eb sot. Besoj se p\u00ebr \u00e7do autor \u00ebsht\u00eb k\u00ebnaq\u00ebsi t\u00eb vet\u00ebidentifikohet me k\u00ebto dy tema\u201d.<br>P\u00ebr krijimtarin\u00eb e saj ka folur poetja Vlora Ademi, sipas s\u00eb cil\u00ebs, Dabishevci shquhet p\u00ebr poezi me karakter personal e intim, pra p\u00ebr lirika t\u00eb fuqishme dashurie.<br>\u201cLirika ku shohim trupin e shpirtin e gruas tek tundohet fort e jepet me t\u00ebr\u00eb qenien, pa pyetur p\u00ebr barriera konvencionale e as morale. Pra, n\u00eb poezit\u00eb e Donik\u00ebs gjejm\u00eb erotizimin, q\u00eb kritika ndonj\u00ebher\u00eb e ka cil\u00ebsuar edhe si ekstrem e q\u00eb merr vler\u00eb m\u00eb spektakolare n\u00eb shoq\u00ebrin\u00eb ton\u00eb, pasi shkruhet nga nj\u00eb grua\u201d, ka th\u00ebn\u00eb ajo.<br>Ademi ka th\u00ebn\u00eb se duke qen\u00eb se Dabishevci ka studiuar dhe doktoruar n\u00eb let\u00ebrsi, n\u00eb forma dhe diskurse letrare, e njeh teorin\u00eb, e njeh let\u00ebrsin\u00eb, e njeh tradit\u00ebn e t\u00eb shkruarit dhe domosdo me vet\u00ebdije ka zgjedhur t\u00eb hudhet n\u00eb k\u00ebt\u00eb terren jo t\u00eb leht\u00eb t\u00eb t\u00eb shkruarit duke i njohur sfidat, qoft\u00eb n\u00eb aspektin ideor, por nj\u00ebkoh\u00ebsisht edhe atij t\u00eb receptimit.<br>\u201cPra, Donika shkelmon kufijt\u00eb tradicional\u00eb q\u00eb i kan\u00eb v\u00ebn\u00eb rol gruas. Them barrikadat. Shp\u00ebrthen si vullkan pa frik\u00eb. Pa frik\u00eb p\u00ebr at\u00eb se si pranohet nga t\u00eb tjer\u00ebt e po ashtu edhe pa merak p\u00ebr pasojat. Sepse ajo \u2013 pra subjekti lirik n\u00eb poezit\u00eb e saj, e ka t\u00eb qart\u00eb rrug\u00ebn p\u00ebr ku \u00ebsht\u00eb nisur, e po ashtu edhe m\u00ebnyr\u00ebn se si do t\u00eb shkoj\u00eb, si do t\u00eb vrapoj\u00eb\u201d, ka th\u00ebn\u00eb ajo.<br>Gjat\u00eb mbr\u00ebmjes vet\u00eb Dabishevci ka lexuar vargje t\u00eb saj p\u00ebr publikun e pranish\u00ebm.<\/p>\n\n\n\n<p><strong>Let\u00ebrsia si pjes\u00eb e angazhimit shoq\u00ebror<br><\/strong>Dita e tret\u00eb e manifestimit ka filluar me p\u00ebrurimin e antologjis\u00eb n\u00eb proz\u00eb \u201cKalimera rr\u00ebfen\u201d n\u00eb liqenin e Shasit. N\u00eb antologji jan\u00eb p\u00ebrfshir\u00eb 21 autor\u00eb pjes\u00ebmarr\u00ebs n\u00eb \u201cKalimera Poetike \u2013 Basri \u00c7apriqi\u201d nd\u00ebr vite. P\u00ebrzgjedhjen e ka b\u00ebr\u00eb studiuesja e let\u00ebrsis\u00eb Liridona Sinishtaj \u2013 Do\u00e7e, e cila ka shkruar edhe parath\u00ebnien q\u00eb i paraprin\u00eb antologjis\u00eb.<br>Edicioni i sivjetsh\u00ebm ka p\u00ebrfunduar me mbr\u00ebmjen autoriale me shkrimtarin malazias Dragan Radulloviq, i cili let\u00ebrsin\u00eb e sheh si pjes\u00eb e angazhimit t\u00eb tij shoq\u00ebror. N\u00eb bised\u00eb me poetin Enes Haliloviq, ai ka folur p\u00ebr krijimtarin\u00eb e tij dhe shum\u00eb \u00e7\u00ebshtje aktuale n\u00eb fush\u00ebn e let\u00ebrsis\u00eb.<br>Ai ka th\u00ebn\u00eb se vitet \u201990 kan\u00eb pasur ndikim vendimtar n\u00eb m\u00ebnyr\u00ebn e perceptimit t\u00eb gj\u00ebrave dhe n\u00eb krijimtarin\u00eb e tij.<br>\u201cRealiteti n\u00eb t\u00eb cilin kam qen\u00eb d\u00ebshmitar dhe ajo \u00e7far\u00eb ka ndodhur m\u00eb von\u00eb, ka p\u00ebrcaktuar edhe krijimtarin\u00eb time. Ajo periudh\u00eb nuk ka p\u00ebrcaktuar vet\u00ebm m\u00ebnyr\u00ebn e mendimit tim, por edhe m\u00ebnyr\u00ebn e leximit t\u00eb librave, m\u00ebnyr\u00ebn n\u00eb t\u00eb cil\u00ebn e kuptoj realitetin dhe at\u00eb \u00e7far\u00eb ndodh.<br>Mendoj se \u00e7do gj\u00eb q\u00eb ndodh sot i ka rr\u00ebnj\u00ebt diku n\u00eb vitet \u201990\u201d, ka th\u00ebn\u00eb Radulloviq.<br>Krahas let\u00ebrsis\u00eb, publiku i pranish\u00ebm ka shijuar tingujt muzikor\u00eb t\u00eb instrumentist\u00ebve nga Shkodra \u2013 Ares Fani n\u00eb kitar\u00eb dhe Anton Kaftalli e Elvis Buraniqi n\u00eb violin\u00eb. Ediconi i sivjetsh\u00ebm u mbajt n\u00eb kuad\u00ebr t\u00eb Festivalit \u201cSkena Verore\u201d.<br>\u201cKalimera Poetike \u2013 Basri \u00c7apriqi\u201d \u00ebsht\u00eb ngjarja m\u00eb e r\u00ebnd\u00ebsishme n\u00eb fush\u00ebn e let\u00ebrsis\u00eb nd\u00ebr shqiptar\u00ebt n\u00eb Malin e Zi. Ajo i ka dh\u00ebn\u00eb impuls jet\u00ebs kulturore n\u00eb Ulqin, sidomos gjat\u00eb ver\u00ebs, dhe ia ka rritur namin Ulqinit n\u00eb rrafshin kulturor gjith\u00ebkomb\u00ebtar. P\u00ebrgjat\u00eb viteve, n\u00eb sken\u00ebn e \u201cKalimer\u00ebs Poetike\u201d kan\u00eb parakaluar shum\u00eb shkrimtar\u00eb t\u00eb shquar, pastaj piktor\u00eb akademik\u00eb, disa prej t\u00eb cil\u00ebve nuk jetojn\u00eb m\u00eb, por q\u00eb me emrin dhe vepr\u00ebn e tyre kan\u00eb krijuar historin\u00eb e k\u00ebtij manifestimi.<\/p>\n\n\n\n<p><strong>\/I.K. Koha Javore\/<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shoqata e Artist\u00ebve dhe Intelektual\u00ebve \u201cArt Club\u201d organizoi m\u00eb 27-29 korrik 2022, n\u00eb mjediset e Muzeut n\u00eb Kalan\u00eb e Ulqinit, edicionin e 30-t\u00eb jubilar t\u00eb manifestimit letrar \u201cKalimera Poetike \u2013 Basri \u00c7apriqi\u201d. Pas tre viteve, p\u00ebr shkak t\u00eb pandemis\u00eb, \u201cKalimera Poetike \u2013 Basri \u00c7apriqi\u201d u rikthye n\u00eb Kalan\u00eb e Ulqinit, n\u00eb vendin ku dhe n\u00eb [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":28331,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"%%post_title%%","_seopress_titles_desc":"%%post_excerpt%%","_seopress_robots_index":"","footnotes":""},"categories":[2,12],"tags":[],"class_list":["post-32851","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-opinione"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/32851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32851"}],"version-history":[{"count":1,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/32851\/revisions"}],"predecessor-version":[{"id":32853,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/32851\/revisions\/32853"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/28331"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}