{"id":30211,"date":"2021-11-05T21:00:12","date_gmt":"2021-11-05T20:00:12","guid":{"rendered":"https:\/\/ulqini-online.com\/sajti\/?p=30211"},"modified":"2021-11-05T21:00:12","modified_gmt":"2021-11-05T20:00:12","slug":"kuja-qiellit-i-jep-lajm","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=30211","title":{"rendered":"KUJA QIELLIT I JEP LAJM"},"content":{"rendered":"\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

(In memoriam: Dritan Kurti 1978-2020)<\/strong><\/p>\n\n\n\n

Shkruan: <\/strong>Arg\u00ebzon Sulejmani  <\/strong><\/p>\n\n\n\n

A do t\u00eb mund t\u00eb njohin legjendat shqiptare nj\u00eb histori t\u00eb re, at\u00eb t\u00eb kryevalltarit q\u00eb, n\u00eb fluturim valltar\u00eb e sip\u00ebr, ik\u00eb dhe s’kthehet m\u00eb!? A ju duhej legjendave shqiptare nj\u00eb rr\u00ebfim i ri, nj\u00eb dram\u00eb e re, nj\u00eb em\u00ebr i ri!? Si do t\u00eb mund ta titullonim rr\u00ebfimin!? Si do t\u00eb mund ta skiconim dram\u00ebn!? Po emrin!? Vet\u00ebm emrin mund t’ua them. Vet\u00ebm emrin dhe ua kam th\u00ebn\u00eb t\u00eb gjith\u00ebn.<\/em><\/strong><\/p>\n\n\n\n

Dritan Kurti.<\/em><\/strong><\/p>\n\n\n\n

(…)K\u00ebshtu mes qiellit dhe tok\u00ebs<\/p>\n\n\n\n

Vallja u lind, vallja u shpall;<\/p>\n\n\n\n

K\u00ebmba sinjale i \u00e7on tok\u00ebs<\/p>\n\n\n\n

Dhe dora qiellit i jep lajm. (…)<\/p>\n\n\n\n

(Vallja shqiptare – Ismail Kadare<\/em>)  <\/p>\n\n\n\n

\u201cVallja shqiptare\u201d e Ismail Kadares\u00eb, sipas mendimit tim, \u00ebsht\u00eb nd\u00ebr poezit\u00eb m\u00eb t\u00eb realizuara t\u00eb poetik\u00ebs shqiptare. Nd\u00ebrthur\u00eb nj\u00eb varg elementesh q\u00eb sado t’i cek\u00ebsh, nuk i thua asnj\u00ebher\u00eb t\u00eb gjitha. Jasht\u00eb arsyes p\u00ebr \u00e7far\u00eb do t’i referohem k\u00ebsaj radhe, gjithnj\u00eb tek kjo poezi m\u00eb ka b\u00ebr\u00eb p\u00ebrshtypje nd\u00ebrlidhja tok\u00eb-njeri-qiell p\u00ebrmes dy elementeve dalluese t\u00eb p\u00ebrditshm\u00ebris\u00eb shqiptare, q\u00eb nga koha n\u00eb koh\u00eb p\u00ebrcillen mandej si vlera folkloristike: oping\u00ebs dhe shamis\u00eb. Brenda arsyes p\u00ebr \u00e7far\u00eb do t’i referohem k\u00ebt\u00eb her\u00eb, gjithnj\u00eb tek kjo poezi m\u00eb ka magjepsur “hareja dhe krenaria” kadareane q\u00eb nuk \u00ebsht\u00eb se jan\u00eb tipare dalluese t\u00eb krijimtaris\u00eb s\u00eb tij, n\u00eb t\u00eb cil\u00ebn vdekja, gjaku dhe vaji jan\u00eb kryezot. M\u00eb tej, n\u00ebse i ve\u00e7ojm\u00eb k\u00ebsaj poezie dhe “prillin e dhjetorin”, a do t\u00eb p\u00ebrmbusheshin k\u00ebsisoj kriteret p\u00ebr cil\u00ebsimin e k\u00ebsaj kryevepre si qenje antagoniste e kryetitujve kadarean\u00eb!?<\/p>\n\n\n\n

Mund t\u00eb jet\u00eb vet\u00eb arsyeja q\u00eb nj\u00eb pen\u00eb sip\u00ebrane bot\u00ebrore dhe shqiptare, ose shqiptare dhe bot\u00ebrore, si Kadare, q\u00eb njihet p\u00ebr motivet e flijimit n\u00eb kryeveprat e veta, “thyen” n\u00eb mes pritjet e lexuesit patritot (\u00e7do lexues \u00ebsht\u00eb patriot) duke e b\u00ebr\u00eb k\u00ebt\u00eb poezi, sipas mendimit tim, p\u00ebrkrenare t\u00eb valles shqiptare.<\/p>\n\n\n\n

Pik\u00ebrisht “thyerjen” do ta p\u00ebrdor\u00eb n\u00eb k\u00ebt\u00eb rast, duke e lutur pen\u00ebn dhe gjendjen t\u00eb m\u00eb dal\u00eb n\u00eb ndihm\u00eb. Do ta “thyej\u00eb” vallen shqiptare n\u00eb pik\u00ebn e saj m\u00eb t\u00eb larg\u00ebt, tek morti. Sepse, t\u00eb par\u00ebt tan\u00eb na lan\u00eb postulate t\u00eb pakontestueshme, nj\u00eb nga to: “vaji i burrit asht kanga”.<\/p>\n\n\n\n

***<\/p>\n\n\n\n

A mund t\u00eb praj\u00eb k\u00ebnga kur p\u00ebrtok\u00eb shtrihet kryevalltari apo thjesht\u00eb nd\u00ebrron frekuenc\u00eb dhe nis\u00eb e ua thot\u00eb qiejve at\u00eb q\u00eb deri at\u00ebher\u00eb po e mish\u00ebronte te kryevalltari!?<\/p>\n\n\n\n

A do t\u00eb njohin legjendat shqiptare nj\u00eb histori t\u00eb re, at\u00eb t\u00eb kryevalltarit q\u00eb, n\u00eb fluturim valltar\u00eb e sip\u00ebr, ik\u00eb dhe s’kthehet m\u00eb!?<\/p>\n\n\n\n

A ju duhej legjendave shqiptare nj\u00eb rr\u00ebfim i ri, nj\u00eb dram\u00eb e re, nj\u00eb em\u00ebr i ri!?<\/p>\n\n\n\n

Si do t\u00eb mund ta titullonim rr\u00ebfimin!?<\/p>\n\n\n\n

Si do t\u00eb mund ta skiconim dram\u00ebn!? Po emrin!?<\/p>\n\n\n\n

Vet\u00ebm emrin mund t’ua them un\u00eb. Vet\u00ebm emrin dhe ua kam th\u00ebn\u00eb t\u00eb gjith\u00ebn.<\/p>\n\n\n\n

Dritan Kurti.<\/p>\n\n\n\n

Po p\u00ebrcillja nga Prishtina mbr\u00ebmjen p\u00ebrkujtimore “Nj\u00eb vit pa Dritanin” q\u00eb po mbahej n\u00eb shkoll\u00ebn time, n\u00eb shkoll\u00ebn ton\u00eb n\u00eb Kat\u00ebrkoll\u00eb, aty ku Dritani ve\u00e7 tjerash edhe jepte m\u00ebsim. Vite m\u00eb par\u00eb, po aty, Shoqata “Ora”, kryetar i s\u00eb cil\u00ebs ishte vet Dritani, pat organizuar mbr\u00ebmjen artistike t\u00eb manifestimit tradicional “Pranvera n\u00eb An\u00eb t\u00eb Malit – Ulqin”. N\u00eb kuad\u00ebr t\u00eb asaj nate u b\u00eb ekspozimi i dhjet\u00ebra instrumenteve muzikore t\u00eb p\u00ebrdorura nd\u00ebr shekuj nga shqiptar\u00ebt, p\u00ebr \u00e7ka vet\u00eb ekspozita titullohej “Midis shekujsh”. N\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, u hap ekspozita fotografike me pamje nga vendbanimet shqiptare n\u00eb Malin e Zi dhe p\u00ebr t\u00eb cil\u00ebn mu dha rasti t\u00eb referoj nj\u00eb analiz\u00eb q\u00eb e kisha titulluar “Dora e Zotit”. Dora e Zotit n\u00eb \u00e7do rast \u00ebsht\u00eb fuqia, edhe kur na mundojn\u00eb dyshimet tek pafuqia. Ishte i nj\u00ebjti vend dhe gati t\u00eb nj\u00ebjtit njer\u00ebz n\u00eb filmimin q\u00eb jepej drejtp\u00ebrdrejt\u00eb t\u00eb diel\u00ebn e kat\u00ebrt t\u00eb muajit tetor t\u00eb vitit 2021. Mungonte hi\u00e7 m\u00eb pak se prania fizike e kryetarit t\u00eb Shoqat\u00ebs “Ora”. Mungonte hi\u00e7 m\u00eb pak se kryevalltari. Instrumentet muzikore ishin shkrir\u00eb n\u00eb shiritin e zi q\u00eb r\u00ebndonte n\u00eb krahun e majt\u00eb t\u00eb fotografis\u00eb s\u00eb tij. Vallja ishte thyer n\u00eb mes. “Dora e Zotit” kishte v\u00ebn\u00eb p\u00ebll\u00ebmb\u00ebn mbi supet e kryevalltarit si\u00e7 mbi supet e Bjeshk\u00ebve t\u00eb N\u00ebmuna dit\u00ebve t\u00eb dhjetorit. Imazhet vinin t\u00eb dyzuara dhe thyheshin n\u00eb nj\u00eb pik\u00eb, n\u00eb nj\u00eb jet\u00eb, n\u00eb nj\u00eb em\u00ebr.<\/p>\n\n\n\n

N\u00eb at\u00eb rast po mendoja ta p\u00ebrkufizoja me pak fjal\u00eb personazhin epik t\u00eb k\u00ebtij rr\u00ebfimi. Gjithnj\u00eb jam i mendimit q\u00eb vler\u00ebsimi ideal duhet t\u00eb jet\u00eb fjal\u00ebpak. Dritani ishte kryelart p\u00ebr gjith\u00e7ka p\u00ebrfaq\u00ebsonte: shkoll\u00ebn shqipe, tradit\u00ebn shqiptare dhe veprimtarin\u00eb komb\u00ebtare. Kjo e b\u00ebnte krenar dhe t\u00eb hapur, sepse ishte m\u00ebsuar me nx\u00ebn\u00ebsit, sepse kishte motiv hapjen e valles dhe sepse ishte betuar n\u00eb t\u00eb mir\u00ebn e p\u00ebrgjithshme. Po ndiqja Astrit Kurtin (n\u00eb rolin e familjarit dhe bashk\u00ebveprimtarit) dhe fjalimin e tij brilant dhe shum\u00eb prek\u00ebs kur n\u00eb nj\u00eb moment p\u00ebrmendi se si “ne edhe mund ta kemi l\u00ebn\u00eb n\u00eb ndonj\u00eb moment t\u00eb vet\u00ebm Dritanin” duke aluduar n\u00eb shoq\u00ebrin\u00eb, institucionalizm\u00ebn, intelektualizm\u00ebn. N\u00eb k\u00ebt\u00eb rast kishte th\u00ebn\u00eb nj\u00eb t\u00eb v\u00ebrtet\u00eb t\u00eb madhe, nj\u00eb t\u00eb v\u00ebrtet\u00eb nga e cila mund t\u00eb lindnin t\u00eb gjitha t\u00eb v\u00ebrtetat e tjera t\u00eb vogla t\u00eb nj\u00eb vendi po t\u00eb vog\u00ebl. Ne i kemi l\u00ebn\u00eb dhe vazhdojm\u00eb t’i l\u00ebm\u00eb vet\u00ebm ose t\u00eb margjinalizuar e harruar shumic\u00ebn e personaliteteve q\u00eb i ofrohen publikes; e kam fjal\u00ebn t\u00eb mir\u00ebs publike para imazhit publik.<\/p>\n\n\n\n

Dy organizatat ku Dritani printe, sot nuk jan\u00eb n\u00eb dit\u00ebt m\u00eb t\u00eb mira, sepse vet\u00ebdija jon\u00eb qytetare ende nuk e ka arritur nivelin e duhur emancipues. Dritani ishte themelues dhe kryevalltar i SHKA “Tradita”, ansamblit t\u00eb vler\u00ebsuar lart brenda dhe jasht\u00eb Ballkani. Kthehem prap\u00eb te “Vallja shqiptare” e Kadares\u00eb. I pata folur me pasion Dritanit p\u00ebr poezin\u00eb e cekur, p\u00ebr iden\u00eb se si e shihja personazhin e tij me xhamadan e fustanell\u00eb si mish\u00ebrim ideal t\u00eb harmonis\u00eb, krenaris\u00eb dhe prij\u00ebtaris\u00eb komb\u00ebtare dhe parashqiptare. Pat\u00ebm diskutuar p\u00ebr mund\u00ebsin\u00eb e realizimit t\u00eb nj\u00eb spoti televiziv n\u00ebn skenarin e saj. Un\u00eb e shihja at\u00eb si m\u00eb meritorin q\u00eb ta rrah\u00eb tri her\u00eb oping\u00ebn, t’i jepte kushtrimin tok\u00ebs. Ai, si n\u00eb shaka e sip\u00ebr, me n\u00ebnqeshje ma pat kthyer se \u00ebsht\u00eb v\u00ebshtir\u00eb e realizueshme sepse koh\u00ebve t\u00eb fundit kishte shtuar goxha pesh\u00eb. T\u00eb dy e dinim se e v\u00ebrteta q\u00ebndronte diku tjet\u00ebr dhe t\u00eb dy e dinim p\u00ebrkrahjen ose gajasjen q\u00eb kishin tendenc\u00eb t\u00eb marrin projekte t\u00eb tilla.<\/p>\n\n\n\n

***<\/p>\n\n\n\n

K\u00ebshtu, personalitetet ikin. Ikin dhe l\u00ebn\u00eb pas vetes kujtime dhe vepra. Jasht\u00eb melankolis\u00eb, kujtimet dhe veprat do duhej t’i kthenim n\u00eb m\u00ebsime. Humbje t\u00eb tilla jan\u00eb goditje t\u00eb r\u00ebnda p\u00ebr “l\u00ebvizjen kulturale” po t’i referoheshim Camajt. Dritanit i mbet n\u00eb gjysm\u00eb jeta dhe vepra prej nj\u00eb legjendeje urbane q\u00eb nuk i jepej urbanes, por tentonte ta riformatoj\u00eb dhe rib\u00ebj\u00eb at\u00eb nisur nga aforizma se “\u00ebsht\u00eb njeriu q\u00eb e b\u00ebn vendin dhe jo e kund\u00ebrta”. Gjithsesi, ai do t\u00eb jetoj\u00eb gjat\u00eb sepse p\u00ebrditshm\u00ebria e tij ka qen\u00eb e fokusuar n\u00eb t\u00eb kaluar\u00ebn dhe n\u00eb t\u00eb ardhmen. E tashmja p\u00ebr t\u00eb dhe p\u00ebr secilin veprimtar\u00eb \u00ebsht\u00eb thjesht\u00eb opinga ku troket thembr\u00ebn ose fleta e bardh\u00eb ku n\u00ebnshkruan t\u00eb nes\u00ebrmen. Ai do t\u00eb vijoj\u00eb t\u00eb sh\u00ebnoj\u00eb t\u00eb kaluar\u00ebn p\u00ebrmes t\u00eb b\u00ebmave t\u00eb tij p\u00ebr trash\u00ebgimin\u00eb, po ashtu t\u00eb frym\u00ebzoj\u00eb t\u00eb ardhmen p\u00ebrmes amanetit t\u00eb tij l\u00ebn\u00eb abetareve.<\/p>\n\n\n\n

Jeta n\u00eb vazhdim\u00ebsi na sjell\u00eb koh\u00eb q\u00eb na thyejn\u00eb, p\u00ebr t\u00eb na kujtuar se sa jemi t\u00eb pathyesh\u00ebm. Meq\u00eb k\u00ebt\u00eb rr\u00ebfim e nisa me “thyerje”, n\u00eb em\u00ebr t\u00eb t\u00eb gjith\u00eb atyre q\u00eb ndihen t\u00eb thyer, marr guximin ta “thyej\u00eb” t\u00eb pathyeshmen, strof\u00ebn e poezis\u00eb s\u00eb Kadares\u00eb me t\u00eb cil\u00ebn e hapa p\u00ebrkujtes\u00ebn mbi jet\u00ebn dhe vepr\u00ebn e Dritan Kurtit.<\/p>\n\n\n\n

“K\u00ebshtu mes qiellit dhe tok\u00ebs<\/p>\n\n\n\n

Vdekja<\/em> u lind, vdekja u shpall;<\/p>\n\n\n\n

Balli<\/em> sinjale i \u00e7on tok\u00ebs<\/p>\n\n\n\n

Dhe kuja<\/em> qiellit i jep lajm.”<\/p>\n\n\n\n

Koha Javore, nr. 985, fq. 26, 27. <\/em><\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

(In memoriam: Dritan Kurti 1978-2020) Shkruan: Arg\u00ebzon Sulejmani   A do t\u00eb mund t\u00eb njohin legjendat shqiptare nj\u00eb histori t\u00eb re, at\u00eb t\u00eb kryevalltarit q\u00eb, n\u00eb fluturim valltar\u00eb e sip\u00ebr, ik\u00eb dhe s’kthehet m\u00eb!? A ju duhej legjendave shqiptare nj\u00eb rr\u00ebfim i ri, nj\u00eb dram\u00eb e re, nj\u00eb em\u00ebr i ri!? Si do t\u00eb mund […]<\/p>\n","protected":false},"author":1,"featured_media":30212,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,15],"tags":[693],"class_list":["post-30211","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-portrete","tag-dritan-kurti"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/30211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30211"}],"version-history":[{"count":1,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/30211\/revisions"}],"predecessor-version":[{"id":30213,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/30211\/revisions\/30213"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/30212"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}