{"id":29480,"date":"2021-07-22T09:11:06","date_gmt":"2021-07-22T07:11:06","guid":{"rendered":"https:\/\/ulqini-online.com\/sajti\/?p=29480"},"modified":"2021-07-22T09:11:06","modified_gmt":"2021-07-22T07:11:06","slug":"nje-veper-e-jashtezakonshme-e-poezise-lirike-dhe-historia-e-vertete-artistike-e-ilirishtes","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=29480","title":{"rendered":"NJ\u00cb VEP\u00cbR E JASHT\u00cbZAKONSHME E POEZIS\u00cb LIRIKE DHE HISTORIA E V\u00cbRTET\u00cb ARTISTIKE E ILIRISHTES"},"content":{"rendered":"\n<figure class=\"wp-block-image alignwide size-full\"><a href=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2021\/07\/Ani-i-ilirishtes-faqja-e-mbrame-e-kopertines-prend-buzhala.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"391\" src=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2021\/07\/Ani-i-ilirishtes-faqja-e-mbrame-e-kopertines-prend-buzhala.jpg\" alt=\"\" class=\"wp-image-29481\" srcset=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2021\/07\/Ani-i-ilirishtes-faqja-e-mbrame-e-kopertines-prend-buzhala.jpg 640w, https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2021\/07\/Ani-i-ilirishtes-faqja-e-mbrame-e-kopertines-prend-buzhala-300x183.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Brahim (Ibish)<strong>AVDYLI<\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>(P\u00ebrkitazi me vepr\u00ebn e lexuar me lirika t\u00eb ve\u00e7anta t\u00eb Prend Ndue Buzhal\u00ebs, \u201cANI I ILIRISHTEVE\u201d, SHB \u201cLENA\u201d, Prishtin\u00eb 2020)<\/em><\/p>\n\n\n\n<ol class=\"wp-block-list\" type=\"1\"><li>K\u00ebndi i qasjeve t\u00eb ve\u00e7anta t\u00eb poezis\u00eb<\/li><\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">Leximi sot i nj\u00eb libri t\u00eb ve\u00e7ant\u00eb t\u00eb poezis\u00eb (post)moderne t\u00eb lirikave, nga dymb\u00ebdhjet\u00eb vepra t\u00eb tij poetike (12), i nj\u00eb autori shum\u00eb t\u00eb njohur shqiptar dhe i ve\u00e7ant\u00eb, <strong>Prend Ndue Buzhal\u00ebs<\/strong>, nga qendra e Republik\u00ebs s\u00eb Kosov\u00ebs, nga \u00c7abiqi i Klin\u00ebs: zgjon k\u00ebnaq\u00ebsi t\u00eb posa\u00e7me estetike. Ai jo vet\u00ebm se \u00ebsht\u00eb krijues e poet i mir\u00ebfillt\u00eb, por edhe studiues i veprave t\u00eb ndryshme dhe i monografive; autor i v\u00ebshtrimeve dhe kritikave t\u00eb let\u00ebrsis\u00eb bashkohore, me rreth 51 vepra; e nd\u00ebr t\u00eb tjera disa me proz\u00eb t\u00eb shkurt\u00ebr e tregime, p\u00ebr rreth 8 vepra, nd\u00ebr to jan\u00eb 3 romane (t\u00eb fundit, <em>\u201cN\u00eb kap\u00ebrcyll\u201d<\/em>, do t`i kthehem p\u00ebrs\u00ebri me nj\u00eb studim!); autor veprash t\u00eb publicistik\u00ebs historike dhe kulturore, rreth 3 vepra; apo t\u00eb p\u00ebrgaditura p\u00ebr shtyp, <strong>me<\/strong> apo <strong>p\u00ebr<\/strong> autor\u00eb t\u00eb tjer\u00eb, rreth 15 vepra; aq m\u00eb tep\u00ebr t\u00eb jesh i af\u00ebrt q\u00eb kur ka qen\u00eb i burgosur politik, n\u00eb vitin 1982. At\u00eb vit iu pat\u00ebn nd\u00ebrprer\u00eb t\u00eb gjitha botimet e publikimet, madje p\u00ebr nj\u00eb koh\u00eb t\u00eb gjat\u00eb. Kemi parasysh edhe nj\u00eb fakt me vler\u00eb: ai ka qen\u00eb nj\u00ebher\u00ebsh pjes\u00ebmarr\u00ebs n\u00eb Festivalin Nd\u00ebrkomb\u00ebtar t\u00eb Poezis\u00eb, pik\u00ebrisht n\u00eb Zvic\u00ebr, ku shum\u00eb autor\u00eb zvicran\u00eb nuk kan\u00eb pasur mund\u00ebsi q\u00eb t\u00eb thirren n\u00eb k\u00ebt\u00eb Festival, e as un\u00eb. <strong>Ne, duhet t`i qasemi n\u00eb m\u00ebnyr\u00eb t\u00eb ve\u00e7ant\u00eb, p\u00ebr t\u00eb gjitha veprat<\/strong>. Jan\u00eb dikund 87 vepra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Prend Ndue Buzhala<\/strong> \u00ebsht\u00eb autor i librit poetik <em>\u201cAni i ilirishteve\u201d<\/em>. Edhe titulli i vepr\u00ebs vjen n\u00eb m\u00ebnyr\u00eb krejt\u00ebsisht t\u00eb ve\u00e7ant\u00eb. T\u00eb shkruash p\u00ebr k\u00ebt\u00eb autor, me rreth 87 vepra, duhet t\u00eb dish se n\u00eb cil\u00ebn an\u00eb do t`i qasesh. <strong>Autori e njeh mir\u00eb artin e krijimit.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Deri m\u00eb tani e kam pasur nj\u00eb v\u00ebshtrim t\u00eb gjat\u00eb p\u00ebr librin e tregimeve apo prozave t\u00eb shkurt\u00ebra, <em>\u201cHeroi i rrug\u00ebs\u201d<\/em>, p\u00ebr t\u00eb cil\u00ebn pak kush ka ditur n\u00eb cil\u00ebn an\u00eb ta v\u00ebshtrojn\u00eb, sikurse e kam v\u00ebshtruar un\u00eb. N\u00eb t\u00eb v\u00ebrtet\u00eb, autori i ka edhe tre libra t\u00eb tregimeve t\u00eb shkurt\u00ebra, <em>\u201cShenjat e kryq\u00ebzimit\u201d, \u201cSizifi pa gurin e tij\u201d<\/em> dhe <em>\u201cZ\u00ebrat jasht\u00eb vetvetes\u201d (2021)<\/em> e q\u00eb jan\u00eb <em>\u201ctregime me pak fjal\u00eb\u201d<\/em>, dhe t\u00eb cilat do t`i p\u00ebrfshijm\u00eb n\u00eb l\u00ebmin\u00eb e shkrimeve t\u00eb ve\u00e7anta, p\u00ebr t\u00eb cilat autori k\u00ebt\u00eb gj\u00eb e meriton. P\u00ebr tregimet e shkurt\u00ebra pak kush ka shkruar&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00eb shkruash p\u00ebr vepr\u00ebn e tij <strong><em>\u201cAni i ilirishteve\u201d<\/em><\/strong>, \u00ebsht\u00eb par\u00ebsore, sepse ai \u00ebsht\u00eb lirik i ve\u00e7ant\u00eb i poezis\u00eb s\u00eb sotme. Ta shfletosh p\u00ebrmbledhjen e ta lexosh e t\u00eb mos e shikosh se si e ka ndar\u00eb autori <strong>Prend Ndue Buzhala<\/strong>, n\u00eb tri cikle: <em>Libri i hyrjes<\/em>; <em>Libri i \u00e7asteve i-lirike<\/em>; dhe <em>Libri i daljes<\/em>, do t`i qasesh gabimisht. Pjesa e par\u00eb quhet <em>\u201cAni i ilirishteve\u201d<\/em>; pjesa e dyt\u00eb <em>\u201cIlirishtet e mia\u201d<\/em>; nd\u00ebrsa pjesa e tret\u00eb <em>\u201cOratorio n\u00eb korin e ilirishterve\u201d<\/em>. Nj\u00ebri krijim, <em>\u201cPa titull\u201d<\/em>, \u00ebsht\u00eb e nxjerrur edhe n\u00eb kopertin\u00eb. \u00cbsht\u00eb e shkruar si nj\u00eb poezi apo si nj\u00eb proz\u00eb poetike, n\u00eb shenj\u00eb faleminderimi, e cila e p\u00ebrmbledh librin dhe iu drejtohet lexuesve. Autorin e vepr\u00ebs e shohim n\u00eb nj\u00eb fotografi t\u00eb ve\u00e7ant\u00eb, n\u00eb kop\u00ebrtin\u00eb, para per\u00ebndesh\u00ebs DEA, duke <em>\u201ckomunikuar\u201d<\/em> me te.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Shtohet pyetja: <strong>p\u00ebrse autori e ka ndar\u00eb n\u00eb tri (3) cikle<\/strong>, kur e dim\u00eb prej formul\u00ebs s\u00eb par\u00eb <em>\u201cAtit e t\u00eb Birit dhe Shpirtit t\u00eb Shenjt\u00eb\u201d<\/em>, i cili e p\u00ebrkushton poetin postmodern me <strong>trinin\u00eb e ve\u00e7ant\u00eb t\u00eb besimit jet\u00ebsor<\/strong>; dhe p\u00ebrse cikli i dyt\u00eb quhet <em>\u201cLibri i \u00e7asteve i-lirike\u201d<\/em>, <strong>n\u00ebntitulli<\/strong> <em>\u201cIlirishtet e mia\u201d<\/em>? \u00cbsht\u00eb cikli m\u00eb i gjat\u00eb dhe i ndar\u00eb si fjal\u00eb t\u00eb shqipes: <em>\u201ci-lirishte\u201d<\/em>. Kjo gj\u00eb na i thot\u00eb t\u00eb dyat: <strong>k\u00ebng\u00ebt lirike dhe ilirishten<\/strong>. Cili na e shpjegon vorbull\u00ebn e sjelljeve t\u00eb poetit rreth ilirishteve t\u00eb v\u00ebrteta historike, antike apo moderne, e t\u00eb cil\u00ebn <strong>e sheh vet\u00ebm me syt\u00eb e krijuesit t\u00eb vog\u00ebl<\/strong>, n\u00eb jet\u00eb t\u00eb p\u00ebrkohshme, n\u00ebn shembullin e madh t\u00eb krijuesit t\u00eb bot\u00ebs s\u00eb gjer\u00eb?! Ai \u00ebsht\u00eb I LIR\u00cb, si ilir\u00ebt, Yllir\u00ebt, dhe t\u00eb Diellit, si ylli m\u00eb i vog\u00ebl pran\u00eb tok\u00ebs, i cili tek njeriu \u00ebsht\u00eb shpres\u00ebdh\u00ebn\u00ebs dhe i jet\u00ebs s\u00eb gjall\u00eb; <strong>\u00ebsht\u00eb gjall\u00ebria<\/strong>, <strong>edhe dija<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nj\u00ebri nd\u00ebr k\u00ebta, njer\u00ebz me dije, \u00ebsht\u00eb <strong>KRIJUESI<\/strong>, q\u00eb e p\u00ebrsh\u00ebndet n\u00eb fund t\u00eb librit per\u00ebndesh\u00ebn DEA, pra krijuesi artistik e jet\u00ebsor, i identifikuar me per\u00ebndesh\u00ebn; n\u00eb trinin\u00eb filozofike t\u00eb poetit <em>\u201ci-lirik\u201d<\/em>; \u00ebsht\u00eb <strong><em>\u201cani i ilirishteve\u201d<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00eb par\u00ebs, ne do t`i kthehemi p\u00ebrs\u00ebri, por <strong>ani \u00ebsht\u00eb kryesori<\/strong>, sepse prej tij \u00ebsht\u00eb krijuar <strong>ilirishtja<\/strong> <strong><em>(yllirishtja)<\/em><\/strong> e jon\u00eb, q\u00eb prej <strong>gjenez\u00ebs s\u00eb njer\u00ebzimit<\/strong>, prej <strong>Thot<\/strong>-it shqipfol\u00ebs, 12`000 vite para Krishtit, n\u00eb Egjypt. Edhe sot e kemi n\u00eb gjuh\u00ebn shqipe foljen <em>\u201cthem\u201d<\/em>, dhe ajo folje, e cila \u00ebsht\u00eb n\u00eb vet\u00ebn e tret\u00eb, <em>ai (ajo) thot\u00eb<\/em>, na e thot\u00eb kushtimisht <strong>Thot-in e njer\u00ebzimit<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00c7\u00ebshtja ilirishte<\/strong>, prej koh\u00ebsh \u00ebsht\u00eb ndar\u00eb n\u00ebp\u00ebr f\u00e9 e shtete t\u00eb ndryshme, <strong>e ka kapluar \u00e7njer\u00ebzorja<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A e di ndonj\u00eb njeri q\u00eb ta deshifroj\u00eb baz\u00ebn filozofike t\u00eb k\u00ebsaj vepre moderne t\u00eb artit t\u00eb jetuar, t\u00eb p\u00ebrjetuar, t\u00eb menduar dhe t\u00eb shkruar artistikisht?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ne, do t\u00eb b\u00ebjm\u00eb prov\u00ebn e par\u00eb, <strong>\u00e7ka \u00ebsht\u00eb ANI<\/strong>. <strong>Ana <\/strong>\u00ebsht\u00eb n\u00eb k\u00ebta fjalor\u00eb, por <strong>ani<\/strong> nuk \u00ebsht\u00eb n\u00eb disa edicione t\u00eb tyre, vet\u00ebm se na reflektohet si ana e skajshme e nj\u00eb cop\u00eb p\u00eblhure. Edicionet e tjera mund ta ken\u00eb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u00ebr leht\u00ebsi, e marrim nj\u00eb recension t\u00eb ve\u00e7ant\u00eb t\u00eb autorit t\u00eb pavarur Klinas, mikut tjet\u00ebr, <strong>Mikel Gojani<\/strong><a href=\"#_ftn1\">[1]<\/a>, ku nd\u00ebr t\u00eb tjera rrumbullaksohet se: <em>\u201c<strong>ANI<\/strong>, sipas fjalorit, shkruan p\u00ebr organin e gruas dhe t\u00eb femr\u00ebs s\u00eb gjitar\u00ebve, ku zihet e zhvillohet pjella, shtrati, k\u00ebmisha q\u00eb e mb\u00ebshtjell pjell\u00ebn. Pra <strong>\u00ebsht\u00eb ani i f\u00ebmij\u00ebs<\/strong>. P.sh. i bie (i shket) ani, e ngre anin, etj&#8230;\u201d <\/em>\u00cbsht\u00eb nj\u00eb em\u00ebr anatomik i trupit t\u00eb femr\u00ebs, e cila <strong>do t\u00eb lind\u00eb<\/strong> dhe <strong>do t\u00eb shtoj\u00eb jet\u00ebn<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Poeti e ka anin e vet krijues<\/strong>, i cili, sikur vuan t\u00ebr\u00eb koh\u00ebn me pjell\u00ebn e vet poetike e t\u00eb shum\u00ebllojshme, n\u00eb baz\u00eb t\u00eb prirjes s\u00eb lindur me te, si njeri. Ne theni se <em>\u201ci p\u00ebrzihet mida, me thartin\u00ebn e jet\u00ebs\u201d<\/em>, por <strong>vuan t\u00eb t\u00ebr\u00eb jet\u00ebn me krijimet e tij<\/strong>, a i ka shkruar mir\u00eb apo \u00e7ka do t`u shtoj\u00eb apo t\u00eb heq&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kthehemi edhe nj\u00ebher\u00eb n\u00eb kopertin\u00ebn e mbram\u00eb t\u00eb vepr\u00ebs dhe <strong>e shikojm\u00eb autorin, i cili e p\u00ebrsh\u00ebndet p\u00ebrmendoren e zotnesh\u00ebs DEA<\/strong>. Sinjifikimi filozofik na vjen se njeriu lind prej n\u00ebn\u00ebs, am\u00ebs, prej m\u00ebm\u00ebs dhe <strong>asaj i falet<\/strong>. K\u00ebtu ka rol t\u00eb ve\u00e7ant\u00eb, se <strong>krijimi \u00ebsht\u00eb veti e njer\u00ebzve t\u00eb posa\u00e7\u00ebm<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u00ebr ne, q\u00eb kthehemi n\u00eb jet\u00ebn e p\u00ebrkohshme, p\u00ebrmes saj na del <strong>trinia e v\u00ebrtet\u00eb e jet\u00ebs<\/strong> dhe n\u00eb kok\u00eb \u00ebsht\u00eb <strong>ATI I SHENJT\u00cb<\/strong>, i cili gjendet n\u00eb bot\u00ebn e p\u00ebrjetshme, sepse na e jep <strong>SHPIRTIN E SHENJT\u00cb<\/strong>, p\u00ebrmes n\u00ebn\u00ebs s\u00eb k\u00ebsaj bote e bab\u00ebs, <strong>atit jet\u00ebsor<\/strong>, q\u00eb e ruan far\u00ebn me kujdes, dhe <strong>KRIJUESI<\/strong>. <strong>ATI I SHENJT\u00cb<\/strong>, <strong>PER\u00cbNDESHA DEA<\/strong> dhe <strong>KRIJUESI<\/strong> lidhen n\u00eb mes vete. K\u00ebtu e kemi <strong>TRINITETIN E KRIJIMIT<\/strong>, i cili lidhet me <strong>NUMRIN TRE (3)<\/strong>. Atij i falet njeriu, si Zotit apo Zotnesh\u00ebs. N\u00eb t\u00eb v\u00ebrtet\u00eb, krijuesi i falet <strong>DEAS<\/strong>, pra <strong>n\u00ebn\u00ebs-zot<\/strong>, q\u00eb e ka mbajtur n\u00eb <strong>anin e saj<\/strong>, pastaj e ka ruajtur <strong>pjell\u00ebn e vet<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kjo lidhet edhe me an\u00ebn e ilirishtes, sepse n\u00eb <strong>Bib\u00ebl<\/strong>, e cila \u00ebsht\u00eb p\u00ebrkthyer n\u00eb 2500 e sa gjuh\u00eb t\u00eb tjera t\u00eb bot\u00ebs, e ka fillimin t\u00eb pap\u00ebrkthyer, <strong>n\u00eb shqip<\/strong>, <em>\u201cZanafilla\u201d<\/em>, e kjo gj\u00eb e tregon se <strong>jemi kombi dhe gjuha e par\u00eb simbolike<\/strong>, e t\u00eb tjerat <strong>jan\u00eb gjuh\u00eb konceptuale e konvertuale, e shkruar prej Yllir\u00ebve t\u00eb<\/strong> <strong>Thot<\/strong>-it, <strong>rreth 12.000 vite para Krishtit<\/strong>. Por ne nuk duam q\u00eb t`i kthehemi k\u00ebsaj \u00e7\u00ebshtje e as \u00e7\u00ebshtjeve t\u00eb gjuh\u00ebve, sepse kemi aq shum\u00eb armiq. Nj\u00eb gj\u00eb dihet: <strong><em>gjuh\u00eb e Zotrave konsiderohet gjuha e vjet\u00ebr shqipe!<\/em><\/strong>&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kuptimi i dyt\u00eb i <strong>ANIT<\/strong> \u00ebsht\u00eb <strong>vendi ku lidhen eshtrat<\/strong>, pra vendi ky\u00e7.<a href=\"#_ftn2\">[2]<\/a> T\u00eb marrin p\u00ebr shembull <em>\u201cani i dor\u00ebs&#8221;<\/em>. Ani ka mbetur vet\u00ebm n\u00eb shqipe. <strong>Ajo \u00ebsht\u00eb ani a burimi i t\u00eb gjitha \u00e7\u00ebshtjeve q\u00eb i veshemi p\u00ebr t`i shqyrtuar<\/strong>; \u00ebsht\u00eb ani ky\u00e7 i t\u00eb gjitha lidhjeve; <strong>i kryqeve t\u00eb forta t\u00eb lidhjeve<\/strong>, t\u00eb th\u00ebn\u00eb simbolikisht. <strong>Lidhjet jan\u00eb t\u00eb ilirishtes<\/strong>, si <strong>ATI I SHENJT\u00cb<\/strong>, si <strong>KRISHTI<\/strong>, si <strong>KRIJIMI<\/strong>, i cili do t\u00eb ket\u00eb folur nj\u00eb dialekt, at\u00ebher\u00eb dialekt i gjuh\u00ebs shqipe, dialektin <strong>aramaisht<\/strong>, e cila sot \u00ebsht\u00eb gjuh\u00eb e ve\u00e7ant\u00eb <strong>KOPTE<\/strong>, sepse t\u00eb gjith\u00eb ishin <strong>YLLIR (ILIR)<\/strong>. Mendoj se k\u00ebtu e ndjen\u00eb autori <em>\u201canin e ilirishteve\u201d<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>E treta her\u00eb<\/strong> \u00ebsht\u00eb se kjo qasje p\u00ebrdoret edhe <strong>n\u00eb kuptimin figurativ t\u00eb fjal\u00ebs<\/strong>: <strong><em>mb\u00ebshtjell\u00ebsi i sot\u00ebm i shqipes<\/em><\/strong>. Ilirishtja \u00ebsht\u00eb mb\u00ebshtjell\u00ebsi, edhe i identitetit ton\u00eb, q\u00eb na e ruan e na p\u00ebrcjell nd\u00ebr mileniume; \u00ebsht\u00eb burimi, ngjizja e gjith\u00e7kaje nd\u00ebr ne; \u00ebsht\u00eb burim i qenies historike, mitike, gjuh\u00ebsore. Jemi nj\u00eb nd\u00ebr t\u00eb par\u00ebt, por shum\u00eb t\u00eb n\u00ebp\u00ebrk\u00ebmur dhe t\u00eb luftuar, duke na munduar p\u00ebr vdekje, e ne kemi mbijetuar, sepse e kemi p\u00ebr gjenez\u00ebs son\u00eb t\u00eb punojm\u00eb <strong>dheun e atit<\/strong> (atdheun) p\u00ebr nj\u00eb jet\u00eb m\u00eb t\u00eb mir\u00eb, p\u00ebr p\u00ebrparim, p\u00ebr paqe, p\u00ebr dashuri njer\u00ebzore. E dashuria \u00ebsht\u00eb <strong>polivalente<\/strong>. Ajo i nd\u00ebrlidh t\u00eb gjitha lidhjet. Jan\u00eb n\u00eb an\u00ebn e ilirishtes, nuk jan\u00eb n\u00eb an\u00ebn e luft\u00ebs. Krahu i majt\u00eb \u00ebsht\u00eb kund\u00ebr Zotit t\u00eb Madh, <strong>Atit t\u00eb Shenjt\u00eb<\/strong>, p\u00ebr sundim e pushtimet antinjer\u00ebzore, apo t\u00eb dhun\u00ebs s\u00eb njer\u00ebzve t\u00eb p\u00ebrdalur; t\u00eb njer\u00ebzve, q\u00eb jan\u00eb t\u00ebr\u00ebsisht t\u00eb dalur nga bota e tyre, e tipit <em>\u201cnjeri\u201d<\/em>; t\u00eb djajve e demon\u00ebve, etj&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Me t\u00ebr\u00eb vepr\u00ebn letrare t\u00eb poezive lirike <em>\u201cAni i ilirishteve\u201d<\/em> <strong>Prend Buzhala<\/strong> <strong>na lind me qenien e tij shpirt\u00ebrore p\u00ebrmes ilirishtes<\/strong>; n\u00eb lindje e n\u00eb p\u00ebrlindje artistike; prej gjenez\u00ebs deri n\u00eb bashk\u00ebkoh\u00ebsin\u00eb ton\u00eb, me p\u00ebrshkrimet poetike t\u00eb arkeologjis\u00eb apo artefaktet prej arkeologjis\u00eb, t\u00eb cilat na p\u00ebrdoren n\u00eb k\u00ebt\u00eb vep\u00ebr me gjuh\u00ebn e tyre artistike; p\u00ebrshkrimet poetike t\u00eb mozaikeve, t\u00eb cilat na dalin p\u00ebrmes gjuh\u00ebs poetike n\u00eb form\u00ebn e lirikave meditative, prej gjenez\u00ebs<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">e deri m\u00eb sot, si shtresa t\u00eb qenies s\u00eb v\u00ebrtet\u00eb t\u00eb shqiptar\u00ebve, prej Dardanis\u00eb e deri n\u00eb Epir, p\u00ebrkund\u00ebr ndarjeve adminstative e gjeografike, n\u00eb t\u00ebr\u00eb spektrin e shtrirjes s\u00eb tok\u00ebs s\u00eb mbetur, p\u00ebr t\u00eb zvogluar dasht\u00eb e pasht\u00eb mund\u00ebsin\u00eb e hap\u00ebrimit ton\u00eb, duke e mohuar ekzistenc\u00ebn ton\u00eb para mileniumeve.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prandaj kjo gj\u00eb \u00ebsht\u00eb nj\u00eb nga ar\u00ebsyet pse autori na e shkruan k\u00ebt\u00eb vep\u00ebr&#8230;<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Analizat letrare e filozofike apo teorike letrare t\u00eb k\u00ebsaj vepre t\u00eb ve\u00e7ant\u00eb t\u00eb poezive lirike<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Poezia e autorit t\u00eb njohur <strong>Prend Ndue Buzhal\u00ebs<\/strong> \u00ebsht\u00eb lirike, jo abstrakte. Poezia lirike, sipas disa teoricient\u00ebve t\u00eb njohur, e nj\u00ebrin nd\u00ebr k\u00ebta po e marr nga studimet per\u00ebndimore e prej Zvicre, Prof. Dr. Mario Andreotti, n\u00eb vepr\u00ebn e tij <em>\u201cStruktura e let\u00ebris\u00eb moderne\u201d<\/em>, i cili ka qen\u00eb apo \u00ebsht\u00eb ende n\u00eb pun\u00eb n\u00eb Universitetin e St. Gall\u00ebs\/CH, por edhe n\u00eb Shkoll\u00ebn e Lart\u00eb Pedagogjike t\u00eb Vararlberg-ut\/Austri, sepse d\u00ebshir\u00eb t\u00eb vetme e kam q\u00eb ta vler\u00ebsoj poezin\u00eb e <strong>Prend Buzhall\u00ebs<\/strong> n\u00eb p\u00ebrgjth\u00ebsi, si\u00e7 \u00ebsht\u00eb ajo, si\u00e7 na llogaritet kjo poezi, me t\u00eb gjitha shprehjet e saj, duke e pasur parasysh form\u00ebn e saj me metaforik\u00eb e simbolik\u00eb apo shprehje t\u00eb tilla, dhe me tema t\u00eb ve\u00e7anta. <a href=\"#_ftn3\">[3]<\/a> <strong><em>Ajo l\u00ebviz prej lirik\u00ebs individuale e deri n\u00eb lirik\u00ebn objektive<\/em><\/strong>.<a href=\"#_ftn4\">[4]<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N\u00eb radh\u00eb t\u00eb par\u00eb i takon poezis\u00eb postmoderne lirike, t\u00eb cil\u00ebn teoricien\u00ebt m\u00eb t\u00eb p\u00ebrkryer e quajn\u00eb <strong>\u201cpoezi lirike postmoderne\u201d<\/strong>, e cila filon prej viteve 80-ta e 90-ta, sepse para viteve 80-ta ka qen\u00eb e lidhur m\u00eb shum\u00eb me tradit\u00ebn.<a href=\"#_ftn5\">[5]<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Par\u00ebsore \u00ebsht\u00eb gjuha letrare e shpehjes<\/strong>. Ajo shikohet si mjeti kryesor i komunikimit. Nd\u00ebrkaq ligj\u00ebrimi i tij p\u00ebrkufizohet me individualizimin e kodit gjuh\u00ebsor, sepse gjinia e tij <strong>i merr trajat e veta stilistike dhe komunikuese<\/strong>. Kuptimi i poezis\u00eb lirike del nga t\u00eb gjitha elementet gjuh\u00ebsore artistike prej kompozicionit e deri te nj\u00ebsit\u00eb e saj m\u00eb t\u00eb vogla vargnore.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nga fjal\u00ebfomimi niset prej dialektit geg\u00eb, q\u00eb n\u00eb historiografin\u00eb e hershme antike <strong>na del si form\u00eb par\u00eb e shprehjes<\/strong>, por <em>\u201cZeusi ka fituar mbi Kronin\u201d<\/em>, d.m.th. ka fituar Toska gradualisht mbi Geg\u00ebt. Tani tosk\u00ebt thon\u00eb sikur jan\u00eb <em>\u201cm\u00eb t\u00eb vlersh\u00ebm\u201d<\/em>, por geg\u00ebt e kan\u00eb dh\u00ebn\u00eb gjith\u00e7ka q\u00eb \u00ebsht\u00eb e nevojshme, p\u00ebr bot\u00ebn. Ky \u00ebsht\u00eb stili i tij, i cili na integrohet n\u00eb gjuh\u00ebn e sotme letrare. <strong><em>Gjuha e ve\u00e7ant\u00eb na l\u00ebviz prej dialektit geg\u00eb dhe dardania, deri te gjuha letrare e mir\u00ebfillt\u00eb<\/em><\/strong>, <strong><em>si p\u00ebr t\u00eb shprehur pasurin\u00eb e paharrur t\u00eb ilirishtes s\u00eb vjet\u00ebr<\/em><\/strong>, <strong><em>nga koha e gjenez\u00ebs<\/em><\/strong>, kur nuk kishte askud <em>\u201ckombe\u201d<\/em> t\u00eb shpifura, <strong><em>me t\u00eb gjitha llojet e t\u00eb zezave apo vrasjet masive<\/em><\/strong>, si <em>\u201cserb\u00ebt\u201d<\/em>, <em>\u201cgrek\u00ebt\u201d<\/em>, apo <em>\u201csllav\u00ebt\u201d<\/em>. K\u00ebtu fjal\u00ebformimi i nisur nga dialekti i geg\u00ebrishtes s\u00eb dardanis\u00eb <strong>\u00ebsht\u00eb n\u00eb funksion t\u00eb pasurimit t\u00eb leksikut ton\u00eb t\u00eb gjuh\u00ebs shqipe<\/strong>. Vet\u00eb p\u00ebrdorimi i fjal\u00ebve t\u00eb gjuh\u00ebs shqipe n\u00eb dialektin geg\u00eb ka funksion nd\u00ebrlidh\u00ebs t\u00eb gjuh\u00ebs letrare shqipe, me mekanizmat e gjuh\u00ebs s\u00eb vet artistike, p\u00ebrmes t\u00eb cilave na forcohet pasuria leksikore, me fjal\u00ebt e reja, e kan\u00eb funsion letrar e stilistik. Trajtimi i stilit, na thot\u00eb teoricienti i let\u00ebrsis\u00eb, <strong>Zejnullah Rrahmani<\/strong>, \u00ebsht\u00eb nj\u00eb nga \u00e7\u00ebshtjet kryesore. Kufiri i tyre \u00ebsht\u00eb v\u00ebshtir\u00eb t\u00eb p\u00ebrcaktohet.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nga p\u00ebrcaktimet e tij, n\u00eb dy aspekte, neve na vyen aspekti i dyt\u00eb, q\u00eb \u00ebsht\u00eb i lidhur drejp\u00ebrdrejt\u00eb me gjuh\u00ebn dhe m\u00ebnyra e saj e organizimit, e cila \u00ebsht\u00eb n\u00eb kuad\u00ebr t\u00eb ligj\u00ebrimeve t\u00eb ndryshme.<a href=\"#_ftn6\">[6]<\/a> Interesimi i ve\u00e7ant\u00eb i tyre na vjen prej t\u00eb ashtuquajurave trope e deri te metafora, mbret\u00ebresha e figurave.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cSilistika bashkohore nuk e pranon q\u00eb figurat jan\u00eb zbukurime retorike, as stoli gjuh\u00ebsore q\u00eb i vishen poezis\u00eb. Sot mendohet q\u00eb n\u00eb poezi <strong>nuk ka asgj\u00eb t\u00eb jashtme, madje as forma e saj nuk konsiderohet si e till\u00eb\u201d<\/strong><\/em>. <a href=\"#_ftn7\">[7]<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vepra e <strong>Prend Ndue Buzhal\u00ebs<\/strong>, <em>\u201cAni i ilirishtes\u201d<\/em>, nuk ka asgj\u00eb q\u00eb mund t\u00eb kosiderohet <em>\u201ce jashtme\u201d<\/em>. P\u00ebrkundrazi. \u00c7do gj\u00eb \u00ebsht\u00eb artistike, edhe kur n\u00eb t\u00eb folmen ton\u00eb normale do t`i konsideronim si t\u00eb tilla. N\u00eb gjuh\u00ebn q\u00eb e pasuron poeti me shprehje letrare nga ilirishtja, jan\u00eb t\u00eb p\u00ebrdorura vet\u00ebm n\u00eb m\u00ebnyr\u00ebn e vet\u00eb artistike. <strong>T\u00eb gjitha jan\u00eb aty vet\u00ebm figura artistike<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cFigura lidhet me k\u00ebrkesat e ve\u00e7anta t\u00eb nd\u00ebrtimit t\u00eb imazhit poetik, \u00ebsht\u00eb form\u00eb e konkretizimit t\u00eb ideve dhe e individualizon shprehjen poetike&#8230; Jan\u00eb t\u00eb njohura dy m\u00ebnyra t\u00eb zhvendosjes s\u00eb kuptimit t\u00eb fjal\u00ebs (n\u00eb stilem\u00eb ):<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>a.) kur fjala rr\u00ebshqet nga nj\u00eb send n\u00eb tjetrin n\u00eb realitetin jasht\u00eb-gjuh\u00ebsor;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>b.) kur nodh ndryshimi n\u00eb kuptimet e fjal\u00ebs si proces gjuh\u00ebsor. M\u00ebnyra e par\u00eb i p\u00ebrgjigjet metonimis\u00eb, m\u00ebnyra e dyt\u00eb nd\u00ebrtimit t\u00eb metafor\u00ebs\u201d.<a href=\"#_ftn8\"><strong>[8]<\/strong><\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pothuajse t\u00eb gjitha figurat artistike na p\u00ebrdoren n\u00eb k\u00ebt\u00eb poezi lirike, prej metaforave, shprehjeve simbolike e alegorike, deri te kriteri i form\u00ebs poetike, q\u00eb bazohet n\u00eb kriterin tematik, q\u00eb n\u00eb t\u00eb vertet\u00eb jan\u00eb disa nga koha e lasht\u00eb ilire dhe antike, e disa na mbruhen me tone t\u00eb mir\u00ebfillta elegjiake, t\u00eb cilat u ngjajn\u00eb vet\u00ebm korit t\u00eb tragjedive antike e ilirike, si p.sh. \u201cKORI I VAJTOREVE ILIRE\u201d; lirika par\u00ebsore t\u00eb medimit apo medimeve filozofike; lirika atdhetare e fetare, q\u00eb sheshher\u00eb na krijohen edhe lirika me nuanca t\u00eb p\u00ebrshpirt\u00ebshme, n\u00eb t\u00eb cilat poeti na krijon nj\u00eb zhan\u00ebr t\u00eb ri me nj\u00eb leksik adekuat e modernist, t\u00eb pap\u00ebrdoruara ndonj\u00ebher\u00eb n\u00eb poezin\u00eb moderne lirike, epitafet e epitymbit\u00eb (t\u00eb cilat jan\u00eb n\u00eb varrezat e vjetra apo mbishkrimet varrore), epiklezat, himnet e vjetra kishtare, askezat tekstuale, apo edhe k\u00ebng\u00ebt e tij solemne.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jan\u00eb disa forma krejt t\u00eb reja, dhe k\u00ebto jan\u00eb paraprakisht <strong>epikleza<\/strong>, e cila nga p\u00ebrkthimet kish\u00ebtare e luajn\u00eb nj\u00eb rol t\u00eb ve\u00e7ant\u00eb n\u00eb liturgjin\u00eb kish\u00ebtare, si <strong>forma e par\u00eb e besimit<\/strong> fetar t\u00eb krishter\u00eb katolik; <strong>similituda<\/strong>, e cila <strong>\u00ebsht\u00eb n\u00eb teorin\u00eb e ngjajshm\u00ebris\u00eb<\/strong>, si cil\u00ebsi apo <strong>gjendja e t\u00eb qenit t\u00eb ngjajsh\u00ebm me di\u00e7ka<\/strong>, e n\u00eb poezi \u00ebsht\u00eb model i k\u00ebndimit t\u00eb sot\u00ebm shqiptar me ate gojor dhe antik, pra \u00ebsht\u00eb ngjashm\u00ebria e shpirtit t\u00eb sot\u00ebm shqiptar me ate ilirik dhe antik, si nj\u00eb k\u00ebndim antik e t\u00eb ringjallur n\u00eb poezin\u00eb postmoderne lirike; dhe <strong>epifania<\/strong> e ka kuotimin e Bekimit t\u00eb Madh, bibilike, pra <strong>\u00ebsht\u00eb ajo zbules\u00eb<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Epikleza<\/strong> vjen e p\u00ebrkthyer nga e ashtuquajtura <em>\u201cgjuha greke\u201d<\/em>, sepse ata nuk e din\u00eb se n\u00eb at\u00eb vend q\u00eb quhet sot <em>\u201cGreqi\u201d<\/em> ka qen\u00eb paraprakisht <strong>gjuha iliro-shqipe<\/strong>, e shkruar me nj\u00eb alfabet t\u00eb pellazgishtes, e m\u00eb von\u00eb po e nj\u00ebjta, n\u00eb form\u00ebn e gjuh\u00ebs s\u00eb shkuar me alfabetin fenikas t\u00eb Kadmit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">K\u00ebto forma-zhanre jan\u00eb <strong><em>edhe komunikime tekstesh<\/em><\/strong>, e q\u00eb \u00ebsht\u00eb ve\u00e7ori e postmodernes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nga ajo gjuh\u00eb, n\u00eb dy alfabetet e vjetra t\u00eb shkrimit, me alfabetin pellazg apo fenikas t\u00eb Kadmit, <strong>na e vjedhin t\u00eb ashtuquajturit <em>\u201cgrek\u00eb\u201d<\/em><\/strong>. Jan\u00eb <strong>tri fise<\/strong>, t\u00eb quajtura <strong><em>akej<\/em><\/strong>, <strong>jo ilir\u00eb dhe jo shqiptar<\/strong>. Bota e p\u00ebrg\u00ebnjeshtruar <strong><em>prej akejve<\/em><\/strong>, na thot\u00eb prej <em>\u201cgreqishtes\u201d<\/em> se epikleza <em>\u201c\u00ebsht\u00eb thirrja e Zotit mbi nj\u00eb send ose nj\u00eb person i cili shenjt\u00ebrohet n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb. P\u00ebr \u00e7do gj\u00eb q\u00eb Zoti ka krijuar \u00ebsht\u00eb e mir\u00eb dhe asgj\u00eb nuk \u00ebsht\u00eb e d\u00ebnueshme, kur ajo shijohet me mir\u00ebnjohje; \u00ebsht\u00eb shenjt\u00ebruar p\u00ebrmes fjal\u00ebs s\u00eb Zotit dhe p\u00ebrmes lutjes&#8221;<\/em>.<a href=\"#_ftn9\">[9]<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N\u00eb t\u00eb v\u00ebrtet\u00eb, <strong>lutjet epikletike jan\u00eb pjes\u00eb e kremtimit t\u00eb sakramenteve<\/strong>, p.sh. n\u00eb shenjt\u00ebrimin e ujit t\u00eb pag\u00ebzimit ose n\u00eb shenjt\u00ebrimin e ullinjve.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lutja epikletike m\u00eb e r\u00ebnd\u00ebsishme \u00ebsht\u00eb lutja e mesh\u00ebs dhe si nj\u00eb e t\u00ebr\u00eb: p\u00ebrmes thirrjes lavd\u00ebruese t\u00eb Zotit mbi buk\u00ebn dhe ver\u00ebn; shpalljen efektive t\u00eb aktit origjinal; <strong>ku buka dhe vera shenjt\u00ebrohen<\/strong>. E n\u00eb lutjen eukaristike <em>(\u00ebsht\u00eb vet\u00ebm nj\u00ebra form\u00eb e epiklez\u00ebs kish\u00ebtare)<\/em>, jan\u00eb pjes\u00eb t\u00eb caktuara, t\u00eb cilat teknikisht na referohen si leximi i epik\u00ebs; k\u00ebrkesa p\u00ebr Shpirtin e Shenjt\u00eb p\u00ebr kumtuesit <em>(&#8220;leximi i epik\u00ebs s\u00eb kungimit&#8221;)<\/em>, dhe k\u00ebrkesa p\u00ebr transformimin e dhuratave <em>(&#8220;ndryshimi i leximit t\u00eb epik\u00ebs&#8221;)<\/em>. K\u00ebto jan\u00eb epika e jo lirika.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N\u00eb kishat orientale, shqiptimi i epik\u00ebs s\u00eb ndryshimit shihet si momenti i ndryshimit, nd\u00ebrsa n\u00eb shtetet per\u00ebndimore shihet n\u00eb shqiptimin e raportit t\u00eb institucionit. Ky ndryshim <strong>tregon se Kishat Lindore i japin nj\u00eb vler\u00eb m\u00eb t\u00eb lart\u00eb personit dhe vepr\u00ebs s\u00eb Shpirtit t\u00eb Shenjt\u00eb, n\u00eb t\u00ebr\u00eb teologjin\u00eb kish\u00ebtare dhe devotshm\u00ebrin\u00eb e tyre, sesa Per\u00ebndimi<\/strong>. <a href=\"#_ftn10\">[10]<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edhe poeti lirik postmodern <strong>Prend Ndue Buzhala<\/strong> e fut\u00eb k\u00ebt\u00eb epik\u00eb tipike <strong>n\u00eb form\u00eb moderne t\u00eb shprehur n\u00eb lirika<\/strong>, n\u00eb shenj\u00eb t\u00eb vler\u00ebs m\u00eb t\u00eb lart\u00eb t\u00eb Shpirtit t\u00eb Shenjt\u00eb, t\u00eb Atit t\u00eb Shenjt\u00eb, t\u00eb devotsh\u00ebris\u00eb s\u00eb tij.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lirika e ve\u00e7ant\u00eb e <strong>Pren Ndue Buzhal\u00ebs<\/strong> na transmeton linj\u00ebn e mendimeve t\u00eb veta, t\u00eb shenjave ilirike, e anit m\u00eb t\u00eb vjet\u00ebr ilirishte n\u00eb frym\u00ebn e ilirishtes s\u00eb koh\u00ebs dhe vargje t\u00eb t\u00ebra simbolit emblematik dhe enigmatik e hyjnor t\u00eb ilirishtes. <strong>\u201cANI I ILIRISHTES\u201d<\/strong> \u00ebsht\u00eb i mbajtur n\u00eb shpirtin e qenien e tij t\u00eb krijuesit prej gjenez\u00ebs e deri n\u00eb dit\u00ebt tona; e t\u00ebr\u00eb ilirishtja jeton me dhemje e d\u00ebshmi t\u00eb parevokueshme prej gjenez\u00ebs e deri sot; i dh\u00ebn\u00eb krejt\u00ebsisht p\u00ebr paqe, por i detyruar t\u00eb mbrohet e t\u00eb luftoj\u00eb p\u00ebr ruajtjen e premisave t\u00eb Atit t\u00eb Shenjt\u00eb; t\u00eb mbroj\u00eb tokat nga armiqt\u00eb e shumt\u00eb e pa asnj\u00eb pik\u00eb respekti; nga vras\u00ebsit e dhunuesit t\u00eb liris\u00eb s\u00eb shenjt\u00eb e dashuris\u00eb s\u00eb pamatur; nga bab\u00ebzit\u00eb e dhjetra demon\u00ebve, <strong>q\u00eb i nd\u00ebrrojn\u00eb rolet e tyre me shenj\u00ebtor\u00ebt e v\u00ebrtet\u00eb<\/strong>; i nd\u00ebrrojn\u00eb me fet\u00eb e me tortura t\u00eb ndryshme; pra, <strong>nga e t\u00ebr\u00eb historia<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ata duan q\u00eb ta zhdukin krejt\u00ebsisht kombin ilir (yllir) nga harta e madhe e popujve, e t\u00eb dalin vet\u00eb sikur jan\u00eb t\u00eb par\u00ebt e krijimit t\u00eb njeriut e t\u00eb Zotit!&#8230;<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Unikalizmi n\u00eb m\u00ebnyr\u00ebn artistike t\u00eb shpirtit t\u00eb poetit<\/strong><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Se vepra e lirikave t\u00eb <strong>Prend Buzhal\u00ebs<\/strong> <em>\u201cAni i ilirishteve\u201d<\/em> \u00ebsht\u00eb nj\u00eb vep\u00ebr e caktuar <strong>unikale<\/strong> dhe <strong>artistike<\/strong>, me t\u00eb drejt\u00eb e cakton recesionisti i ve\u00e7ant\u00eb <strong>Mikel Gojani<\/strong>, n\u00eb pjes\u00ebn e tij, si <em>\u201clib\u00ebr me vlera unikal\u201d<\/em>.<a href=\"#_ftn11\">[11]<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Unikalizmi shprehet n\u00eb m\u00ebnyren e ve\u00e7ant\u00eb t\u00eb k\u00ebng\u00ebtimit t\u00eb ndiesh\u00ebm. Vet\u00eb poeti \u00ebsht\u00eb i ve\u00e7ant\u00eb, e k\u00ebsisoji edhe poezia e tij \u201ci-lirike\u201d. Sikur t\u00eb gjith\u00eb poet\u00ebt e ilirishtes, me t\u00eb cil\u00ebt sinkrotizohet <strong>Prend Ndue Buzhala<\/strong>, nuk kishin <em>\u201csh\u00ebnuar asgj\u00eb ilirishte\u201d<\/em>, e ai p\u00ebr k\u00ebt\u00eb gj\u00eb q\u00eb n\u00eb fillim na thot\u00eb:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201c&#8230;t\u00eb zbres<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>N\u00eb n\u00ebntok\u00ebn e thell\u00eb t\u00eb Dit\u00ebs s\u00eb Kujtimeve<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>P\u00ebr t`i par\u00eb gjurm\u00ebt e gjakut t\u00eb Asaj Dite Epoke<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Gjurm\u00eb q\u00eb e kan\u00eb vizatuar Rrethin e Kufirit&#8230;\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Ani i ilirishteve, faqe 7).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pastaj:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cAty gjeta fytyr\u00ebn t\u00ebnde ilirishte<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>N\u00eb sh\u00ebmb\u00ebltyr\u00ebn e zjarrit&#8230;\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Pa aty, e nj\u00ebjta faqe),<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">e cila \u00ebsht\u00eb gjurm\u00eb e ilirisht\u00ebs q\u00eb prej zanafill\u00ebs s\u00eb t\u00eb mir\u00ebs e t\u00eb keqes, t\u00eb cilat jan\u00eb sinonime t\u00eb s\u00eb nj\u00ebjtes vij\u00ebzim, por n\u00eb dy pikat ekstreme t\u00eb tyre, t\u00eb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Krijuesit t\u00eb Bot\u00ebs, Zotit ton\u00eb t\u00eb Madh dhe Antikrijuesit, t\u00eb Kryedemonit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u00ebshtyma q\u00eb kan\u00eb hedhur n\u00ebp\u00ebr mileniumet e viteve rreth jet\u00ebs son\u00eb n\u00eb <em>\u201crrethin e p\u00ebrjet\u00ebsis\u00eb\u201d<\/em> jan\u00eb gjurm\u00eb t\u00eb pashlyera. N\u00eb raport me ta e kundrejt tyre, vjen bekimi solemn nga poezia lirike, <em>\u201cMe nj\u00eb bekim solemn n\u00eb Dardania Sacra\u201d<\/em>; <em>\u201cKuvendar\u00ebt ilir me veshje asketike\u201d<\/em>; apo <em>\u201cDoracak p\u00ebr leximin e kalendarit kozmik t\u00eb nj\u00eb autori ilir\u201d,<\/em> q\u00eb \u00ebsht\u00eb nj\u00eb proz\u00eb e mir\u00ebfillt\u00eb, dhe mjaft e bukur, q\u00eb ta kuptoj\u00eb secili; <em>\u201cOr\u00ebt e Shqipnis\u00eb\u201d<\/em>, q\u00eb e thot\u00eb me dialekt geg\u00eb, por q\u00eb lidhet me t\u00eb qenmes son\u00eb t\u00eb madhe, t\u00eb mbrojtur nga <strong>Or\u00ebt e Maleve<\/strong>, t\u00eb cilat i kam shkruar un\u00eb, n\u00eb p\u00ebrmbledhen time,<a href=\"#_ftn12\">[12]<\/a> t\u00eb Shqip\u00ebris\u00eb, t\u00eb cil\u00ebt jani si shqipet, me t\u00eb cilat lidhet vet\u00eb shprehja <em>\u201cShqipnis\u00eb\u201d<\/em> me <em>\u201cShqipe\u201d<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Libri i \u00e7asteve i-lirike, <em>\u201dIlirishtet e mia\u201d<\/em>, fillon <em>\u201cMe testament ilirishtes\u201d<\/em> dhe vazhdon me <em>\u201cGjarpri dhe luft\u00ebtari ilir\u201d<\/em>, e cila e konsideron se <em>\u201cGjarpni ishte i Pari i Fisit\u201d<\/em>, duke jetuar s\u00eb bashku me te:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cShpesh e gjejshim n\u00ebn jast\u00ebk<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>A n\u00eb shtratin me kasht\u00eb e me fier\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Gjarpri dhe luft\u00ebtari ilir, faqe 25).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kjo gj\u00eb ting\u00ebllon <strong><em>\u201cnj\u00eb ironi serioze\u201d<\/em><\/strong>, n\u00eb qoft\u00eb se mund t\u00eb thuhet k\u00ebshtu, sepse i ka t\u00eb v\u00ebrtetat tona jet\u00ebsore, t\u00eb cilat jan\u00eb mjaft t\u00eb varf\u00ebra e krenare. E keqja midis v\u00ebllez\u00ebrve \u00e7`armatoset kur njeriu i yn\u00eb jeton, rritet, lufton, pra lind apo vdes me <em>\u201cgjarp\u00ebrin n\u00eb gji\u201d<\/em>, me frig\u00ebn e tij. <strong><em>Gjarp\u00ebri \u00ebsht\u00eb ndjenja armiq\u00ebsore p\u00ebr njeriun<\/em><\/strong>. Ai lind e vdes me gjarp\u00ebr n\u00ebn jast\u00ebk. Populli yn\u00eb d\u00ebshomon se gjarp\u00ebrin e ke m\u00eb af\u00ebr se vdekjen. E pa te nuk mund t\u00eb jetosh. Kur nuk mund t\u00eb dihet p\u00ebr te, ai t\u00eb vie <em>\u201cn\u00ebn jast\u00ebk\u201d<\/em>. Kjo \u00ebsht\u00eb e v\u00ebrteta e hidhur mbi jet\u00ebn ton\u00eb ilirike. Ai na thot\u00eb n\u00eb t\u00eb nj\u00ebjt\u00ebn poezi, me shtat\u00eb pjes\u00eb, ku gjarp\u00ebri na \u00ebsht\u00eb <em>\u201ci dashtun me fatkeq\u00ebsit\u00eb tona\u201d<\/em> :<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cLuft\u00ebtari Ilir u shnd\u00ebrrua n\u00eb gjarp\u00ebr<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>E mandej n\u00eb nj\u00eb dem t\u00eb fort\u00eb me brina.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Njani bri iu thye n\u00eb dyluftim,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Kurse hyjneshat e detit e shnd\u00ebrruan n\u00eb Bri t\u00eb Begatis\u00eb.\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(E nj\u00ebjta poezi, \u201cGjarpri dhe luft\u00ebtari ilir\u201d, pjesa II, faqe 26).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pastaj na vie historia e Republik\u00ebs s\u00eb Ulpian\u00ebs, e cila \u00ebsht\u00eb Republika e Dardanis\u00eb, n\u00eb t\u00eb nj\u00ebjtin vend, m\u00eb e gj\u00ebr\u00eb se Republika e Kosov\u00ebs, n\u00eb t\u00eb cil\u00ebt na ngjallen <em>\u201csekretet e humbura\u201d<\/em>, sepse <em>\u201cMjeshtrit dardan\u00eb\u201d<\/em> jan\u00eb ata <em>\u201cq\u00eb e gdhendin gurin\u201d<\/em>. <strong><em>Guri q\u00ebndron gjat\u00eb n\u00ebp\u00ebr koh\u00eb me d\u00ebshmit\u00eb hitorike<\/em><\/strong>. D\u00ebshmia vazhdon n\u00ebp\u00ebr mileniume, por sikur njer\u00ebzia e ka humbur syrin, mendjen e dijen dhe nuk i shqyrton aq sa duhet <em>\u201cFaltoret e padukshme t\u00eb Orakullit\u201d<\/em>; vargun <em>\u201cShtyllat e Lavdis\u00eb\u201d<\/em> (faqe 41) dhe poezin\u00eb lirike <em>\u201cBrigjeve t\u00eb lumenjve Dardan\u00eb\u201d<\/em>, sado q\u00eb kan\u00eb material t\u00eb duksh\u00ebm historik, por po e fusim k\u00ebtu <em>\u201cHyjnesh\u00ebn Dardane\u201d<\/em>, e cila \u00ebsht\u00eb nj\u00eb lirik\u00eb e domosdoshme.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tekstin e poezive lirike mund ta lexoj\u00eb \u00e7dokush dhe nd\u00ebr to ka aty-k\u00ebtu lirika t\u00eb shkuara me t\u00eb folmen ton\u00eb dialektore geg\u00ebrishte, me simbolika t\u00eb ve\u00e7anta, sepse vet\u00eb njeriu yn\u00eb nd\u00ebr mileniume ka folur me metafor\u00eb e simbolika t\u00eb p\u00ebrditshme. Titulli dhe n\u00ebntitulli e kan\u00eb nga nj\u00eb renditje t\u00eb k\u00ebtill\u00eb, e cila nuk shihet e nuk u intereson mjaft poet\u00ebve t\u00eb sotsh\u00ebm, sepse ipen pas <em>\u201cshprehjeve abstakte\u201d<\/em>, gj\u00eb q\u00eb shpesh her\u00eb i d\u00ebrgon ata n\u00eb padije e t\u00eb p\u00ebshtjellt\u00eb, e cila e devalvon nga koha n\u00eb pa koh\u00eb krejt\u00ebsisht poezin\u00eb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Te <strong>Pren Buzhala<\/strong> kapet kjo gj\u00eb edhe nga titulli e n\u00ebntitulli, pra <strong>\u00ebsht\u00eb nj\u00eb poezi simbolike<\/strong>. <strong>N\u00ebntitulli merr r\u00ebnd\u00ebsi analitike<\/strong>. P.sh. <em>\u201cN\u00ebp\u00ebr nimfeumet e Dardania Sacrum\u201d<\/em>. Nga historia e dim\u00eb mir\u00ebfilli \u00e7ka ka qen\u00eb <em>\u201cDardania Sacrum\u201d<\/em>. N\u00eb fund t\u00eb fundit, e kemi lexuar edhe librin e ruajtur n\u00eb arkivin e Vatikanit <em>\u201cIllyrikum Sacrum\u201d<\/em>, pjes\u00eb e t\u00eb cilit \u00ebsht\u00eb Dardania, por edhe nimfet.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Poezit\u00eb e <em>\u201c\u00e7asteve i-lirike\u201d<\/em>, jan\u00eb formuar prej dy fjal\u00ebve, <em>\u201cilirike\u201d<\/em> dhe <em>\u201clirike\u201d<\/em>, e cila thot\u00eb se jan\u00eb krijuar detyrimisht nga e nj\u00ebjta <strong>gjuh\u00eb e vjet\u00ebr e kombit t\u00eb madh ilir, gjuh\u00ebn e vjet\u00ebr shqipe<\/strong>, e cila rrumbullaksohet me num\u00ebr.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Paralelisht me let\u00ebrsin\u00eb shkon edhe matematika. T\u00eb dyjat shohin p\u00ebrtej kodrave. <strong>Thoti ka qen\u00eb ilir\/yllir dhe p\u00ebrve\u00e7 t\u00eb tjerave, ka qen\u00eb edhe shenc\u00ebtar e matematikan<\/strong>. Let\u00ebrsia shprehet me metafor\u00eb, e matematika shprehet me numra, sepse:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201c&#8230; I ke mjeshtrit e mendjes e t\u00eb shpirtit<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>N\u00eb filizin e ngjizjes&#8230;\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Faltoret e padushme t\u00eb Orakullit, faqe 36).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Duhet ta shfletojm\u00eb e ta njohim historin\u00eb e v\u00ebrtet\u00eb dhe t\u00eb gjitha poezit\u00eb e k\u00ebsaj p\u00ebrmbledhje. Poeti plot\u00ebsisht identifikohet me popullin e tij, e populli flet me gjuh\u00eb e lidhur <strong><em>\u201cnyje n\u00eb fyt\u201d<\/em><\/strong>, nga armiqt\u00eb e tij, sepse forca e durimit \u00ebsht\u00eb t\u00eb b\u00ebsh t\u00eb pamundur\u00ebn, me shpirtin oqean t\u00eb ilir\u00ebve:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201c&#8230; i fala vras\u00ebsit e mi<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vras\u00ebsit e f\u00ebmijve me vajin n\u00eb buz\u00eb.\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Brigjeve t\u00eb lumejve dardan\u00eb, faqe 42).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u00ebrtet, cili \u00ebsht\u00eb prind (bab\u00eb apo n\u00ebn\u00eb) q\u00eb nuk i njeh trash\u00ebgimtar\u00ebt e tij? Cili f\u00ebmij\u00eb nuk e njeh nj\u00eb nga prind\u00ebrit e tij, t\u00eb dyt\u00eb, bab\u00ebn apo n\u00ebn\u00ebn e tij? Nganj\u00ebher\u00eb, nj\u00ebri \u00ebsht\u00eb Zot apo Zotnesh\u00eb, e tjetri \u00ebsht\u00eb njeri apo gjys\u00ebm- njeri. Poeti u drejtohet simbolikisht hyjneshave dardane, jo vet\u00ebm se ato jan\u00eb n\u00ebnat tona, por sepse miti i pavdeksis\u00eb lidhet me to, nga aspekti arkeologjik, filozofik, historik e artistik, q\u00eb shenjt\u00ebrohet me <strong><em>\u201cn\u00ebn\u00ebn e Dardanis\u00eb\u201d<\/em><\/strong>, e cila i rrit f\u00ebmijt\u00eb e vet; i ushqem me gji e me gj\u00ebra t\u00eb ndryshme; derisa ata t\u00eb ken\u00eb forc\u00eb t\u00eb mjaftueshme sa t\u00eb gjall\u00ebrojn\u00eb lirsh\u00ebm, por gjithmon\u00eb e ka kujdesin mbi ta. Ajo q\u00ebndron n\u00ebp\u00ebr kujdes e mall\u00ebngjim t\u00eb p\u00ebrhersh\u00ebm t\u00eb vuajtjeve shpirt\u00ebrore, prej n\u00ebn\u00ebs s\u00eb ve\u00e7ant\u00eb dardane:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cZbret Kori i Muzave<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>N\u00eb Shenj\u00ebtoren e P\u00ebrjet\u00ebsis\u00eb n\u00ebp\u00ebr nimfeume,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>N\u00ebp\u00ebr labirintet e Kasnec\u00ebve t\u00eb Qiellit<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Diku n\u00eb Smirn\u00eb, n\u00eb Gllamnik,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>N\u00eb Madian\u00eb a n\u00eb Ulqin:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Deae Dard, DeaeDardanicae<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Me formula p\u00ebrkushtimesh e spirale universi<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>P\u00ebr t\u00eb na hap\u00eb Portikun e Pafund\u00ebsis\u00eb s\u00eb koh\u00ebve<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Drejt Diellit Ton\u00eb, aty ku ne jemi qenie diellore.\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Hyjnesha Dardane, faqe 45).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Por dua t\u00eb ndalem pak n\u00eb K\u00ebshtjell\u00ebn e Princes\u00ebs <strong>Jerin\u00eb<\/strong>, n\u00eb t\u00eb cil\u00ebn n\u00ebn titullin e poezis\u00eb i-lirike sh\u00ebnohen dy kullat e Jerin\u00ebs, t\u00eb cilat ndodhen n\u00eb <strong>Pogra\u00e7\u00eb t\u00eb Klin\u00ebs<\/strong>. Un\u00eb kam shkruar p\u00ebr fatom\u00ebn e vjedhur nga <em>\u201cserb\u00ebt\u201d<\/em> <em>Jermia<\/em>, t\u00eb cil\u00ebt e kan\u00eb nd\u00ebrruar emrin e saj nga <em>Jerina <\/em>n\u00eb <em>\u201cJer-mia\u201d<\/em>, n\u00eb lirik\u00ebn time <em>\u201cAntirrug\u00ebt e bebzave\u201d<\/em>,<a href=\"#_ftn13\">[13]<\/a> t\u00eb cilat ishin zana ilire deri te Kroacia e Sllovenia, e t\u00eb cil\u00ebt jan\u00eb t\u00eb shpifur, me kriminalitet dhe g\u00ebnjeshtrat, jo m\u00eb larg\u00eb se 300 vite. Jerina \u00ebsht\u00eb princesh\u00eb ilire dhe klinase, mesi i Kosov\u00ebs, e cila e mbyt\u00eb veten n\u00eb pusin e saj, p\u00ebrderisa ajo nuk mund t\u00eb duronte padrejt\u00ebsit\u00eb. Ishte princesh\u00eb dhe fjal\u00ebt e Zotit jan\u00eb fjal\u00eb t\u00eb pushtetshme.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">K\u00ebshtu, na e thot\u00eb edhe poeti:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cNa vjen me reg\u00ebtima dashurie e hijeshie,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Mandej t\u00eb shohim n\u00eb nj\u00eb kuvend lulesh<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>E me shpirtin e d\u00eblir\u00eb si uj\u00ebt e lumit Klin\u00eb&#8230;\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(K\u00ebshtjella e Princesh\u00ebs Jerin\u00eb, faqe 54).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ajo na vjen si nj\u00eb hyjnesh\u00eb e nj\u00eb ame fem\u00ebrore, fillimisht me nj\u00eb paqart\u00ebsi t\u00eb mendimeve tona nga Pusi i Jerin\u00ebs, por dhuna ka qen\u00eb m\u00eb e fuqishme se sa ajo, prandaj duke mos mundur t\u00eb p\u00ebrballet me ta, p\u00ebr hir\u00eb t\u00eb Zotit t\u00eb Madh, e mbyt\u00eb veten p\u00ebr ta ruajtur p\u00ebrgjithmon\u00eb hijeshin\u00eb dhe bukurin\u00eb e saj, p\u00ebr dashurin\u00eb e mir\u00ebsin\u00eb e p\u00ebrbotshme, t\u00eb pap\u00ebrlyer aspak.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vazhdojm\u00eb me <em>\u201cOkarin\u00ebn\u201d<\/em>, e cila \u00ebsht\u00eb e njohur n\u00eb mbar\u00eb Dardanin\u00eb e lasht\u00eb dhe Ilirin\u00eb; <em>\u201cLigj\u00ebrimi ilirik i nj\u00eb amfore me pergamen\u00ebn e pazbuluar\u201d<\/em>, n\u00eb 4 pjes\u00eb; <em>\u201cKori i vajtoreve ilire\u201d<\/em>, me 6 pjes\u00eb, n\u00eb t\u00eb cil\u00ebn, k\u00ebrkojn\u00eb nj\u00eb grimc\u00eb fati n\u00eb zemrat e njer\u00ebzve, pra, vendbanimin e tyre; i num\u00ebrojn\u00eb vajet e tyre p\u00ebr ilir\u00ebt e lasht\u00eb dhe vjen <em>\u201cMallkimi i vajtojcave t\u00eb iliris\u00eb\u201d<\/em>, sepse iliria nuk \u00ebsht\u00eb e nj\u00ebjta nga armiqt\u00eb e shumt\u00eb e t\u00eb pandar\u00eb, si \u00ebsht\u00eb dashur t\u00eb jet\u00eb:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cMallkuar qofshim k\u00ebta shkat\u00ebrrues t\u00eb jet\u00ebs son\u00eb<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Mallkuar qafshin k\u00ebta zem\u00ebrgur<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Q\u00eb po shp\u00ebrblehen!&#8230;\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Kori i vajtoreve ilire, pjesa e gjasht\u00eb, Mallkimi i vajtoreve ilire, faqe 76).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Titujt thon\u00eb di\u00e7ka t\u00eb posa\u00e7me. Po i p\u00ebrmendim disa t\u00eb tjera: <em>\u201cSirenat e<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Dyrrahut\u201d<\/em>; <em>\u201cVrapuesja e Prizrenit\u201d<\/em>; <em>\u201cKodeks ilirishtes n\u00ebp\u00ebr koh\u00ebsi\u201d<\/em>; <em>\u201cKupa qiellore e lotores ilire\u201d<\/em>; <em>\u201cSh\u00ebn Niketa i Remesian\u00ebs ose Shenjtori dor\u00eb p\u00ebr dore me harmonin\u00eb\u201d<\/em>, i cili i ka 5 pjes\u00eb; <em>\u201cDea e Butrintit ose Ormira e Dheut\u201d<\/em>; <em>\u201cKobi i Bukuris\u00eb s\u00eb Rozaf\u00ebs\u201d<\/em>; <em>\u201cEnjti, magu i mo\u00e7\u00ebm ilir\u201d<\/em>; <em>\u201cEpikliz\u00eb p\u00ebr mbret\u00ebresh\u00ebn Teut\u00eb\u201d<\/em>; <em>\u201cDuke e dh\u00ebn\u00eb m\u00eb t\u00eb mir\u00ebn nga vetja\u201d<\/em>; <em>\u201cVarri i luft\u00ebtarit n\u00ebp\u00ebr nekropolet e mo\u00e7me\u201d<\/em>; <em>\u201cBanor\u00ebt e Diellit\u201d<\/em>, <em>\u201cLibri i vajtimeve p\u00ebr Albanopolin\u201d<\/em>; <em>\u201cSimilituda e katarsisit n\u00eb teatrin ilirik\u201d<\/em>; <em>\u201cEpifani p\u00ebr Shenj\u00ebtor\u00ebt ilir\u00eb\u201d<\/em>; <em>\u201cSonatina Dardanica\u201d<\/em>, etj., t\u00eb cilat jan\u00eb nj\u00eb pjes\u00eb e lirikave t\u00eb p\u00ebrshpirtshme, jo me q\u00ebllim t\u00eb mir\u00ebfillt\u00eb fetar e religjioz, por <strong>atdhetar, njer\u00ebzor e social<\/strong>, n\u00eb t\u00eb cilat i k\u00ebndon poeti me lot shpirt\u00ebror\u00eb e magjik\u00eb t\u00eb t\u00eb mirave t\u00eb dikurshme t\u00eb njeriut dhe mjerisht edhe t\u00eb t\u00eb sotmes, q\u00eb iu ka dhuruar kaher\u00eb Zoti dhe veprat t\u00eb shenjt\u00ebve lavd\u00ebrues, <strong>q\u00eb vin\u00eb nga realiteti superior ilirik<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Porse nuk kemi lirika t\u00eb ve\u00e7anta t\u00eb mendimit, por poezi lirike me tone t\u00eb theksuara mendimi n\u00eb t\u00ebr\u00eb p\u00ebrmbledhjen, madje edhe me thekse t\u00eb dalluara sociale, e ndonj\u00ebher\u00eb, toni elegjiak ndihet mir\u00eb, <strong>por jan\u00eb kryesisht<\/strong> <strong>lirika atdhetare<\/strong>, me veti t\u00eb an\u00ebve pozitive t\u00eb karakterit nacional.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jo vet\u00ebm q\u00eb na zgjojn\u00eb artistikisht dhembjen njer\u00ebzore, por edhe aludimet e t\u00eb s\u00eb v\u00ebrtet\u00ebs i-lirike, n\u00eb t\u00eb cilat na forcohet e v\u00ebrteta e jon\u00eb historike:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cDuam \u00c7lirimin nga Pjella e Barku i Urrejtjes.\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Sh\u00ebn Niketa i Remesian\u00ebs ose Shenj\u00ebtori dor\u00eb p\u00ebr dore me harmonin\u00eb, pjesa e dyt\u00eb, \u201cKori i Apostujve dhe i Profet\u00ebve\u201d, faqe 95).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u00ebr <strong>Rozaf\u00ebn e Shkodr\u00ebs<\/strong> dhe <strong>Ur\u00ebn e Shenjt\u00eb<\/strong> ka mjaft poezi nga poet\u00ebt shqiptar\u00eb, edhe nga un\u00eb<a href=\"#_ftn14\">[14]<\/a>, por n\u00eb <em>\u201cKobin e bukuris\u00eb s\u00eb Rozaf\u00ebs\u201d<\/em>, n\u00eb 5 pjes\u00eb, nuk ka si t\u00eb p\u00ebrfshihet m\u00eb bukur e m\u00eb dhimbsh\u00ebn miti i Rosaf\u00ebs. Na jepet n\u00eb m\u00ebnyr\u00eb t\u00eb pap\u00ebrs\u00ebritshme bukuria e Rozaf\u00ebs nga <strong>Prend Ndue Buzhala<\/strong>. Ai, jo vet\u00ebm se e shkrin me lot artistik\u00eb kobin e k\u00ebsaj bukurie shqiptare, q\u00eb me dhembje shpirt\u00ebrore e am\u00ebsore t\u00eb saj e shkrin p\u00ebr djalin e vog\u00ebl n\u00eb gji, e cila \u00ebsht\u00eb dhembje unikale shqiptare, e n\u00eb gji, q\u00eb \u00ebsht\u00eb rip\u00ebrt\u00ebrirja shpirt\u00ebrore e gjeneratave, ligj\u00ebrojn\u00eb vuajtja e pik\u00ebllimi i saj i shenjt\u00eb, n\u00eb pjes\u00ebn <em>\u201cTrazir\u00eb qum\u00ebshtore\u201d<\/em>. Poeti thot\u00eb:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cGjith\u00e7ka kishte t\u00eb b\u00ebnte me nj\u00eb bes\u00eb:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Ajo besonte p\u00ebrtej jet\u00ebs e vdekjes s\u00eb saj.\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Kobi i bukuris\u00eb s\u00eb Rozaf\u00ebs, pjesa e dyt\u00eb, \u201cShemb\u00ebsit vall\u00ebzojn\u00eb nat\u00ebn\u201d, faqe 110).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Shemb\u00ebsit e nat\u00ebs jan\u00eb demon\u00ebt e shkat\u00ebrrimit. Demoni kund\u00ebrshtar e ka kund\u00ebr <strong>am\u00ebn e shenjt\u00eb t\u00eb dashuris\u00eb s\u00eb p\u00ebrkryer<\/strong>, e cila \u00ebsht\u00eb pik\u00ebrisht mbi themelet e arta t\u00eb liris\u00eb:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cN\u00eb trajt\u00ebn e pluhurit mbijeton kot\u00ebsin\u00eb<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>N\u00eb trajt\u00ebn e mjegullnajave t\u00eb zjarrta mbijeton kaosin&#8230;\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Po aty, pjesa e pest\u00eb &lt;t\u00eb gjitha t\u00eb num\u00ebruara m\u00eb pak\u00eb, sepse pjes\u00ebt e para nuk num\u00ebrohen, e k\u00ebtu e sh\u00ebnuar \u201cPjesa 4\u201d&gt;, \u201cAma e dashuris\u00eb lindur nga far\u00ebdhembjet\u201d, faqe 114).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00eb gjitha femrat tona e kan\u00eb emrin mbret\u00ebresh\u00eb, si p.sh. Teut\u00eb:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cKur themi: Bukuri,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00ebsht\u00eb nj\u00ebsoj si t\u00eb themi mbret\u00ebresh\u00eb,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Nj\u00ebsoj si t\u00eb themi urti, luft\u00ebtare e q\u00ebndres\u00eb.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Nj\u00ebsoj si t\u00eb themi nj\u00eb familje e nj\u00eb mbret\u00ebri&#8230;\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Epiklez\u00eb p\u00ebr Mbret\u00ebresh\u00ebn Teut\u00eb, faqe 121).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Simbolika e dhembjeve tona shkon deri n\u00eb lasht\u00ebsin\u00eb e ilir\u00ebve, pra ilir\u00ebve t\u00eb lasht\u00eb, nga zanafilla e njer\u00ebzimit dhe <em>\u201cBanor\u00ebt e Diellit\u201d<\/em>, q\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb nuk jan\u00eb banuesit real\u00eb t\u00eb Diellit, por <strong>jan\u00eb banuesit e tempullit t\u00eb lasht\u00eb diellor, t\u00eb zbritur prej Yjeve<\/strong>. Dielli \u00ebsht\u00eb ylli m\u00eb i af\u00ebrt i Tok\u00ebs. Banuesit e tempullit mbajn\u00eb n\u00eb duar <em>\u201cDiskun e Diellit\u201d<\/em>, pra DIJEN, URTIN\u00cb, DRIT\u00cbN, <em>\u201ctrupat e vajzave me veshje t\u00eb bardha\u201d<\/em> (nga pjesa e 5, Profania e shenjt\u00eb):<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cE tani Iliri i Lasht\u00eb zbret n\u00eb Koh\u00ebn ton\u00eb<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>I sjell\u00eb me vete Diellin e Ret\u00eb k\u00ebtu,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Nga Atdheu i Tjet\u00ebrfarsh\u00ebm.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Le t\u00eb marshojn\u00eb n\u00ebp\u00ebr hap\u00ebsir\u00ebn e paan\u00eb mbi ne.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>N\u00eb k\u00ebt\u00eb vend Banor\u00ebsh t\u00eb Diellit.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Te ky Atdhe Yni i P\u00ebrbashk\u00ebt.\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Banor\u00ebt e Diellit, faqe 141).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Duke shkruar edhe nj\u00eb <em>\u201cEpifani p\u00ebr shenjtor\u00ebt ilir\u00eb\u201d<\/em>, si njer\u00ebz t\u00eb denj\u00eb t\u00eb s\u00eb mir\u00ebs, p\u00ebr 588 t\u00eb martirizuarit e Dardanis\u00eb e t\u00eb Iliris\u00eb, e nj\u00eb pjes\u00eb e madhe e tyre u p\u00ebrkushtohet konkretisht poeti, \u00ebsht\u00eb d\u00ebshmia e vetme e historis\u00eb, nj\u00eb klithje q\u00eb e d\u00ebshmon artistikisht historin\u00eb, t\u00eb cil\u00ebs asnj\u00eb shkenc\u00ebtar e dijetar nuk u p\u00ebrkushtohet aq poetikisht si poeti i yn\u00eb:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cN\u00eb vend t\u00eb rrezeve t\u00eb diellit l\u00ebvizin rrezet e gjakut.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>E gjaku klithte: kot vini ta merrni n\u00eb duar shenjtoren,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Ajo shenjtore \u00ebsht\u00eb vrar\u00eb me sopat\u00eb,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Dyzet shenjtor\u00eb jan\u00eb ngulur n\u00eb hunj,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Jan\u00eb prer\u00eb me shpat\u00eb,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Jan\u00eb varur n\u00eb litar.\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Epifani p\u00ebr shenjtor\u00ebt ilir, pjesa 2, \u201cD\u00ebshmitari i historis\u00eb 1\u201d, faqe 172).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prandaj poeti i k\u00ebndon plot me dhembje t\u00eb thell\u00eb t\u00eb gjith\u00eb shenjtor\u00ebt e liris\u00eb, t\u00eb cil\u00ebt jan\u00eb vrar\u00eb e sakatuar p\u00ebr <em>\u201cpast\u00ebrtis\u00eb s\u00eb pafaj\u00ebsis\u00eb\u201d <\/em>apo n\u00eb Koh\u00ebn m\u00eb t\u00eb madhe t\u00eb Lig\u00ebsis\u00eb, p\u00ebr t\u00eb qen\u00eb z\u00ebdh\u00ebn\u00ebs t\u00eb m\u00ebsimeve t\u00eb urta t\u00eb besimit, mendimit, liris\u00eb s\u00eb fjal\u00ebs e p\u00ebrkushtimit, sepse ata <em>\u201ci kan\u00eb p\u00ebrs\u00ebritur Fjal\u00ebt e Hyjit\u201d <\/em>(Pjesa e 3, e sh\u00ebnuar 2, <em>\u201cLaudato, p\u00ebr shenjtor\u00ebt ilir\u00eb\u201d<\/em>).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S\u00eb fundi, n\u00eb Librin e \u00e7asteve i-lirike vjen proza e ribotuar dhe e rishkruar <em>\u201cSonatia Dardanica\u201d<\/em>, n\u00eb <em>\u201cKoha antike\u201d<\/em> dhe <em>\u201cKoha moderne\u201d<\/em>, t\u00eb k\u00ebtij \u00e7asti t\u00eb ve\u00e7ant\u00eb me harf\u00ebn lirike, n\u00eb dy koh\u00ebrave t\u00eb ndryshme, n\u00eb t\u00eb cil\u00ebn thot\u00eb:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cN\u00eb an\u00ebn tjet\u00ebr t\u00eb zemr\u00ebs-gur, t\u00eb gurit-zem\u00ebr, ishte q\u00ebndisur nj\u00eb harf\u00eb k\u00ebng\u00ebsh&#8230;\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Po aty, \u201cKoha antike\u201d, faqe 188),<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">dhe n\u00eb <em>\u201cletr\u00ebn-roz\u00eb e ku e kishte sh\u00ebnuar edhe emrin e saj, DEA\u201d<\/em>, thot\u00eb:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201c&lt;I kam k\u00ebta lot\u00eb si lot\u00ebt e varrit&gt;.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Loti kishte pikuar n\u00eb let\u00ebr.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Dhe Pika e Lotit kishte l\u00ebn\u00eb shenj\u00ebn e vet pran\u00eb shkronjave.\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Po aty, \u201cKoha moderne\u201d, faqe 190).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nuk ka ku t\u00eb sinjifikohet m\u00eb bukur e m\u00eb p\u00ebrvuajtsh\u00ebm se harfa e k\u00ebng\u00ebve: tig\u00ebllon teli i ndjenjave e qan edhe zemra! Edhe vet\u00eb jam poet i-lirik! Lirika e vargjeve mi nxjerr \u00e7do dit\u00eb pikat e lot\u00ebve. Kur pikojn\u00eb lot\u00ebt, t\u00eb rrin\u00eb pran\u00eb engj\u00ebjt e Zotit t\u00eb Madh, t\u00eb ndihmojn\u00eb e nuk t\u00eb l\u00ebn\u00eb t\u00eb vdes\u00ebsh!&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">K\u00ebtu p\u00ebrfundon pjesa e dyt\u00eb, mjaft e gjat\u00eb, dhe fillon pjesa fundit, m\u00eb e shkurt\u00ebr, <em>\u201cLibri i daljes\u201d<\/em>, <em>\u201cOratorio n\u00eb korin e ilirisheve\u201d<\/em>, e cila fillon m\u00eb s\u00eb pari me poezin\u00eb lirike <em>\u201cKumtari yn\u00eb p\u00ebrpara Gjergj Kastriotit\u201d<\/em>; pastaj <em>\u201cLeka\u201d<\/em>; <em>\u201cDita e Mesharit\u201d<\/em>; <em>\u201cOratorium me shtat\u00eb paradigma t\u00eb flis\u00eb s\u00eb p\u00ebrjetshme\u201d<\/em>, e cila fillon me Pjet\u00ebr Budin dhe i ka 6 pjes\u00eb; <em>\u201cMe ilirishtet n\u00eb korin e Sibilave\u201d<\/em>, kushtuar Pjet\u00ebr Bogdanit; <em>\u201cPleqnari\u201d<\/em>; <em>\u201cKuvendi\u201d<\/em>; <em>\u201cMbrojtja e shpirtit\u201d<\/em>; <em>\u201cDheu i t\u00eb par\u00ebve e ruan pik\u00ebn e gjakut t\u00ebnd\u201d<\/em>; <em>\u201cPlaga e strukur e rrezeve\u201d<\/em>; <em>\u201cKur arrin nj\u00eb mal ta ngresh sip\u00ebr resh\u201d<\/em>; proza poetike e mjaft e rrall\u00eb <em>\u201cVetmia e Per\u00ebndesh\u00ebs ilire t\u00eb Bukuris\u00eb\u201d<\/em>; <em>\u201cAmaneti s`lihet n\u00eb rrug\u00eb\u201d<\/em>; <em>\u201cLajthitjet hyjnore\u201d<\/em>; dhe <em>\u201cDora e koh\u00ebs me akrepat e me trumbetat e saj\u201d<\/em>, q\u00eb e p\u00ebrmbyllin me ide dhe mendime filozofike dhe artistike k\u00ebt\u00eb p\u00ebrmbledhje poetike. Nga titujt e kupton se cila \u00ebsht\u00eb dalja <em>\u201cAni i ilirishteve\u201d<\/em>, si dhe faleminderimi, q\u00eb hidhet edhe n\u00eb faqen e mbram\u00eb t\u00eb kopertin\u00ebs.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nga k\u00ebto gj\u00ebra e kuptojm\u00eb cilat jan\u00eb porosit\u00eb e nj\u00eb iliriani t\u00eb v\u00ebrtet\u00eb, me t\u00eb cilin idetifikohet edhe poeti, dhe amanetin poetik t\u00eb autorit t\u00eb sinkronizuar me ilirishtet e ve\u00e7anta, e cila nuk mund t\u00eb lihet si <em>\u201camanet\u201d<\/em> n\u00eb rrug\u00eb, por me t\u00ebr\u00eb poezin\u00eb e tij lirike, sikurse me t\u00eb gjitha veprat e ndryshme.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Po e p\u00ebrs\u00ebritim, me fjal\u00ebt e Gjergj Kastriotit, e cila e vlershme p\u00ebr t\u00eb gjith\u00eb shqiptar\u00ebt, e me t\u00eb cilin sinkronizohet poeti, i cili thot\u00eb tekstualisht:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cNa ndihme, Zoti Yn\u00eb,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00c7`po ndodh me Kujtes\u00ebn ton\u00eb,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Gjasht\u00ebqind e pes\u00ebdhjet\u00eb janar\u00ebt<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Po p\u00ebrpiqen t\u00eb na i marrin,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Me shekujt e rr\u00ebmbyer,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Me tempujt e zhdukur e t\u00eb grabitur,<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>T\u00eb p\u00ebrgjakur n\u00eb gjunj\u00eb q\u00ebndrojm\u00eb para Teje,&#8230;\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Kumtari yn\u00eb p\u00ebrpara Gjergj Kastriotit, faqe 193).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kjo \u00ebsht\u00eb nj\u00eb <em>\u201cKumt i Roj\u00ebs e Mburoj\u00ebs\u201d<\/em> p\u00ebr t\u00eb gjith\u00eb shqiptar\u00ebt, kudo q\u00eb t\u00eb ndodhen ata. Si\u00e7 thot\u00eb poeti e t\u00eb par\u00ebt tan\u00eb: <strong>Amaneti nuk lihet n\u00eb rrug\u00eb<\/strong>!&#8230;<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Vlerat e jet\u00ebs, t\u00eb qenies komb\u00ebtare, p\u00ebr artin e koh\u00ebs<\/strong><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Q\u00eb t\u00eb kuptohet mir\u00ebfilli lirika e tij, poezia postmoderne lirike e <strong>Prend Ndue Buzhal\u00ebs<\/strong> i ka format e shum\u00ebllojshme. S\u00eb pari, duhet t\u00eb p\u00ebrcillet nga libra t\u00eb posa\u00e7me teorike letrare e nga filozofia e p\u00ebrgjithshme dhe libra t\u00eb ndryshme fetare e t\u00eb ndryshme bashk\u00ebkohore. Pastaj, duhet t\u00eb kesh kultur\u00eb mendimi e gjykimi, q\u00eb t\u00eb mund t\u00eb analizosh poezin\u00eb e autorit t\u00eb ve\u00e7ant\u00eb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Poezia e k\u00ebtushme shkruhet n\u00eb disa drejtime t\u00eb ndryshme dhe <strong>bashkohen n\u00eb nj\u00eb q\u00ebllim t\u00eb vet\u00ebm ideomatik<\/strong>. Na duket sikur ndryshojn\u00eb e dallojn\u00eb me nj\u00ebra-tjer\u00ebn, por ato sjellin nj\u00eb shije t\u00eb re t\u00eb artit t\u00eb shkruar dhe t\u00eb shijes s\u00eb p\u00ebrvoj\u00ebs s\u00eb krijuar t\u00eb autorit t\u00eb mbi 87 vepra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Stili i poetit dhe autorit <strong>Prend Ndue Buzhala<\/strong> \u00ebsht\u00eb t\u00ebr\u00ebsisht dhe poashtu n\u00eb m\u00ebnyr\u00eb t\u00eb ve\u00e7ant\u00eb. N\u00ebp\u00ebr faqet e k\u00ebtij libri i ngreh\u00eb lart\u00eb vlerat e jet\u00ebs e t\u00eb qenies s\u00eb p\u00ebrgjithshme komb\u00ebtare, t\u00eb cilat mund t\u00eb themi se <strong>jan\u00eb harruar<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u00ebr t\u00eb ilustruar k\u00ebt\u00eb mendim, ne po e shk\u00ebpusin n\u00eb fillin t\u00eb librit, nj\u00eb pjes\u00eb nga proza poetike, e shkruar m\u00eb par\u00eb, p\u00ebr q\u00eb \u00ebsht\u00eb me dometh\u00ebnie:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cGjith\u00e7ka ka nj\u00eb lidhje t\u00eb pashk\u00ebputshme me Dheun. Dheu \u00ebsht\u00eb origjin\u00eb e burim i gjith\u00e7kaje. I Qenies Njer\u00ebzore e i fanitjeve tona. I lindjes dhe vdekjes&#8230; Ajo na ng\u00ebrthen Urtin\u00eb p\u00ebr t`u shp\u00ebrnderuar n\u00eb nj\u00eb tjet\u00ebr p\u00ebrmas\u00eb a dimesion. Ajo na lidh\u00eb me mij\u00ebra fije me vetveten, t\u00eb dukshme e t\u00eb padukshme&#8230;\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Fijet e padukshme t\u00eb dheut am\u00eb, faqe 17)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AGU I DIJES fillon t\u00eb zgjidhet me k\u00ebt\u00eb proz\u00eb poetike, p\u00ebrderisa me <em>\u201cam\u00eb\u201d<\/em> i themi <strong>atdheut<\/strong>, n\u00eb t\u00eb cilin jetojm\u00eb, apo ku ndodhemi, porse ai na l\u00ebviz n\u00ebp\u00ebr gjeografin\u00eb e bot\u00ebs, prej gjenez\u00ebs son\u00eb t\u00eb madhe, prej <strong>Atlant\u00ebs<\/strong> s\u00eb p\u00ebrmbytur <em>(k\u00ebshtu i thon\u00eb amerikan\u00ebt emrit shqip n\u00eb qytetin e saj, dhe jo &lt;antlantida&gt;, me mbaresat e shqipes sipas alfabetit pellazgo-fenikas, n\u00eb \u201cGreqin\u00eb\u201d e sotme!)<\/em> e deri n\u00eb shtetet e sotme: Shqip\u00ebris\u00eb, \u00c7am\u00ebris\u00eb, Maqedonis\u00eb Jugore apo Veriore, Republik\u00ebs s\u00eb Kosov\u00ebs, deri n\u00eb Nish t\u00eb Serbis\u00eb e rrotull, n\u00ebp\u00ebr Serbi e Mal t\u00eb Zi. N\u00eb t\u00eb v\u00ebrtet\u00eb, kjo proz\u00eb poetike \u00ebsht\u00eb <strong>riaktualizuar<\/strong>. Edhe nj\u00ebher\u00eb e kam recensuar k\u00ebt\u00eb proz\u00eb poetike, me premisa t\u00eb posa\u00e7me,<a href=\"#_ftn15\">[15]<\/a> por <strong>ama<\/strong> \u00ebsht\u00eb n\u00ebna jon\u00eb e madhe, \u00ebsht\u00eb ani i ilirishtes, q\u00eb ndodhet brenda saj.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ai ik\u00eb p\u00ebrs\u00ebri me nj\u00eb proz\u00eb poetike n\u00eb fund t\u00eb librit t\u00eb tij dhe idetifikohet me bukurin\u00eb e per\u00ebndesh\u00ebs DEA, q\u00eb do t\u00eb thot\u00eb se vjen nga gjuha shqipe e vjet\u00ebr, sikurse DIJA, DITURIA, DIELLI, ZOTI I MADH. D-E-A sinkronizohet me <strong><em>Zotnesh\u00ebn e Atdheut<\/em><\/strong>, e t\u00eb vie keq q\u00eb nuk e kuptojm\u00eb realisht vetveten, sepse e k\u00ebrkojm\u00eb pashprehimisht n\u00eb <em>\u201cstatuj\u00ebn e per\u00ebndesh\u00ebs s\u00eb bukuris\u00eb\u201d<\/em>, q\u00eb prej arkeologjis\u00eb, <strong>e nuk e dim\u00eb se duhet t\u00eb kalojm\u00eb<\/strong> <em>\u201cn\u00eb Bregun e Ujit t\u00eb Madh\u201d<\/em>, <strong>p\u00ebr ta par\u00eb vetveten me syt\u00eb e koh\u00ebs s\u00eb re<\/strong>. K\u00ebshtu, nj\u00eb dit\u00eb, edhe ne do t\u00eb zhytemi thell\u00eb n\u00eb shpirtat tan\u00eb:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cArkeologia kishte shkuar n\u00eb Bregun e Ujit t\u00eb Madh t\u00eb dep\u00ebrtonte te vetmia e statuj\u00ebs, por edhe vet\u00eb u shnd\u00ebrrua n\u00eb statuj\u00eb vetmie\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Vetmia e per\u00ebndesh\u00ebs ilire t\u00eb bukuris\u00eb, faqe 226-228, pjesa 4, f. 228)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">E k\u00ebtu na thuhet e v\u00ebrteta: <strong><em>yllir\u00ebt, ilirir\u00ebt jan\u00eb bijt\u00eb e bijat e vetme t\u00eb Zotit t\u00eb Madh; e flasin k\u00ebt\u00eb gjuh\u00eb si t\u00eb zotrave apo zotneshave, gjuh\u00ebn shqipe apo t\u00eb ilirishtes; jan\u00eb n\u00eb sh\u00ebmb\u00ebllimin e tyre, t\u00eb lindur prej nj\u00eb n\u00ebne, q\u00eb mund t\u00eb jen\u00eb nga nj\u00eb DEA, e cila lidhet me Atdheun; i kan\u00eb t\u00eb gjith\u00eb, pak m\u00eb pak a m\u00eb tep\u00ebr, vetit\u00eb e Krijuesit t\u00eb Bot\u00ebs son\u00eb, prej g\u00ebdhend\u00ebsit t\u00eb gur\u00ebve e deri te poeti i ilirishtes; i kan\u00eb vetit\u00eb e mira t\u00eb tyre, karakteret e tyre, t\u00eb ngjajshme me Zotin e Madh e Krijuesin, etj.; por ata i ka gllab\u00ebruar sot vet\u00ebdija e p\u00ebrmbysur dhe nuk e shfletojn\u00eb librin e madh t\u00eb yllirishteve, t\u00eb k\u00ebsaj apo t\u00eb asaj bote!<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dhe k\u00ebte e duan t\u00eb arrijn\u00eb vet\u00ebm armiqt\u00eb m\u00eb t\u00eb m\u00ebdhenj t\u00eb k\u00ebsaj bote: q\u00eb trash\u00ebgimtar\u00ebt e iliris\u00eb t\u00eb mos e njohen vetveten, q\u00eb prej zanafil\u00ebs e deri m\u00eb sot: 12.000 vite para Lindjes s\u00eb Krishtit e deri n\u00eb vitin 2020 e k\u00ebtej!&#8230;<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Forma e shkrimit t\u00eb lirik\u00ebs s\u00eb k\u00ebsaj poezie<\/strong><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Forma e shkrimit t\u00eb k\u00ebsaj vepre t\u00eb <strong>Prend Ndue Buzhal\u00ebs<\/strong> \u00ebsht\u00eb <strong>gjuha artistike e k\u00ebsaj vepre<\/strong>, prej autorit t\u00eb saj, \u00ebsht\u00eb gjuha e ve\u00e7ant\u00eb e dialektit t\u00eb tij n\u00eb geg\u00ebrishte dhe prej Dardanis\u00eb s\u00eb dikurshme, q\u00eb nd\u00ebr mileniume mbetet e gjall\u00eb brez pas brezi, prandaj flet me t\u00eb folmen e k\u00ebtij vendi; ai na flet n\u00eb Dardani shqiptarisht e artistkisht, me t\u00ebr\u00eb vepr\u00ebn e tij ilirishte.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Poeti i kthehet gjuh\u00ebs s\u00eb ve\u00e7ant\u00eb t\u00eb tij, e cila nuk b\u00ebhet kot s\u00eb koti, por ka kode t\u00eb ve\u00e7anta. K\u00ebto kode t\u00eb ve\u00e7anta na e pasurojn\u00eb gjuh\u00ebn letrare.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N\u00eb lidhje me gjuh\u00ebn, q\u00eb e zgjedh poeti, na kujtohet nj\u00eb th\u00ebnie p\u00ebr vepra t\u00eb tjera, sot e Dr. sci., at\u00ebher\u00eb Mr. Sci. <strong>Shefqet Dinaj<\/strong>, i cili, n\u00eb vepr\u00ebn tij, t\u00eb redaktuar nga <strong>Muhamet D. Rogova<\/strong>, thot\u00eb p\u00ebrgjith\u00ebsisht:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cGjuha \u00ebsht\u00eb mjeti me t\u00eb cil\u00ebn krijohet vepra letrare, si\u00e7 \u00ebsht\u00eb bronxi ose<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>mermeri p\u00ebr skultur\u00ebn dhe tingulli p\u00ebr muzik\u00ebn.\u201d<\/em><a href=\"#_ftn16\">[16]<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Autori e mban dhe e kultivon p\u00ebr bukuri shprehjen e lirik\u00ebs moderne t\u00eb form\u00ebs simbolike, metaforike e alegorike. Gjuha e tij \u00ebsht\u00eb gjuha e vendit t\u00eb tij, e dh\u00ebn\u00eb nga pena e art\u00eb e shkrimtarit. Ndonj\u00ebher\u00eb t\u00eb d\u00ebrgon deri atje sa t\u00eb ndash si <em>\u201cpoezi postmoderne e lirik\u00ebs simbolike\u201d<\/em>, figurativisht tjet\u00ebr apo m\u00eb t\u00eb lart\u00eb artistike. N\u00eb k\u00ebt\u00eb pasuri t\u00eb ve\u00e7ant\u00eb vijn\u00eb fjal\u00eb t\u00eb reja e t\u00eb shkruara e m\u00eb s\u00eb miri t\u00eb vargjeve sintetike, t\u00eb krijuara p\u00ebr her\u00eb t\u00eb par\u00eb apo t\u00eb shkuara me shkonja t\u00eb m\u00ebdha, p\u00ebr t`i ditancuar nga shkrimi real, si p.sh. po i marrin disa: <em>\u201cDit\u00ebs s\u00eb Kujtimeve\u201d<\/em>; <em>\u201cBanor\u00ebt e Diellit\u201d<\/em>; <em>\u201cAtdheu i Tjet\u00ebrsojsh\u00ebm\u201d<\/em>; <em>\u201cOr\u00ebt e Shqipnis\u00eb\u201d<\/em>; <em>\u201cGerma e Shenjt\u00eb\u201d<\/em>; <em>\u201cFormula e Pag\u00ebzimit t\u00eb Shpirtit i Shenjt\u00eb i Liris\u00eb\u201d<\/em>; <em>\u201cKuti Pragu\u201d<\/em>; <em>\u201cOr\u00eb e Paqes\u201d<\/em>; <em>\u201cOr\u00eb e Mir\u00eb\u201d<\/em>; <em>\u201cOr\u00eb e Engjullit e t\u00eb Urtis\u00eb\u201d<\/em>; <em>\u201cOr\u00eb e Sht\u00ebpis\u00eb\u201d<\/em>; <em>\u201cRruzullimet Parajsor n\u00eb Kopshtin e Edenit\u201d<\/em>; <em>\u201cBot\u00ebn pa Kujtes\u00eb\u201d<\/em>; <em>\u201cPamjet e Hyjnesh\u00ebs\u201d<\/em>; <em>\u201cM\u00ebsimi i Madh i Fatit\u201d<\/em>; <em>\u201cKokrr\u00ebn e Mendjes\u201d<\/em>; <em>\u201cPema Magjike\u201d<\/em>; <em>\u201cShtyllat e Lavdis\u00eb\u201d<\/em>; <em>\u201cBes\u00eblidhjen e Mo\u00e7me Ilirishte\u201d<\/em>; <em>\u201cKasnec\u00ebve t\u00eb Qiellit\u201d<\/em>; <em>\u201cZonj\u00eb e Fjal\u00ebs s\u00eb Madh\u00ebrishme\u201d<\/em>; <em>\u201cZonja e Sht\u00ebpis\u00eb s\u00eb Jet\u00ebs\u201d<\/em>; <em>\u201cMjeshtre Qiellore\u201d<\/em>; <em>\u201cZon\u00eb e Fjal\u00ebs s\u00eb Madh\u00ebrishme\u201d<\/em>; <em>\u201cGuri Krijues\u201d<\/em>; <em>\u201cGuri Q\u00eb Humb\u201d<\/em>; <em>\u201cGuri i Rr\u00ebmbyer\u201d<\/em>; <em>\u201cGuri Q\u00eb Del Jasht\u00eb Rendit\u201d<\/em>; <em>\u201cMozaikun e Madh t\u00eb Shpirtit t\u00eb Qenies\u201d<\/em>; <em>\u201cFuqin\u00eb e Zemr\u00ebs\u201d<\/em>; <em>\u201cLotin e Mortit\u201d<\/em>; <em>\u201cFaltoret e Vajtimeve\u201d<\/em>; <em>\u201cGur\u00ebt e D\u00ebshmis\u00eb\u201d<\/em>; <em>\u201cFryma e Idhnis\u00eb\u201d<\/em>; <em>\u201cKanunin e Jet\u00ebs\u201d<\/em>; <em>\u201cLoti Kozmik\u201d<\/em>; <em>\u201cMuz\u00ebn e Kujtes\u00ebs\u201d<\/em>; <em>\u201cBarku i Urrejtjes\u201d<\/em>; <em>\u201cEpistolat e Bekimit\u201d<\/em>; <em>\u201cKomunikimi Shpirt\u00ebror\u201d<\/em>; <em>\u201cQenie e Tejdukshme\u201d<\/em>; <em>\u201cOr\u00eb e Rr\u00ebfimeve Diellore\u201d<\/em>; <em>\u201cKullat e Or\u00ebs s\u00eb Dijes\u201d<\/em>; <em>\u201cMjeshtri i Koh\u00ebs\u201d<\/em>; <em>\u201cAma e Brinj\u00ebs s\u00eb Plagosshme t\u00eb Dashuris\u00eb\u201d<\/em>; <em>\u201cVepra e P\u00ebrsosur e Nd\u00ebrtimit\u201d<\/em>; <em>\u201cZoti i Zjarrit dhe i Luft\u00ebrave\u201d<\/em>; <em>\u201cEnjti i Hyjnive Ilire\u201d<\/em>; <em>\u201cDera e Yjeve\u201d<\/em>; <em>\u201cKoh\u00ebn e Mbret\u00ebresh\u00ebs s\u00eb Deteve\u201d<\/em>; <em>\u201cShpirti i Koh\u00ebs\u201d<\/em>; <em>\u201cVajtimi i Germave\u201d<\/em>; <em>\u201cMbreti i Syrit t\u00eb Hyjit\u201d<\/em>; <em>\u201cGuri i Rr\u00ebnoj\u00ebs\u201d<\/em>; <em>\u201cQytetin e Shpirtit\u201d<\/em>; <em>\u201cLoja e Madhe e Teatrit t\u00eb Intrig\u00ebs\u201d<\/em>; <em>\u201cFlaka e Fjal\u00ebs\u201d<\/em>; <em>\u201cOr\u00eb e Kurdisur\u201d<\/em>; <em>\u201cKoh\u00eb t\u00eb Prishura\u201d<\/em>; <em>\u201cDheun e Telasheve\u201d<\/em>; <em>\u201cKombet e S\u00ebmuara\u201d<\/em>; <em>\u201cRrobat e S\u00eb Mir\u00ebs\u201d<\/em>; <em>\u201cKoh\u00ebn e Lig\u00ebsis\u00eb\u201d<\/em>; <em>\u201cKopshtin e Dashuris\u00eb\u201d<\/em>; <em>\u201cFjal\u00eb e Braktisur\u201d<\/em>; <em>\u201cFlet\u00ebn e Zhg\u00ebnjimit\u201d<\/em>; <em>\u201cFlet\u00ebn e Bes\u00ebn e Burrnis\u00eb\u201d<\/em>; <em>\u201cFuqit\u00eb e Err\u00ebsir\u00ebs\u201d<\/em>; <em>\u201cNuses s\u00eb Diellit\u201d<\/em>; etj., t\u00eb cilat i simbolizojn\u00eb edhe gj\u00ebrat m\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb qenies ilire, <strong>q\u00eb \u00ebsht\u00eb gjeneza jon\u00eb e vetme<\/strong>. Kemi qen\u00eb t\u00eb luftuar p\u00ebrgjithmon\u00eb n\u00ebp\u00ebr mileniume e shekuj nga armiqt\u00eb e shumt\u00eb e t\u00eb gjithansh\u00ebm, sikur kemi dalur prej dor\u00ebs s\u00eb Zotit t\u00eb Madh e Krijuesit, prej Bes\u00ebs s\u00eb tij, mir\u00ebpo kjo gj\u00eb <strong>nuk \u00ebsht\u00eb e v\u00ebrtet\u00eb<\/strong>, sepse <strong>jemi t\u00eb lindur me misionin hyjnor<\/strong>. Ne kemi mbijetuar, p\u00ebrkund\u00ebr shum\u00eb shpifjeve t\u00eb liga.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Arkivi artistik i poetit na i hedh k\u00ebto para syve, q\u00eb ta shohim e kuptojm\u00eb dhe t\u00eb mund t\u00eb gjykojm\u00eb, madje nga disa fjal\u00eb t\u00eb krijuara prej tij e t\u00eb shkruara me shkronja fillestare t\u00eb m\u00ebdha, q\u00eb t\u00eb bien n\u00eb sy, si k\u00ebto m\u00eb lart\u00eb, q\u00eb ne i nxorr\u00ebm dhe i sh\u00ebnuam. <strong>Duhet t`i lexoni e rilexoni!<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00eb mos i harrojm\u00eb edhe nj\u00ebher\u00eb pa i p\u00ebrmend disa tituj, si p.sh. <em>\u201cFaltoret e padukshme t\u00eb Orakullit\u201d<\/em>, <em>\u201cHyjnesha Dardane\u201d<\/em>, <em>\u201cEpifani p\u00ebr shenj\u00ebtor\u00ebt ilir\u00eb\u201d<\/em>, <em>\u201cSonatina Dardanica\u201d<\/em>, etj. t\u00eb cilat i kan\u00eb bazat e tjera t\u00eb poezis\u00eb s\u00eb ve\u00e7ant\u00eb t\u00eb shenjt\u00ebris\u00eb dhe kjo nuk ndodhet te poet\u00eb t\u00eb tjer\u00eb t\u00eb atdheut simbolik e t\u00eb dardanis\u00eb. Mund t\u00eb themi, <strong><em>me nj\u00eb fjal\u00eb t\u00eb koncentruar, se vepra \u201cAni i ilirishteve\u201d \u00ebsht\u00eb Bibla e vog\u00ebl e vargjeve ilirike<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ajo \u00ebsht\u00eb e shkuar me nj\u00eb gjuh\u00eb t\u00eb p\u00ebrsosur e t\u00eb bukur t\u00eb autorit <strong>Prend Ndue Buzhala<\/strong>; me mjaft tone simbolike, metaforike dhe alegorike&#8230;<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref1\">[1]<\/a> Mikel Gojani, <em>\u201eRizbulimi poetik i lasht\u00ebsis\u00eb dhe qenies son\u00eb\u201d<\/em>, nga recesioni i d\u00ebrguar n\u00eb form\u00ebn origjinale, n\u00eb arkivin tim personal, me rrjeshta t\u00eb ngeshura, 1-7 faqe A4.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref2\">[2]<\/a> P\u00ebraf\u00ebrsisht po aty, recensioni i Mikel Gojanit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref3\">[3]<\/a> Prof. Dr. Mario Andreotti, <em>\u201cDie Struktur der modernen Literatur\u201d<\/em>, 4. Auflage, Haupt Verlag Bern-Stuttgart-Wien, 1983, faqe 281.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref4\">[4]<\/a> Po aty, faqe 285.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref5\">[5]<\/a> Po e nj\u00ebjta vep\u00ebr, faqe 303.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref6\">[6]<\/a> Zejnullah Rrahmani, <em>\u201cTeoriae let\u00ebrsis\u00eb\u201d<\/em>, botim i plot\u00ebsuar, SHB \u201cFaik Konica\u201d, Prishtin\u00eb 2008, faqe 85.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref7\">[7]<\/a> E nj\u00ebjta vep\u00ebr, faqe 87.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref8\">[8]<\/a> Po aty, faqe 87.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref9\">[9]<\/a> Nga p\u00ebrkthimi shqip, prej origjinalit kish\u00ebtar katolik, i nxjerrur n\u00eb Google.com.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref10\">[10]<\/a> Nga po aty, e marr\u00eb tekstualisht.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref11\">[11]<\/a> Mikel Gojani, i nj\u00ebjti recension i d\u00ebrguar, n\u00eb arkivin tim.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref12\">[12]<\/a> N\u00ebse d\u00ebshironi, shikoni p\u00ebrmbledhjen time <em>\u201cQielli i paprekur\u201d<\/em>, Brezi `81, Prishtin\u00eb 2012, faqe 61 apo n\u00eb kopertin\u00eb, faqja e dyt\u00eb, n\u00eb t\u00eb cil\u00ebn e lidhi detyrimisht me Zotrat e P\u00ebrjet\u00ebsis\u00eb, p\u00ebrmes oreadave, or\u00ebve t\u00eb k\u00ebsaj jete. Bota e jon\u00eb reale sulmohet gjithnj\u00eb nga t\u00eb lindurit e djallit, por jo edhe qielli, q\u00eb simbolizon p\u00ebrjet\u00ebsin\u00eb\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref13\">[13]<\/a> Shikoni po desh\u00ebt n\u00eb vepr\u00ebn time <em>\u201cArena e dhembjeve\u201d<\/em>, Botimet Meshari, Prishtin\u00eb 2017, faqe 83.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref14\">[14]<\/a> Shikoni po desh\u00ebt <em>\u201cSuferinat e dhembjes\u201d<\/em>, n\u00eb p\u00ebrmbledhjen poetiko-lirike, <em>\u201cShtegtimi i liris\u00eb\u201d<\/em>, Faik Konica, Prishtin\u00eb 2014, faqe 74.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref15\">[15]<\/a> Shikoni po desh\u00ebt recensionin tim, Brahim Avdyli, <em>\u201c<\/em><em>Rrug\u00ebt e nd\u00ebrdijes, p\u00ebrplasja e realitetit dhe kontadikta e t\u00eb s\u00eb v\u00ebrtetes\u201d<\/em>,1 + 2, n\u00ebp\u00ebr mjaft organe elektronike apo edhe n\u00eb Web-faqen time, t\u00eb pa korigjuar e provizore: <a href=\"http:\/\/www.brahimavdyli.ch\/studime-p\u00ebr-librin-me-tregime-1\/\">http:\/\/www.brahimavdyli.ch\/studime-p\u00ebr-librin-me-tregime-1\/<\/a>, dhe <a href=\"http:\/\/www.brahimavdyli.ch\/studime-p\u00ebr-librin-me-tregime-2\/\">http:\/\/www.brahimavdyli.ch\/studime-p\u00ebr-librin-me-tregime-2\/<\/a>, p\u00ebr vepr\u00ebn e tregimeve t\u00eb shkurt\u00ebra <em>\u201cHeroi i rrug\u00ebs\u201d<\/em>, SH \u201cRozafa\u201d, Prishtin\u00eb 2017&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref16\">[16]<\/a> Shefqet Dinaj, <em>\u201eTematika, diskursi, personazhet dhe modeli i krimit n\u00eb vep\u00ebr letrare\u201c<\/em>, Shoqata e Intelektual\u00ebve \u201cJAKOVA\u201d, Gjakov\u00eb 2011, faqe 84.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Brahim (Ibish)AVDYLI: (P\u00ebrkitazi me vepr\u00ebn e lexuar me lirika t\u00eb ve\u00e7anta t\u00eb Prend Ndue Buzhal\u00ebs, \u201cANI I ILIRISHTEVE\u201d, SHB \u201cLENA\u201d, Prishtin\u00eb 2020) K\u00ebndi i qasjeve t\u00eb ve\u00e7anta t\u00eb poezis\u00eb Leximi sot i nj\u00eb libri t\u00eb ve\u00e7ant\u00eb t\u00eb poezis\u00eb (post)moderne t\u00eb lirikave, nga dymb\u00ebdhjet\u00eb vepra t\u00eb tij poetike (12), i nj\u00eb autori shum\u00eb t\u00eb njohur shqiptar [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":29481,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","footnotes":""},"categories":[2,6,12],"tags":[2925,1637,772],"class_list":["post-29480","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-kulture","category-opinione","tag-ani-i-ilirishteve","tag-brahim-avdyli","tag-prend-buzhala"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/29480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29480"}],"version-history":[{"count":1,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/29480\/revisions"}],"predecessor-version":[{"id":29482,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/29480\/revisions\/29482"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/29481"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29480"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29480"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}