{"id":28729,"date":"2021-04-06T19:39:04","date_gmt":"2021-04-06T17:39:04","guid":{"rendered":"https:\/\/ulqini-online.com\/sajti\/?p=28729"},"modified":"2021-04-06T19:39:04","modified_gmt":"2021-04-06T17:39:04","slug":"tal-nitzan-poetja-dhe-perkthyesja-qe-kaperceu-largesite-midis-gjuheve-epokave-dhe-kulturave","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=28729","title":{"rendered":"Tal Nitzan &#8211; poetja dhe p\u00ebrkthyesja q\u00eb kap\u00ebrceu larg\u00ebsit\u00eb midis gjuh\u00ebve, epokave dhe kulturave"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large\"><a href=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2021\/04\/Tal-Nitzan.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"336\" height=\"362\" src=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2021\/04\/Tal-Nitzan.jpeg\" alt=\"\" class=\"wp-image-28730\" srcset=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2021\/04\/Tal-Nitzan.jpeg 336w, https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2021\/04\/Tal-Nitzan-278x300.jpeg 278w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><\/a><\/figure><\/div>\n\n\n\n<p>Nga Gladiola Jorbus<\/p>\n\n\n\n<p>Pavar\u00ebsisht jehon\u00ebs s\u00eb nj\u00ebpasnj\u00ebshme t\u00eb krijueseve femra, p\u00ebrs\u00ebri poetet dhe shkrimtaret duhet t\u00eb sforcohen shum\u00eb q\u00eb t\u00eb g\u00ebzojn\u00eb nj\u00eb status n\u00eb fush\u00ebn e letrave.<\/p>\n\n\n\n<p>Meqen\u00ebse figurat kryesore kanonike q\u00eb studiohen n\u00eb shkolla e universitete jan\u00eb autor\u00ebt meshkuj, ekuilibrimi i k\u00ebsaj \u2018anomalie\u2019 mbetet nj\u00eb proces q\u00eb pretendon ende shum\u00eb p\u00ebrpjekje dhe k\u00ebmb\u00ebngulje.<\/p>\n\n\n\n<p>Nj\u00eb autore e spikatur n\u00eb nivel bot\u00ebror q\u00eb emocionon me z\u00ebrin e saj sa t\u00eb dhembshur aq dhe t\u00eb ashp\u00ebr, sa t\u00eb p\u00ebrzem\u00ebrt aq dhe ironik \u00ebsht\u00eb izraelitja Tal Nitzan.<\/p>\n\n\n\n<p>E lindur n\u00eb Jaffa t\u00eb Izraelit nga prind\u00ebr me origjin\u00eb argjentinase, ajo ka botuar shtat\u00eb koleksione me poezi, dy romane dhe pes\u00eb libra p\u00ebr f\u00ebmij\u00eb. Poezit\u00eb e saj jan\u00eb p\u00ebrkthyer n\u00eb m\u00eb shum\u00eb se nj\u00ebzet gjuh\u00eb si gjermanisht, fr\u00ebngjisht, anglisht, italisht, lituanisht, maqedonisht, portugalisht, spanjisht etj.<\/p>\n\n\n\n<p>Ajo mban mbi supe m\u00eb shum\u00eb se tet\u00ebdhjet\u00eb vepra t\u00eb p\u00ebrkthyera, kryesisht nga spanjishtja (gjuha e f\u00ebmij\u00ebris\u00eb s\u00eb poetes), madje Tal Nitzan konsiderohet p\u00ebrkthyesja m\u00eb e mir\u00ebnjohur e let\u00ebrsis\u00eb hispanike n\u00eb hebraisht.<\/p>\n\n\n\n<p>&nbsp;Nd\u00ebr autor\u00ebt hispanik\u00eb t\u00eb p\u00ebrkthyer prej saj mund t\u00eb rendisim: Cervantes, Machado, Garc\u00eda Lorca, Vallejo, Neruda, Borges, Paz, Hierro, Pizarnik, Cort\u00e1zar, Garc\u00eda M\u00e1rquez, Vargas Llosa, Onetti, Fuentes, Bola\u00f1o; teksa ajo ve\u00e7on Miguel Delibes-in dhe romanin e tij &#8216;Shenjtor\u00ebt e pafajsh\u00ebm&#8217;, si nj\u00eb vep\u00ebr e spikatur humaniste dhe me nj\u00eb shtrirje universale q\u00eb shkon p\u00ebrtej arritjeve letrare.<\/p>\n\n\n\n<p>Autorja e shquar izraelite e konsideron let\u00ebrsin\u00eb nj\u00eb let\u00ebr q\u00eb e tashmja ia d\u00ebrgon s\u00eb ardhmes. Poezit\u00eb e Tal Nitzan-it dallojn\u00eb p\u00ebr tematikat personale dhe intime, n\u00ebn parimin se sa m\u00eb individuale apo idiosinkratike t\u00eb jet\u00eb poezia, aq m\u00eb shum\u00eb mund t\u00eb prek\u00eb ndjenjat, vet\u00ebdijen apo mbresat njer\u00ebzore.<\/p>\n\n\n\n<p>Krijuesja Tal Nitzan ka guxuar dhe ka trajtuar n\u00eb poezin\u00eb e saj tema si am\u00ebsia, urrejtja, armiku, f\u00ebmij\u00ebt, dashuria, protesta, e v\u00ebrteta, pun\u00ebt e sht\u00ebpis\u00eb etj. Ajo ka p\u00ebrcjell\u00eb p\u00ebrmes prozodis\u00eb s\u00eb poemave t\u00eb saj, faktin se nuk ekziston nj\u00eb hierarki temash poetike dhe se cil\u00ebsia e nj\u00eb poezie nuk varet absolutisht nga tema q\u00eb l\u00ebvron.<\/p>\n\n\n\n<p>Si poete e p\u00ebrkthyese, ajo p\u00ebrdor shtresat historike t\u00eb hebraishtes, muzikalitetin e saj, aft\u00ebsin\u00eb p\u00ebr koncizitet.<\/p>\n\n\n\n<p>Perceptimi i rrokur nga poezia e Tal Nitzan-it \u00ebsht\u00eb nj\u00eb p\u00ebrvoj\u00eb emocionale, mendore, mall\u00ebngjyese, \u00ebnd\u00ebrrimtare dhe politike. Lexuesi sqimatar p\u00ebrhumbet n\u00eb p\u00ebrmbajtjen, form\u00ebn, gjuh\u00ebn, risit\u00eb artistike q\u00eb ofrojn\u00eb vargjet e saj:<\/p>\n\n\n\n<p><em>Nat\u00ebn u strehova n\u00eb trupin t\u00ebnd<\/em><\/p>\n\n\n\n<p><em>si nj\u00eb f\u00ebmij\u00eb te luleshtrydhja.<\/em><\/p>\n\n\n\n<p><em>S\u2019d\u00ebgjoja tjet\u00ebr ve\u00e7 frym\u00ebmarrjes sate.<\/em><\/p>\n\n\n\n<p><em>E mb\u00ebshtetur tek ti nga koka te k\u00ebmb\u00ebt.<\/em><\/p>\n\n\n\n<p>N\u00eb poezit\u00eb e Tal Nitz\u00e1n-it, nuk mund t\u00eb mos v\u00ebsh re nuancat e gjuh\u00ebs biblike apo tingulloritetin e s\u00eb shkuar\u00ebs n\u00eb t\u00eb tashmen moderne. Poezit\u00eb e saj kan\u00eb pesh\u00eb, frym\u00ebzojn\u00eb dhe orientojn\u00eb v\u00ebmendjen e lexuesit drejt perspektivave t\u00eb reja e befasuese.<\/p>\n\n\n\n<p><em>Ajo ka marr\u00eb \u00e7mime t\u00eb shumta letrare p\u00ebr pun\u00ebn e saj artistike. Si poete, Tal Nitzan \u00ebsht\u00eb vler\u00ebsuar me:<\/em><\/p>\n\n\n\n<p><em>\u00c7mimi i let\u00ebrsis\u00eb Harry Hershon i Universitetit Hebraik t\u00eb Jeruzalemit.<\/em><\/p>\n\n\n\n<p><em>\u00c7mimi Rosario Castellanos.<\/em><\/p>\n\n\n\n<p><em>&nbsp;\u00c7mimi Grat\u00eb shkrimtare (1998).<\/em><\/p>\n\n\n\n<p><em>\u00c7mimi Poet\u00eb t\u00eb rinj (2001).<\/em><\/p>\n\n\n\n<p><em>\u00c7mimi &nbsp;Vepra e par\u00eb (2002).<\/em><\/p>\n\n\n\n<p><em>&nbsp;\u00c7mimi ACUM p\u00ebr poezi t\u00eb paraqitur n\u00eb m\u00ebnyr\u00eb anonime (2007).<\/em><\/p>\n\n\n\n<p><em>&nbsp;Si p\u00ebrkthyese, ajo ka fituar:<\/em><\/p>\n\n\n\n<p><em>\u00c7mimi Krijimtaria n\u00eb P\u00ebrkthim (1995 dhe 2005).<\/em><\/p>\n\n\n\n<p><em>&nbsp;Medalja e Nderit nga Presidenca e Kilit (2004).<\/em><\/p>\n\n\n\n<p><em>&nbsp;\u00c7mimi Tchernijovsky p\u00ebr p\u00ebrsosm\u00ebri n\u00eb p\u00ebrkthim (2012).<\/em><\/p>\n\n\n\n<p><em>Disa nga titujt e veprave t\u00eb saj:<\/em><\/p>\n\n\n\n<p><em>&#8220;Nj\u00eb pasdite e zakonshme&#8221; (2006).<\/em><\/p>\n\n\n\n<p><em>&#8220;Caf\u00e9 Soleil Bleu&#8221; (2007).<\/em><\/p>\n\n\n\n<p><em>&#8220;E para p\u00ebr t\u00eb harruar&#8221; (2009).<\/em><\/p>\n\n\n\n<p><em>&#8220;E nj\u00ebjta re dy her\u00eb&#8221; (2012) etj.<\/em><em><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nga Gladiola Jorbus Pavar\u00ebsisht jehon\u00ebs s\u00eb nj\u00ebpasnj\u00ebshme t\u00eb krijueseve femra, p\u00ebrs\u00ebri poetet dhe shkrimtaret duhet t\u00eb sforcohen shum\u00eb q\u00eb t\u00eb g\u00ebzojn\u00eb nj\u00eb status n\u00eb fush\u00ebn e letrave. Meqen\u00ebse figurat kryesore kanonike q\u00eb studiohen n\u00eb shkolla e universitete jan\u00eb autor\u00ebt meshkuj, ekuilibrimi i k\u00ebsaj \u2018anomalie\u2019 mbetet nj\u00eb proces q\u00eb pretendon ende shum\u00eb p\u00ebrpjekje dhe k\u00ebmb\u00ebngulje. Nj\u00eb [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":28730,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,12],"tags":[],"class_list":["post-28729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-opinione"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/28729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28729"}],"version-history":[{"count":1,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/28729\/revisions"}],"predecessor-version":[{"id":28731,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/28729\/revisions\/28731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/28730"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=28729"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=28729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}