{"id":28388,"date":"2021-03-04T11:03:04","date_gmt":"2021-03-04T10:03:04","guid":{"rendered":"http:\/\/ulqini-online.com\/sajti\/?p=28388"},"modified":"2021-03-04T11:03:04","modified_gmt":"2021-03-04T10:03:04","slug":"lahuta-dhe-lahutaret-ne-rrezik-zhdukjeje-ne-hot-grude-triesh-e-koje","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=28388","title":{"rendered":"Lahuta dhe lahutar\u00ebt n\u00eb rrezik zhdukjeje n\u00eb Hot, Grud\u00eb, Triesh e Koj\u00eb"},"content":{"rendered":"\n
\"\"<\/a>
N\u00eb Foto: Lahutari\u00a0 Gjok\u00eb Kalaj nga Gruda-Mal\u00ebsi<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

\u00a0Trash\u00ebgimia shqiptare<\/strong><\/p>\n\n\n\n

Nga Gjek\u00eb Gjonaj<\/strong><\/p>\n\n\n\n

Mal\u00ebsor\u00ebt\u00a0 e\u00a0 Hotit, Grud\u00ebs, Trieshit e Koj\u00ebs\u00a0\u00a0 jan\u00eb t\u00eb njohur p\u00ebr artin\u00a0 e\u00a0 veglave muzikore tradicionale. Ata,\u00a0 p\u00ebrve\u00e7\u00a0 \u00e7iftelis\u00eb, fyellit, zymareve, defit dhe tupanit \u00a0\u00a0preferonin edhe lahut\u00ebn.\u00a0\u00a0 Dikur\u00a0 n\u00eb\u00a0 shumic\u00ebn e rasteve pothuaj \u00e7do familje kishte nga nj\u00eb lahut\u00eb t\u00eb varur n\u00eb mur. Sht\u00ebpia pa lahut\u00eb quhej \u201c sht\u00ebpi e lanun\u201d. Ishte turp p\u00ebr\u00a0 mal\u00ebsorin t\u00eb mos e kishte\u00a0 n\u00eb sht\u00ebpi nj\u00eb lahut\u00eb dhe nj\u00eb pushk\u00eb. Lahuta dhe pushka ishin dy koncepte a dy dukuri , q\u00eb kan\u00eb\u00a0 nd\u00ebrmjet tyre lidhje t\u00eb dyanshme p\u00ebr \u00e7do familje mal\u00ebsore. Lahuta u sh\u00ebrbente\u00a0 mal\u00ebsor\u00ebve \u00a0\u00a0p\u00ebr t\u2019u k\u00ebnduar\u00a0 kreshnik\u00ebve shqiptar\u00eb, nga epika jon\u00eb historike ose baladat dhe rapsodit\u00eb e epik\u00ebs son\u00eb legjendare,\u00a0 \u00a0kurse pushka p\u00ebr t\u2019u mbrojtur nga armiku.<\/strong><\/p>\n\n\n\n

Lahut\u00ebn e kan\u00eb p\u00ebrdor\u00eb burrat-lahutar\u00ebt, t\u00eb cil\u00ebt\u00a0 kur i binin k\u00ebtij instrumenti\u00a0\u00a0 q\u00ebndronin k\u00ebmb\u00ebkryq\u00a0 dhe e mbanin at\u00eb\u00a0 n\u00eb m\u00ebnyr\u00eb t\u00eb pjerr\u00ebt n\u00eb drejtim t\u00eb k\u00ebng\u00ebs s\u00eb djatht\u00eb , s\u00eb bashku me harkun. Lahutar\u00ebt\u00a0 i\u00a0 binin dhe i k\u00ebndonin lahut\u00ebs n\u00eb raste t\u00eb ndryshme g\u00ebzimi, n\u00eb ndeja\u00a0 pas darke , pran\u00eb oxhakut,\u00a0 n\u00eb\u00a0 manifestime t\u00eb rastit dhe n\u00eb\u00a0 gara\u00a0 e festivale\u00a0 folklorike vendore, komb\u00ebtare e nd\u00ebrkomb\u00ebtare.\u00a0<\/p>\n\n\n\n

Burrat\u00a0 e\u00a0 Mal\u00ebsis\u00eb e p\u00ebrdornin\u00a0 me \u00ebndje t\u00eb madhe dhe e d\u00ebgjonin me v\u00ebmendje\u00a0\u00a0 t\u00eb posa\u00e7me\u00a0\u00a0\u00a0 k\u00ebt\u00eb veg\u00ebl ilire-arb\u00ebrore shqiptare, e cila sipas specialist\u00ebve shqiptar\u00eb p\u00ebrfaq\u00ebson arketipin m\u00eb t\u00eb lasht\u00eb t\u00eb veglave\u00a0 kordofone\u00a0 me hark ( s\u00eb paku 9.000 vje\u00e7are)\u00a0 t\u00eb kontinentit evropian.\u00a0 Kjo veg\u00ebl muzikore me shekuj\u00a0 ka arg\u00ebtuar, motivuar, inspiruar, promovuar, shoq\u00ebruar e ngaz\u00eblluar shpirtin\u00a0 krijues t\u00eb\u00a0 k\u00ebsaj pjes\u00eb t\u00eb popullat\u00ebs shqiptare n\u00eb trojet e tyre\u00a0 etnike,\u00a0 e cila q\u00eb nga Kongresi i Berlinit padrejt\u00ebsisht u shk\u00ebput\u00eb nga shteti am\u00eb \u2013 Shqip\u00ebria.\u00a0 K\u00ebnga e lahutarit frym\u00ebzonte malet dhe mal\u00ebsin\u00eb e trim\u00ebrin\u00eb , i nxiste n\u00eb luft\u00eb\u00a0 patriot\u00ebt p\u00ebr t\u00eb luftuar p\u00ebr atdheun e trojet e tyre. N\u00eb \u00e7do luft\u00eb, n\u00eb \u00e7do kuvend burrash, n\u00eb \u00e7do betej\u00eb, lahuta i frym\u00ebzonte mal\u00ebsor\u00ebt kund\u00ebr sllav\u00ebve dhe osman\u00ebve.<\/p>\n\n\n\n

Me lahut\u00eb \u00ebsht\u00eb k\u00ebnduar Teuta e Genti, Gjergj Kastrioti -Sk\u00ebnderbeu e Lek\u00eb Dukagjini, Nora e Kelmendit, Oso Kuka,  Ali Pash\u00eb Gucia, Jakup Ferri, Mic Sokoli, Ded Gjo’ Luli, \u00c7un Mula, Bajram Curri, Isa Boletini, Hasan Prishtina, Azem Galica, Prek\u00eb Cali dhe luan\u00ebt e maleve q\u00eb ran\u00eb gjat\u00eb shekujve n\u00eb betejat p\u00ebr liri.<\/p>\n\n\n\n

Secila lahut\u00eb <\/strong> ka nga nj\u00eb histori. Shum\u00eb jan\u00eb t\u00eb gdhendura bukur. N\u00eb kokat e tyre sheh t\u00eb gdhendura simbole t\u00eb njohura q\u00eb hasen n\u00eb mitologjin\u00eb gojore shqiptare e sidomos n\u00eb Eposin e Kreshnik\u00ebve, t\u00eb tilla jan\u00eb Or\u00ebt e malit, Zanat, gjarpri sh\u00ebrues, kreshniku, dielli, h\u00ebna me yjet, por edhe koka e dhis\u00eb, e cila ndeshet r\u00ebndom te ky instrument. Zbukurimi i saj b\u00ebhet edhe me portretin e gdhendur t\u00eb Gjergj Kastriotit dhe e shton krenarin\u00eb e d\u00ebgjuesve t\u00eb k\u00ebng\u00ebve epike me historin\u00eb e fam\u00adsh\u00adme t\u00eb fitoreve t\u00eb popullit shqiptar para rreth gjasht\u00eb she\u00adkujsh. Ajo   zbukurohet edhe me portrete t\u00eb figurave t\u00eb tjera t\u00eb shquara t\u00eb dy shekujve t\u00eb fundit, nga Rilindja e deri te U\u00c7K-ja dhe Adem Jashari.<\/p>\n\n\n\n

Mal\u00ebsia n\u00eb periudha t\u00eb ndryshme historike ka pasur  shum\u00eb lahutar\u00eb e rapsod\u00eb popullor\u00eb.  \u00cbsht\u00eb gati e pamundur q\u00eb  t\u00eb evidentojm\u00eb t\u00eb gjith\u00eb  emrat e tyre, sepse mungojn\u00eb t\u00eb dh\u00ebna t\u00eb shkruara. Por, po p\u00ebrmend  disa  prej tyre, duke k\u00ebrkuar ndjes\u00eb ,  respekt e mir\u00ebkuptim   p\u00ebr t\u00eb gjith\u00eb t\u00eb tjer\u00ebt.<\/p>\n\n\n\n

Lahutar\u00eb nga   krahina e Hotit  jan\u00eb:  Gjok\u00eb Pr\u00eblota Gjelaj ( 1903-1976) , Gjeto Mirashi Gjonaj ( 1909-1972), Llesh Pr\u00ebla Camaj ( 1920-2020),  Zef Pr\u00ebtashi Dushaj ( 1933-1999),   Zef Gjoka Gjelaj ( 1935) , Martin Dushaj ( 1937), Pjet\u00ebr Zefi Goj\u00e7aj ( 1937-2008)), Luigj Gjeka Dushaj, Nrek\u00eb Marku Dushaj ( 1939) , Nosh Gjoni Laj\u00e7aj ( 1941), Gjelosh Nika Jun\u00e7aj ( 1941), Kol\u00eb Toma Dedvukaj ( 1948), Nikoll\u00eb Ujka Jun\u00e7aj ( 1950), Marash Ujka Jun\u00e7aj ( 1950), Gjergj Kola Gjelaj ( 1951),  Gjok\u00eb Luca Goj\u00e7aj ( 1955), Gjon Dedvukaj ( 1955), Luc\u00eb Pjetri Goj\u00e7aj ( 1965), Agron Pllumaj ( 1986), Fran Marku dhe  Aleks Gjergji Dushaj ( 2001).<\/p>\n\n\n\n

Lahutar\u00ebt m\u00eb n\u00eb z\u00eb nga Gruda jan\u00eb:  Gjok\u00eb Kalaj Marash Deda Lulgjuraj, Halil Rrusta Kajoshaj, Gjergj Uci Vulaj,  Dod\u00eb Lulgjuraj dhe Hil\u00eb Lulgjuraj.<\/p>\n\n\n\n

Nga mali i Koj\u00ebs  me lahut\u00eb kan\u00eb interpretuar, Kol\u00eb Uci Ulaj, Prel\u00eb Kola Ulaj,Pjet\u00ebr Pretashi Ulaj , Kol\u00eb Bardhi Krcaj, Prel\u00eb Kola Krcaj,   Nosh Kola Krcaj, Dok Marashi Ivanaj dhe  Gjergj Mirashi Marashaj, <\/p>\n\n\n\n

Edhe Trieshi dikur ka qen\u00eb \u00e7erdhe e lahutar\u00ebve  e instrumentist\u00ebve t\u00eb tjer\u00eb shum\u00eb t\u00eb njohur, si :  Nikoll\u00eb Gali Leko\u00e7aj, Tom\u00eb Nikolla Leko\u00e7aj, Nikoll\u00eb Sokoli Leko\u00e7aj,  Nikoll\u00eb Gjoni Leko\u00e7aj,  Gjok\u00eb Nikolla Leko\u00e7aj, Zef Gjoni Micakaj, Gjok\u00eb Pr\u00ebla Dedivanaj, Nikoll\u00eb Lucaj, Fran Lleshi Lucaj, Dod\u00eb Pr\u00ebka Micakaj, Mark Zefi Micakaj  Gjelosh ( Losh) Nou Mem\u00e7aj, Nikoll\u00eb Nikprelaj, Rrok Zefi Prenko\u00e7aj, Zef Pjetri Lucaj, Pjet\u00ebr Gjergji Lucaj, Gjergj Pjetri  Lucaj, Tom\u00eb Leka Lucaj dhe  Mark Pjetri Lucaj.   <\/p>\n\n\n\n

Lahuta \u00ebsht\u00eb nj\u00eb instrument, i cili lidhet ngusht\u00ebsisht me Eposin Shqiptar dhe, bashk\u00eb me mosp\u00ebrdorimin e Eposit, po zhduket edhe vegla muzikore. Specialist\u00ebt shprehen se faktor\u00ebt kryesor  q\u00eb po \u00e7ojn\u00eb n\u00eb zhdukjen e k\u00ebtij instrumenti muzikor, i cili \u00ebsht\u00eb unik dhe m\u00eb i vjetri n\u00eb llojin e vet n\u00eb Evrop\u00eb, jo vet\u00ebm nga Mal\u00ebsia, por  edhe nga t\u00eb gjitha trevat mbar\u00ebshqiptare jan\u00eb se po tregohet pak vler\u00ebsim nga ata q\u00eb e kan\u00eb trash\u00ebguar k\u00ebt\u00eb instrument dhe  se bler\u00ebsit e huaj po tregohen t\u00eb uritur p\u00ebr ta pasur, p\u00ebr ta bler\u00eb k\u00ebt\u00eb instrument muzikor.<\/p>\n\n\n\n

Njoh\u00ebsit e mir\u00eb t\u00eb lahut\u00ebs  shprehen t\u00eb shqet\u00ebsuar se n\u00eb rastet e riprodhimit t\u00eb k\u00ebtij instrumenti vihen re elemente t\u00eb reja, jo sipas tradit\u00ebs son\u00eb komb\u00ebtare, por t\u00eb kopjuara nga kultura e huaj. Ky \u00ebsht\u00eb nj\u00eb rrezik evident q\u00eb k\u00ebrc\u00ebnon realisht t\u00eb ardhmen e jet\u00ebs artistike n\u00eb k\u00ebt\u00eb trash\u00ebgimi q\u00eb flet shum\u00eb.<\/p>\n\n\n\n

Tashm\u00eb \u00ebsht\u00eb faza  kohore e fundit  e njer\u00ebzve p\u00ebrgjegj\u00ebs  t\u00eb cil\u00ebt  merren me kultur\u00ebn muzikore dhe artistike  t\u00eb shqiptar\u00ebve q\u00eb  institucionet shtet\u00ebrore t\u00eb arsimit dhe kultur\u00ebs n\u00eb Mal t\u00eb Zi  ta njohin k\u00ebt\u00eb instrument shqiptar.  Ta  p\u00ebrfshijn\u00eb at\u00eb n\u00eb  institucionet  shtet\u00ebrore  t\u00eb specializuara  p\u00ebr studimin dhe promovimin e saj. Ta fusin   n\u00eb koleksionet  tona muzeore.  Ta popullarizojn\u00eb k\u00ebt\u00eb vler\u00eb trash\u00ebgimie kulturore tek opinioni publik dhe n\u00eb m\u00ebnyr\u00eb t\u00eb ve\u00e7ant\u00eb te rinia dhe nx\u00ebn\u00ebsit. Sepse lahuta p\u00ebr  shqiptar\u00ebt-mal\u00ebsor\u00eb nuk \u00ebsht\u00eb vet\u00ebm arg\u00ebtim. \u00cbsht\u00eb histori, qytet\u00ebrim, tradit\u00eb, shije estetike, shpres\u00eb.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0Trash\u00ebgimia shqiptare Nga Gjek\u00eb Gjonaj Mal\u00ebsor\u00ebt\u00a0 e\u00a0 Hotit, Grud\u00ebs, Trieshit e Koj\u00ebs\u00a0\u00a0 jan\u00eb t\u00eb njohur p\u00ebr artin\u00a0 e\u00a0 veglave muzikore tradicionale. Ata,\u00a0 p\u00ebrve\u00e7\u00a0 \u00e7iftelis\u00eb, fyellit, zymareve, defit dhe tupanit \u00a0\u00a0preferonin edhe lahut\u00ebn.\u00a0\u00a0 Dikur\u00a0 n\u00eb\u00a0 shumic\u00ebn e rasteve pothuaj \u00e7do familje kishte nga nj\u00eb lahut\u00eb t\u00eb varur n\u00eb mur. Sht\u00ebpia pa lahut\u00eb quhej \u201c sht\u00ebpi e […]<\/p>\n","protected":false},"author":1,"featured_media":28389,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,6],"tags":[],"class_list":["post-28388","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-kulture"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/28388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28388"}],"version-history":[{"count":1,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/28388\/revisions"}],"predecessor-version":[{"id":28390,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/28388\/revisions\/28390"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/28389"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=28388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=28388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}