{"id":28023,"date":"2021-01-23T01:42:00","date_gmt":"2021-01-23T00:42:00","guid":{"rendered":"http:\/\/ulqini-online.com\/sajti\/?p=28023"},"modified":"2021-01-21T13:43:44","modified_gmt":"2021-01-21T12:43:44","slug":"ana-ahmatova-kjo-grua-madheshtore-me-te-drejte-nga-disa-quhet-safoja-e-dyte","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=28023","title":{"rendered":"Ana Ahmatova &#8211; Kjo grua madh\u00ebshtore me t\u00eb drejt\u00eb nga disa quhet Safoja e dyt\u00eb"},"content":{"rendered":"\n<div class=\"wp-block-image is-style-rounded\"><figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2019\/08\/Gladiola-Jorbus.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2019\/08\/Gladiola-Jorbus.jpg\" alt=\"\" class=\"wp-image-23478\" width=\"242\" height=\"376\"\/><\/a><\/figure><\/div>\n\n\n\n<p><strong>Nga Gladiola Jorbus<\/strong><\/p>\n\n\n\n<p>Ana Ahmatova vler\u00ebsohet si nj\u00eb nd\u00ebr z\u00ebrat m\u00eb t\u00eb spikatur t\u00eb poezis\u00eb ruse.<\/p>\n\n\n\n<p>Ajo lindi n\u00eb muzgun e shekullit XIX n\u00eb Odesa dhe i p\u00ebrfundoi studimet n\u00eb Sh\u00ebn Petersburg. Ahmatova shfaqi nj\u00eb dob\u00ebsi t\u00eb dukshme p\u00ebr klasik\u00ebt si Pushkin, Dante, Shekspir e Tolstoi.<\/p>\n\n\n\n<p>Poetja Ahmatova p\u00ebrdori n\u00eb krijimet e saj metrik\u00ebn strikte dhe rim\u00ebn e sakt\u00eb, duke e pajisur poezin\u00eb me nj\u00eb muzikalitet t\u00eb p\u00ebrkryer, nd\u00ebrsa n\u00eb sintaks\u00eb iu dha m\u00eb shum\u00eb p\u00ebrpar\u00ebsi fjalive t\u00eb thjeshta se sa atyre t\u00eb n\u00ebnrenditura.<\/p>\n\n\n\n<p>Jo m\u00eb kot miku dhe kritiku i vepr\u00ebs s\u00eb saj Josif Brodsky e vuri theksin mbi karakterin muzikor t\u00eb poezis\u00eb s\u00eb Ana Ahmatov\u00ebs.<br>Ai madje e p\u00ebrshkruante k\u00ebshtu: \u2018V\u00ebshtrimi i saj t\u00eb zinte frym\u00ebn. E gjat\u00eb, me flok\u00eb t\u00eb err\u00ebt, zeshkane, e holl\u00eb dhe e shkath\u00ebt, me syt\u00eb e gjelb\u00ebr t\u00eb nj\u00eb tigri polar, p\u00ebr gjysm\u00eb shekulli ajo \u00ebsht\u00eb vizatuar, pikturuar, skalitur n\u00eb all\u00e7i dhe mermer, fotografuar nga njer\u00ebz t\u00eb panum\u00ebrt, duke filluar nga Modigliani. Vargjet kushtuar asaj do t\u00eb formonin m\u00eb shum\u00eb v\u00ebllime sesa e gjith\u00eb vepra e saj\u2019.<\/p>\n\n\n\n<p>Ana Ahmatova ishte muza e piktor\u00ebve m\u00eb t\u00eb m\u00ebdhenj t\u00eb koh\u00ebs. Portretet e saj jan\u00eb t\u00eb panum\u00ebrta. Me pamjen e saj unikale b\u00ebri q\u00eb t\u00eb gjith\u00eb piktor\u00ebt t\u00eb donin ta portretizonin: me qaf\u00ebn e saj t\u00eb holl\u00eb, syt\u00eb gjysm\u00eb t\u00eb mbyllur, hund\u00ebn me kurriz dhe natyrisht, balluken.<\/p>\n\n\n\n<p>Nathan Altman, Kuzma Petrov-Vodkin, Zinaida Serebryakova, Jurij Annenkov etj., realizuan portretet e saj q\u00eb i p\u00ebrkasin historis\u00eb s\u00eb piktur\u00ebs. Q\u00eb t\u00eb gjitha ato jan\u00eb t\u00eb ndikuara nga vuajtja. Vet\u00eb Ana kishte nd\u00ebrtuar n\u00ebp\u00ebrmjet poezis\u00eb s\u00eb saj, imazhin e nj\u00eb gruaje t\u00eb brisht\u00eb dhe t\u00eb trishtuar.<\/p>\n\n\n\n<p>N\u00eb vargjet e Ana Ahmatov\u00ebs dallojm\u00eb parandjenj\u00ebn, dashurin\u00eb, profecin\u00eb e vdekjes dhe t\u00eb tragjedis\u00eb. Alteregoja poetike shfaqet p\u00ebrmes p\u00ebremrit vetor &#8220;ajo&#8221; dhe leht\u00ebsisht mund t\u00eb gjejm\u00eb pranin\u00eb e elementeve t\u00eb shtrenjta si &#8220;sht\u00ebpia&#8221;, nj\u00eb hap\u00ebsir\u00eb \u200b\u200bjet\u00ebsore e veshur me heshtje intime, ku uni dhe personazhi tjet\u00ebr poetik takohen s\u00ebrish e s\u00ebrish.<\/p>\n\n\n\n<p>Edhe pse krijimtaria e saj u censurua nga autoritetet staliniste, ajo zgjodhi t\u00eb mos emigronte. Q\u00ebndroi n\u00eb ish &#8211; Bashkimin Sovjetik, duke u shnd\u00ebrruar n\u00eb d\u00ebshmitare t\u00eb ngjarjeve t\u00eb asaj periudhe: \u2018Asnj\u00eb qiell i huaj nuk m\u00eb mbronte, \/ asnj\u00eb krah i huaj nuk m\u00eb q\u00ebndronte mburoj\u00eb mbi fytyr\u00eb. \/ Un\u00eb q\u00ebndroj si d\u00ebshmitare e fatit t\u00eb p\u00ebrbashk\u00ebt, \/ e mbijetuar e asaj kohe, \/ e atij vendi\u2019 \/ .&nbsp;<\/p>\n\n\n\n<p>Temat e saj nd\u00ebr t\u00eb tjera, p\u00ebrfshijn\u00eb meditime mbi v\u00ebshtir\u00ebsit\u00eb e t\u00eb jetuarit dhe t\u00eb shkruarit n\u00ebn hijen e Stalinizmit.<\/p>\n\n\n\n<p>Ajo gjithashtu ka p\u00ebrcjell\u00eb kujtimin e grave t\u00eb rreshtuara n\u00eb dyert e policis\u00eb sekrete, p\u00ebrmes vargjeve:<\/p>\n\n\n\n<p><em>&nbsp;\/ Kjo grua \u00ebsht\u00eb e s\u00ebmur\u00eb \/ Kjo grua \u00ebsht\u00eb vet\u00ebm \/ Burri n\u00eb varr, \/&nbsp; djali n\u00eb burg \/&nbsp; Lutu p\u00ebr mua \/ .<\/em><\/p>\n\n\n\n<p>Burri i Ahmatov\u00ebs, poeti Nikolai Gumiljov, ishte nj\u00eb nga figurat kryesore t\u00eb epok\u00ebs s\u00eb argjendt\u00eb t\u00eb poezis\u00eb ruse. N\u00eb vitin 1921, ai u arrestua me pretendimin se kishte qen\u00eb pjes\u00ebmarr\u00ebs n\u00eb nj\u00eb komplot antibolshevik dhe u d\u00ebnua.<\/p>\n\n\n\n<p>Gjithashtu toni i poezis\u00eb s\u00eb saj shpreh nj\u00eb dualitet t\u00eb p\u00ebrgjysmuar midis konceptit fetar t\u00eb m\u00ebkatit dhe aspektit laik. Pas luft\u00ebs, partia e quajti Ahmatov\u00ebn p\u00ebrfaq\u00ebsuese t\u00eb &#8220;nj\u00eb poezie t\u00eb zbraz\u00ebt, pa parime, e huaj p\u00ebr popullin &#8220;.<\/p>\n\n\n\n<p>Komunist\u00ebve nuk u p\u00eblqente fryma dekadente dhe estetika e tepruar. Andreji Zhdanov, ideolog kulturor i koh\u00ebs, i cili merrej me respektimin e direktivave t\u00eb partis\u00eb komuniste sovjetike n\u00eb fush\u00ebn letrare, e quajti poezin\u00eb e Ahmatov\u00ebs t\u00eb larg\u00ebt me njer\u00ebzit, dhe&nbsp; &#8220;p\u00ebrvojat e saj t\u00eb par\u00ebnd\u00ebsishme e t\u00eb karakterizuara nga erotizmi mistiko-fetar&#8221;.<\/p>\n\n\n\n<p>Por e pamposhtur, poetja s\u00eb bashku me Osip Mandelstam udh\u00ebhoqi akmeizmin, nj\u00eb l\u00ebvizje artistike t\u00eb fillimshekullit XX, e cila n\u00eb kund\u00ebrshtim me simbolizmin, mbrojti p\u00ebrdorimin e gjuh\u00ebs poetike q\u00eb p\u00ebrmbante kuptime t\u00eb sakta.<\/p>\n\n\n\n<p>Poezit\u00eb e saj t\u00eb para lirike pasqyrojn\u00eb detaje intime, nd\u00ebrsa krijimet e m\u00ebvonshme, transmetojn\u00eb tema patriotike. Poema m\u00eb e njohur \u2018Requiem\u2019 nuk e pa drit\u00ebn e botimit n\u00eb ish &#8211; Bashkimin Sovjetik deri n\u00eb vitin 1987, pasi tema e saj, nj\u00eb elegji p\u00ebr t\u00eb burgosurit e Stalinit, ngjalli shum\u00eb polemika e diskutime asokohe.<\/p>\n\n\n\n<p>&nbsp;Ahmatova mbetet nj\u00eb personalitet poetik i fuqish\u00ebm, edhe pse e turbulluar n\u00eb mes t\u00eb stuhis\u00eb letrare q\u00eb solli shekulli XX. Nuk ka sekrete kriptike n\u00eb poezin\u00eb e saj, e cila mbetet dramatike, ruan origjinalitet, qart\u00ebsi e disiplin\u00eb, g\u00eblon nga e v\u00ebrteta dhe \u00ebsht\u00eb e gjall\u00eb. Ajo nuk mund t\u00eb maskohet me loj\u00ebra fjal\u00ebsh apo tinguj. Forca e asaj poezie q\u00ebndron n\u00eb faktin e t\u00eb qenit e pap\u00ebrpunuar si nj\u00eb diamant i vyer. Poetesha Ahmatova u p\u00ebrzgjodh n\u00eb list\u00ebn e ngusht\u00eb p\u00ebr \u00c7mimin Nobel n\u00eb vitin 1965.<\/p>\n\n\n\n<p>Nj\u00eb vit para vdekjes, n\u00eb mosh\u00ebn 75 vje\u00e7, Ana Ahmatova u ftua n\u00eb Mbret\u00ebrin\u00eb e Bashkuar dhe iu dha nj\u00eb diplom\u00eb nderi nga Universiteti i Oksfordit. N\u00eb fjalimin solemn u tha: &#8220;Kjo grua madh\u00ebshtore me t\u00eb drejt\u00eb nga disa quhet Safoja e dyt\u00eb&#8221;.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nga Gladiola Jorbus Ana Ahmatova vler\u00ebsohet si nj\u00eb nd\u00ebr z\u00ebrat m\u00eb t\u00eb spikatur t\u00eb poezis\u00eb ruse. Ajo lindi n\u00eb muzgun e shekullit XIX n\u00eb Odesa dhe i p\u00ebrfundoi studimet n\u00eb Sh\u00ebn Petersburg. Ahmatova shfaqi nj\u00eb dob\u00ebsi t\u00eb dukshme p\u00ebr klasik\u00ebt si Pushkin, Dante, Shekspir e Tolstoi. Poetja Ahmatova p\u00ebrdori n\u00eb krijimet e saj metrik\u00ebn strikte [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":23478,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,12],"tags":[],"class_list":["post-28023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-opinione"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/28023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28023"}],"version-history":[{"count":1,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/28023\/revisions"}],"predecessor-version":[{"id":28024,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/28023\/revisions\/28024"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/23478"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=28023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=28023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}