{"id":24192,"date":"2019-11-11T12:29:51","date_gmt":"2019-11-11T11:29:51","guid":{"rendered":"http:\/\/ulqini-online.com\/sajti\/?p=24192"},"modified":"2019-11-11T12:32:19","modified_gmt":"2019-11-11T11:32:19","slug":"andis-gjoni-skenograf-i-premieres-boterore-ne-gene-frankel-theater-ne-nju-jork","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=24192","title":{"rendered":"Andis Gjoni, skenograf i premier\u00ebs bot\u00ebrore n\u00eb \u201cGene Frankel Theater\u201d n\u00eb Nju Jork"},"content":{"rendered":"\n
\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Andis Gjoni me nj\u00eb \u201cHistori t\u00eb thyer\u201d<\/strong><\/p>\n\n\n\n

Skenograf i premier\u00ebs bot\u00ebrore n\u00eb \u201cGene Frankel Theater\u201d n\u00eb Nju Jork<\/strong><\/p>\n\n\n\n

Nga Marjana Bulku <\/p>\n\n\n\n

Cila \u00ebsht\u00eb e v\u00ebrteta? Ndodh q\u00eb brenda saj ka m\u00eb shum\u00eb se nj\u00eb\nt\u00eb v\u00ebrtet\u00eb t\u00eb cilat shfaqen dhe fshihen n\u00ebp\u00ebr dhjetra pasqyrime arsyetimesh q\u00eb\ncop\u00ebzohen e sh\u00ebmb\u00ebllehen her\u00eb me t\u00eb v\u00ebrtetat e her\u00eb me t\u00eb kund\u00ebrtat e tyre duke\nkrijuar drama t\u00eb shum\u00ebfishta .<\/p>\n\n\n\n

Ky \u00ebsht\u00eb thelbi narrativ i \u201c Broken Story\u201d ( Histori e thyer\n) me regji dhe dramaturgji nga Cindy A.Marion dhe me skenografi t\u00eb Andis\nGjonit.<\/p>\n\n\n\n

Nj\u00eb loj\u00eb e shpejt\u00eb e cila l\u00ebviz mbi nj\u00eb intrig\u00eb ku\nzhd\u00ebrvjellt\u00ebsia aktoreske rr\u00ebfen p\u00ebrmes retrospektivash misteret e nj\u00eb krimi\nmafioz nd\u00ebrsa personazhi ky\u00e7 (Jess), nj\u00eb gazetare k\u00ebmb\u00ebngul\u00ebse e ndjek k\u00ebt\u00eb\nhistori kronologjikisht derisa n\u00eb fund zbulon historin\u00eb e jet\u00ebs s\u00eb saj t\u00eb err\u00ebsuar\nnga misteri deri at\u00ebher\u00eb.<\/p>\n\n\n\n

I gjith\u00eb akti artistik i atyre 80 minutave ku trilli p\u00ebrpin\nv\u00ebm\u00ebndjen e publikut g\u00ebrshetuar me mjesht\u00ebrin\u00eb interpretative nuk do ta kishte at\u00eb\nshk\u00eblqim pa skenografin\u00eb e Andis Gjonit dhe ndri\u00e7imin e Brian Aldous. Nj\u00eb\np\u00ebrputhje pothuaj matematike me skenarin, p\u00ebrmasat e sall\u00ebs e cila i dha\nshfaqjes dimensionin e nj\u00eb perfomance t\u00eb suksesshme. Koncepti skenografik \u00ebsht\u00eb\nbazuar n\u00eb imazhin e nj\u00eb xhami t\u00eb thyer me copa t\u00eb mprehta t\u00eb shp\u00ebrndara n\u00eb t\u00eb\ngjitha an\u00ebt e sken\u00ebs si nga nj\u00eb goditje fatale, q\u00eb krijojn\u00eb nj\u00eb ndjenj\u00eb\npasigurie dhe t\u00eb panjohure po ashtu edhe mpreht\u00ebsie q\u00eb t\u00eb bezdis, t\u00eb b\u00ebn\nkureshtar, nj\u00eb lloj pikture abstrakte q\u00eb me kalimin e minutave shtjellohet para\npublikut. Jan\u00eb cop\u00ebza t\u00eb shp\u00ebrndara t\u00eb cilat do mblidhen bashk\u00eb nga personazhi\ni vajz\u00ebs s\u00eb re Jess (interpretuar nga Xhesi Ruane) e cila duke i b\u00ebr\u00eb bashk\u00eb\nketo cop\u00ebza do kuptoj\u00eb dhe historin\u00eb e vet\u00eb jet\u00ebs s\u00eb saj. Panelet e krijuara n\u00eb\nform\u00eb trek\u00ebnd\u00ebshash me k\u00ebnde ekstravagante sipas skenografit – \u201ckishin v\u00ebshtir\u00ebsi\nteknike n\u00eb realizim sepse duhej t\u00eb ishin jo vet\u00ebm t\u00eb realizuar me cil\u00ebsi por\nedhe t\u00eb ishin transparent n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb p\u00ebr\u00e7onin imazhin e figur\u00ebs s\u00eb\nshkrimtares Jane Hartman e cila n\u00eb disa momente shfaqej si hije pas tyre\u201d. Tejpashm\u00ebria\ni jepte nj\u00eb lloj ftoht\u00ebsie t\u00eb qelqt\u00eb gjith\u00eb ambientit. N\u00eb qend\u00ebr ishte vendosur\nnj\u00eb der\u00eb e kuqe, nj\u00eb kujtes\u00eb q\u00eb pik\u00ebrisht n\u00eb at\u00eb ambient \u00ebsht\u00eb derdhur gjak, \u00ebsht\u00eb\ndera e krimit prej nga ka hyr\u00eb vras\u00ebsi por edhe d\u00ebshmitar\u00ebt dhe ajo port\u00eb hyr\u00ebse\n\u00ebsht\u00eb e varur n\u00eb hap\u00ebsir\u00ebn skenike duke i dh\u00ebn\u00eb nj\u00eb tjet\u00ebr dimension dram\u00ebs q\u00eb\nzhvillohet aty. Cdo lloj kombinimi i ngjyrave \u00ebsht\u00eb menduar gjat\u00eb dhe\nsimbolizon di\u00e7ka. Edhe stolat rrethor\u00eb t\u00eb kuq pran\u00eb tavolin\u00ebs simbolizojn\u00eb\nnjollat e gjakut ende t\u00eb pathar\u00eb. Panelet gri simbolizojn\u00eb jet\u00ebn e pashpres\u00eb t\u00eb\npersonazhit t\u00eb shkrimtares Xhein (Jane) dhe situat\u00ebn ku ajo gjendet pa rrug\u00ebdalje.\nNj\u00eb atmosfer\u00eb gri e shoq\u00ebron her\u00eb pas here pjes\u00ebn duke i futur n\u00eb mendime\nshikuesit dhe duke theksuar dramaticitetin e k\u00ebsaj drame psikologjike.<\/p>\n\n\n\n

R\u00ebndesa emocionale q\u00eb shtjellohej p\u00ebrmes intrig\u00ebs s\u00eb fort\u00eb\nq\u00eb mbante gjall\u00eb dram\u00ebn e nj\u00eb historie q\u00eb thyhet , mbetet e path\u00ebn\u00eb , nd\u00ebrpritet\nnga shum\u00eb faktor\u00eb e n\u00eb fund tronditet nga nj\u00eb krism\u00eb n\u00eb err\u00ebsir\u00eb q\u00eb duket se\nzbardh t\u00eb v\u00ebrtet\u00ebn e cila gjithmon\u00eb befason.<\/p>\n\n\n\n

Elementi q\u00eb e pasqyron m\u00eb s\u00eb miri k\u00ebt\u00eb trill i cili l\u00ebviz\nn\u00ebp\u00ebr nd\u00ebrgjegjet e trazuara t\u00eb protagonist\u00ebve jan\u00eb cop\u00ebzat e paneleve n\u00eb form\u00eb\nxhamash t\u00eb thyer. N\u00eb pamje t\u00eb par\u00eb duken dekorativ\u00eb por kur drama ec\u00ebn n\u00ebp\u00ebr\netapat e saj jo kronologjike, panelet n\u00eb forma trek\u00ebnd\u00ebshash n\u00ebn efektin fantastik\nt\u00eb ndri\u00e7imit, ndryshonin ngjyr\u00eb, b\u00ebheshin transparent\u00eb, p\u00ebrtej tyre shiheshin\nimazhet e aktor\u00ebve. Dukej sikur ato cop\u00ebza xhamash b\u00ebheshin ekran i asaj t\u00eb\nv\u00ebrtete me shum\u00eb t\u00eb v\u00ebrteta br\u00ebnda , madje ato shnd\u00ebrroheshin n\u00eb ekrane n\u00eb\nmomentin kur historia thyhej, kur misteri i vrasjes zbulonte nj\u00eb mister akoma\nm\u00eb t\u00eb thell\u00eb q\u00eb lidhej me m\u00ebm\u00ebsin\u00eb e personazhit kryesor. <\/p>\n\n\n\n

Efekti i thyerjes lidhte k\u00ebshtu natyrsh\u00ebm t\u00eb gjith\u00eb element\u00ebt\ne shfaqjes (subjekt, konflikt, loj\u00eb, mister, drit\u00eb) n\u00eb nj\u00eb m\u00ebnyr\u00eb sa harmonike\ne t\u00eb balancuar po aq edhe abstrakte dhe moderne. Format e \u00e7rregullta, t\u00eb ftohta\n, t\u00eb akullta, t\u00eb ndri\u00e7uara, n\u00eb terr , kan\u00eb rastin t\u00eb lexohen e ndjehen po aq sa\nd\u00ebgjohet dialogu n\u00eb sken\u00eb. <\/p>\n\n\n\n

Andis Gjoni vjen me nj\u00eb p\u00ebrvoj\u00eb t\u00eb v\u00ebrtet\u00eb arti dhe nj\u00eb\nbackground artistik me gene t\u00eb thella familjare dhe me nj\u00eb karrier\u00eb t\u00eb gjat\u00eb\nskenike gjithashtu, por \u00e7do dalje e re p\u00ebr t\u00eb do t\u00eb thot\u00eb nj\u00eb krijim dhe nj\u00eb\nsfid\u00eb e re. I vler\u00ebsuar nga kritika e teatrit amerikan me nota shum\u00eb pozitive,\nai nuk zhg\u00ebnjeu edhe k\u00ebt\u00eb her\u00eb. \u201cNj\u00eb skenografi shum\u00eb e bukur, e nj\u00eb kalibri t\u00eb\nlart\u00eb\u201d \u2013 u shpreh aktorja Amy Fulgham q\u00eb interpetonte nj\u00eb nga personazhet e\ndram\u00ebs.<\/p>\n\n\n\n

\u201cHistoria e thyer\u201d nga Cindy Marion me skenografin\u00eb e\nartistit shqiptar startoi mbr\u00ebm\u00eb n\u00eb  mjediset e nj\u00eb teatri t\u00eb vog\u00ebl por\nhistorik n\u00eb 24 Bond Street n\u00eb Manhattan. E ndersa mund t\u00eb flas\u00ebsh gjer\u00eb e gjat\u00eb\nmbi ngjarjen e cila sipas skenarit \u00ebsht\u00eb nxitur nga nj\u00eb histori e v\u00ebrtet\u00eb, asgj\u00eb\nnuk flet m\u00eb bukur sesa shtr\u00ebngimet e duarve dhe falenderimet q\u00eb producent\u00ebt dhe\nkoleg\u00ebt ia dhuruan nj\u00ebri – tjetrit pas historis\u00eb s\u00eb thyer q\u00eb bashkoi artist\u00eb dhe\nspektator\u00eb n\u00ebn magjin\u00eb q\u00eb vet\u00ebm teatri mundet t\u00eb dhuroj\u00eb, pa mure q\u00eb ndajn\u00eb por\nme mesazhe q\u00eb i nd\u00ebrlidhin.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u00c7far\u00eb kan\u00eb th\u00ebn\u00eb p\u00ebr ANDIS GJONIN<\/strong><\/p>\n\n\n\n

“Performanc\u00eb e\nfuqishme nga t\u00eb gjith\u00eb aktor\u00ebt dhe nj\u00eb skenografi perfekte nga Andis Gjoni. Ky\nproduksion do mbetet p\u00ebr brezat q\u00eb do vijn\u00eb dhe ve\u00e7an\u00ebrisht p\u00ebr dashamir\u00ebsit e\ndramaturgut Sam Shepard”<\/p>\n\n\n\n

Juliana Adame, kritike teatri \u201cBota e Brodueit\u201d<\/strong><\/p>\n\n\n\n

N\u00eb shfaqjen \u201cSy p\u00ebr\nKonsuel\u00ebn\u201d e gjejm\u00eb veten t\u00eb rrethuar nga nj\u00eb xhung\u00ebl e realizuar me shum\u00eb\nzgjurasi  nga skenografi Andis Gjoni,\nefekti \u00ebsht\u00eb i menj\u00ebhersh\u00ebm dhe pasqyron nj\u00eb barrak\u00eb n\u00eb pyll me binar\u00eb q\u00eb\nzgjaten n\u00eb k\u00ebnde agresive n\u00eb nj\u00eb sfond t\u00eb tejduksh\u00ebm t\u00eb pikturuar n\u00eb m\u00ebnyr\u00eb\nabstrakte\u201d.<\/p>\n\n\n\n

Korbin Uent , kritik teatri<\/strong><\/p>\n\n\n\n

Skenat e krijuara nga\nartisti shqiptar Andis Gjoni jan\u00eb nj\u00eb gjetje origjinale dhe shum\u00eb e bukur, ai\nkarakterizohet nga nj\u00eb kreativitet i rrall\u00eb dhe rezultati n\u00eb sken\u00eb \u00ebsht\u00eb\nv\u00ebrtet\u00eb magjik. (\u201cXhaxha Vanja\u201d 2006)<\/p>\n\n\n\n

Ketrina Kent producente amerikane<\/strong><\/p>\n\n\n\n

Opera\n\u201cPorgi dhe Bes\u201d me skena dhe regji t\u00eb Andis Gjonit \u00ebsht\u00eb nj\u00eb nga produksionet\nm\u00eb t\u00eb mira t\u00eb krijuara n\u00eb TKOB. (\u201cPorgi & Bess\u201d 2009)<\/p>\n\n\n\n

Zhani Ciko artist-muzikolog<\/strong><\/p>\n\n\n\n

T\u00eb punosh me Andis Gjonin \u00ebsht\u00eb nj\u00eb k\u00ebnaq\u00ebsi e\njasht\u00ebzakonshme. Asnj\u00ebher\u00eb m\u00eb par\u00eb nuk kam par\u00eb nga nj\u00eb skenograf nj\u00eb\nentuziaz\u00ebm, energji dhe p\u00ebrkushtim t\u00eb till\u00eb. Me nj\u00eb kujdes edhe p\u00ebr detajet m\u00eb\nt\u00eb vogla ai kurr\u00eb nuk b\u00ebn kompromise q\u00eb do ishin n\u00eb d\u00ebm t\u00eb integritetit\nartistik. Kam m\u00ebsuar shum\u00eb nga puna me t\u00eb, idet\u00eb e tij skenografike ndihmuan\nshum\u00eb n\u00eb formimin e konceptit dhe v\u00ebnies n\u00eb sken\u00eb t\u00eb k\u00ebsaj shfaqjeje. (\u201cMina\u201d\n2008)<\/p>\n\n\n\n

Cyndy Marion\nregjisore amerikane<\/strong><\/p>\n\n\n\n

“Jam krenare p\u00ebr k\u00ebt\u00eb bashk\u00ebpunim me Andis Gjonin dhe\nartist\u00ebt e tjer\u00eb shqiptar\u00eb n\u00eb suksesin e nj\u00eb shfaqjeje t\u00eb denj\u00eb p\u00ebr skenat e\nBrodueit”<\/p>\n\n\n\n

Nancy Rhodes \u2013\nregjisore amerikane (gazeta Shqip – 13 N\u00ebntor 2007)<\/strong><\/p>\n\n\n\n

\u201cE\ngjith\u00eb skenografia e artistit Andis Gjoni ishte n\u00eb funksion t\u00eb loj\u00ebs aktoriale\ndhe jo vet\u00ebm i ndihmonte por edhe evidentonte n\u00eb maksimum mizanskenat dhe\nmomentet e k\u00ebsaj drame filozofike. Gjith\u00e7ka ishte punuar me nj\u00eb profesionaliz\u00ebm\nt\u00eb thell\u00eb deri edhe detajet m\u00eb t\u00eb vogla skenike.\u201d (\u201cMina\u201d 2007)<\/p>\n\n\n\n

Astrit Tota \u2013 skenograf (Gazeta Panorama 15 Nentor 2007) <\/strong><\/p>\n\n\n\n

Andis\nGjoni \u00ebsht\u00eb nj\u00eb gjeni, ai ka krijuar nj\u00eb sken\u00eb t\u00eb mrekullueshme p\u00ebr dram\u00ebn \u201cSy\np\u00ebr Konsuel\u00ebn\u201d. (\u201cSy p\u00ebr Konsuel\u00ebn\u201d 2015)<\/p>\n\n\n\n

Xho Xhianono kompozitor amerikan<\/strong><\/p>\n\n\n\n

\u201cAndis\nGjoni i kalon t\u00eb gjith\u00eb kufijt\u00eb e detyr\u00ebs dhe me krijimet e tij arrin t\u00eb jap\u00eb\nmaksimumin e mundsh\u00ebm. Ai ka aft\u00ebsi t\u00eb gjej\u00eb gjithmon\u00eb zgjidhje shum\u00eb\ninteresante. Me nj\u00eb pun\u00eb k\u00ebmb\u00ebngul\u00ebse dhe me v\u00ebmendje ndaj detajeve edhe m\u00eb t\u00eb\nvogla ai arrin t\u2019i jap\u00eb form\u00eb gjith\u00eb konceptit t\u00eb shfaqjes.\u201d<\/p>\n\n\n\n

Sindi Merion \u2013 regjisore<\/strong><\/p>\n\n\n\n

\u201cKam\npatur privilegjin t\u00eb punoj me Andis Gjonin q\u00eb \u00ebsht\u00eb nj\u00eb skenograf dhe\nkostumograf shum\u00eb i talentuar por mbi t\u00eb gjitha ai \u00ebsht\u00eb nj\u00eb bashk\u00ebpun\u00ebtor i\njasht\u00ebzakonsh\u00ebm. Ai jo vet\u00ebm \u00ebsht\u00eb nj\u00eb d\u00ebgjues i kujdessh\u00ebm por me entuziazmin\ne tij p\u00ebr t\u00eb krijuar i jep tonin pun\u00ebs si n\u00eb rastin e bashk\u00ebpunimit t\u00eb fundit\nku ne soll\u00ebm nj\u00eb cop\u00ebz t\u00eb Brodueit n\u00eb Tiran\u00eb. Esht\u00eb gjithmon\u00eb k\u00ebnaq\u00ebsi t\u00eb\npunosh me t\u00eb p\u00ebr krijimin e shfaqjeve t\u00eb bukura.\u201d <\/p>\n\n\n\n

(Puthm\u00eb\nKeit \u2013 2007)<\/p>\n\n\n\n

Nenci Rhods \u2013 regjisore<\/strong><\/p>\n\n\n\n

\u201cSkenat\ne krijuara nga Andis Gjoni i dhan\u00eb frym\u00eb shfaqjes, ato ishin rezultat i\neksperienc\u00ebs s\u00eb artistit n\u00eb shfryt\u00ebzimin me efikasitet t\u00eb hap\u00ebsir\u00ebs skenike.\u201d <\/p>\n\n\n\n

(PB&J\n\u2013 2007)<\/p>\n\n\n\n

Sindi Merion \u2013 regjisore<\/strong><\/p>\n\n\n\n

\u201cKujdesi\np\u00ebr detajet n\u00eb skenografi duket q\u00eb ka qen\u00eb i madh. Struktura, objektet skenike,\ndritat dhe p\u00ebrdorimi i hap\u00ebsir\u00ebs, t\u00eb gjitha bashk\u00eb japin atmosfer\u00ebn e menduar\nt\u00eb nj\u00eb tuneli t\u00eb braktisur t\u00eb metros\u00eb.\u201d (Libri i Lambertit \u2013 2009)<\/p>\n\n\n\n

Emb\u00ebr Sillverman \u2013 kritike teatri<\/strong><\/p>\n\n\n\n

\u201cSkenografia\n\u00ebsht\u00eb shum\u00eb evokative dhe t\u00eb fut n\u00eb at\u00eb bot\u00eb t\u00eb \u00e7uditshme q\u00eb n\u00eb \u00e7astin kur hyn\nn\u00eb teat\u00ebr.\u201d (Libri i Lambertit \u2013 2009) <\/p>\n\n\n\n

Peiton Uais \u2013 kritik teatri<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Andis Gjoni me nj\u00eb \u201cHistori t\u00eb thyer\u201d Skenograf i premier\u00ebs bot\u00ebrore n\u00eb \u201cGene Frankel Theater\u201d n\u00eb Nju Jork Nga Marjana Bulku Cila \u00ebsht\u00eb e v\u00ebrteta? Ndodh q\u00eb brenda saj ka m\u00eb shum\u00eb se nj\u00eb t\u00eb v\u00ebrtet\u00eb t\u00eb cilat shfaqen dhe fshihen n\u00ebp\u00ebr dhjetra pasqyrime arsyetimesh q\u00eb cop\u00ebzohen e sh\u00ebmb\u00ebllehen her\u00eb me t\u00eb v\u00ebrtetat e her\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":24193,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,5,6],"tags":[2536,199,2537],"class_list":["post-24192","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-diaspora","category-kulture","tag-andis-gjoni","tag-nju-jork","tag-skenograf"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/24192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24192"}],"version-history":[{"count":2,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/24192\/revisions"}],"predecessor-version":[{"id":24195,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/24192\/revisions\/24195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/24193"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}