{"id":14507,"date":"2017-06-15T12:11:11","date_gmt":"2017-06-15T10:11:11","guid":{"rendered":"http:\/\/ulqini-online.com\/sajti\/?p=14507"},"modified":"2017-06-15T12:11:11","modified_gmt":"2017-06-15T10:11:11","slug":"kinemate-e-vdekura-te-ulqinit","status":"publish","type":"post","link":"https:\/\/ulqini-online.com\/sajti\/?p=14507","title":{"rendered":"Kinemat\u00eb e vdekura t\u00eb  Ulqinit"},"content":{"rendered":"<figure id=\"attachment_14508\" aria-describedby=\"caption-attachment-14508\" style=\"width: 576px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2017\/06\/kinema-ulqini-rrenoja.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14508 size-full\" src=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2017\/06\/kinema-ulqini-rrenoja.jpg\" alt=\"\" width=\"576\" height=\"531\" srcset=\"https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2017\/06\/kinema-ulqini-rrenoja.jpg 576w, https:\/\/ulqini-online.com\/sajti\/wp-content\/uploads\/2017\/06\/kinema-ulqini-rrenoja-300x277.jpg 300w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/a><figcaption id=\"caption-attachment-14508\" class=\"wp-caption-text\">B.V. Facebook<\/figcaption><\/figure>\n<p style=\"text-align: left;\"><strong>Shkruan Gjek\u00eb Gjonaj<\/strong><\/p>\n<p style=\"text-align: left;\">N\u00eb vitet\u00a0 gjasht\u00ebdhjet\u00eb-shtat\u00ebdhjet\u00eb \u00a0t\u00eb shekullit t\u00eb kaluar\u00a0 kinemat\u00eb\u00a0 kan\u00eb qen\u00eb pik\u00eb q\u00ebndrore n\u00eb jet\u00ebn kulturore t\u00eb Ulqinit. Ato kan\u00eb p\u00ebrfaq\u00ebsuar kujtes\u00ebn e p\u00ebrbashk\u00ebt dhe identitetin kulturor t\u00eb banor\u00ebve t\u00eb k\u00ebtij qyteti, respektivisht \u00a0\u00a0kan\u00eb qen\u00eb dhe kan\u00eb mbetur pjes\u00eb e kujtes\u00ebs\u00a0 kolektive t\u00eb qytetar\u00ebve t\u00eb tij. Me nj\u00eb fjal\u00eb ishin simbol krenarie t\u00eb k\u00ebtij qyteti. \u00a0N\u00eb ato vite t\u00eb shekullit t\u00eb kaluar, n\u00eb k\u00ebto objekte ishte e v\u00ebshtir\u00eb t\u00eb gjendej nj\u00eb bilet\u00eb nga interesimi i madh q\u00eb mbret\u00ebronte p\u00ebr t\u00eb par\u00eb vepra t\u00eb r\u00ebnd\u00ebsishme kinematografike nga vendi, rajoni dhe bota, meq\u00eb kinemaja \u00ebsht\u00eb univers, p\u00ebrtej flamujve dhe kufijve . Nostalgjik\u00ebt, q\u00eb mendojn\u00eb se kinemaja nuk duhet t\u00eb vdes\u00eb, \u00a0\u00a0me mall e kujtojn\u00eb\u00a0 grimcimin e \u00a0farave t\u00eb\u00a0 bardha apo t\u00eb \u00a0lulediellit para dyerve t\u00eb kinemave.<\/p>\n<p style=\"text-align: left;\">P\u00ebr fat t\u00eb keq t\u00eb gjitha\u00a0 kinemat\u00eb e k\u00ebtushme, n\u00eb qytet dhe \u00a0n\u00eb fshat n\u00eb \u00a0Kat\u00ebrkoll\u00eb tashm\u00eb jan\u00eb \u00a0degraduar. K\u00ebto pasuri t\u00eb p\u00ebrbashk\u00ebta kulturore q\u00eb ekzistonin \u00a0dhe frekuentoheshin nga popullata vendase dhe vizitor\u00ebt n\u00eb koh\u00ebn e monizmit, pas demokratizimit t\u00eb vendit\u00a0 u mbyll\u00ebn, p\u00ebr t\u00eb mos u hapur\u00a0 deri n\u00eb dit\u00ebt e sotme. \u00a0\u00a0\u00a0Shkat\u00ebrrimin e kinemave artist\u00ebt e qytetit e cil\u00ebsojn\u00eb nj\u00eb bjerrje t\u00eb kultur\u00ebs. Nj\u00eb ng\u00ebr\u00e7\u00a0 t\u00eb madh kulturor. \u00a0Nj\u00eb shenj\u00eb t\u00eb humbjes s\u00eb identitetit kulturor mbase jan\u00eb t\u00eb vet\u00ebdijsh\u00ebm se ky segment i kultur\u00ebs \u00ebsht\u00eb shpirti q\u00eb i jep frym\u00eb dhe identitetit.<\/p>\n<p style=\"text-align: left;\">Objektet e ish- kinemave\u00a0 t\u00eb Ulqinit jan\u00eb\u00a0 \u00a0\u00a0\u00a0n\u00eb gjendje t\u00eb\u00a0\u00a0 mjerueshme.\u00a0\u00a0 Pamjet e tyre ( rr\u00ebnojat)\u00a0 tregojn\u00eb momente t\u00eb trishta. Panoramat e gjendjes trishtuese\u00a0 t\u00eb \u00a0kinemave t\u00eb vdekura t\u00eb Ulqinit shqet\u00ebsojn\u00eb dhe trondisin t\u00eb gjith\u00eb kultur\u00ebdash\u00ebsit e k\u00ebtush\u00ebm, t\u00eb cil\u00ebt shprehen se \u00ebsht\u00eb\u00a0 p\u00ebr t\u00eb ardhur keq \u00a0\u00a0q\u00eb n\u00eb k\u00ebt\u00eb epok\u00eb t\u00eb zhvillimit teknologjik vizioni i autoriteteve vendore dhe q\u00ebndrore \u00a0t\u00eb jet\u00eb kaq primitiv, duke mos e kuptuar se kultura nuk \u00ebsht\u00eb luks, por domosdoshm\u00ebri.<\/p>\n<p style=\"text-align: left;\">Dashamir\u00ebt e k\u00ebtush\u00ebm t\u00eb\u00a0 kultur\u00ebs jan\u00eb t\u00eb nj\u00eb mendimi se mungojn\u00eb politikat\u00a0 e zhvillimit t\u00eb kinemas\u00eb. Sipas tyre \u00a0qeverisja lokale n\u00eb periudh\u00ebn e tranzicionit\u00a0 gjithnj\u00eb\u00a0 \u00ebsht\u00eb treguar \u00a0indiferente, e paaft\u00eb dhe e painteresuar t\u00eb stimuloj\u00eb kultur\u00ebn \u00a0\u00a0n\u00eb k\u00ebt\u00eb qytet, i cili bart\u00eb n\u00eb vetvete kulturat dhe historin\u00eb e mij\u00ebra viteve civilizim dhe i cili pretendon \u00a0t\u00eb hyj\u00eb n\u00eb list\u00ebn e trash\u00ebgimimis\u00eb kulturore t\u00eb\u00a0 UNESKO-s\u00eb .\u00a0 Ngecja n\u00eb zhvillimin e kultur\u00ebs justifikohet me munges\u00ebn e mjeteve buxhetore.\u00a0 Ky fakt q\u00ebndron. Por, ka edhe v\u00ebshtir\u00ebsi t\u00eb tjera t\u00eb cilat\u00a0 kan\u00eb b\u00ebr\u00eb q\u00eb kultura n\u00eb k\u00ebt\u00eb qytet\u00a0\u00a0 t\u00eb ket\u00eb ngelur n\u00eb margjina. Shkakun e ngecjeve n\u00eb fush\u00ebn e kultur\u00ebs duhet ta k\u00ebrkojm\u00eb\u00a0 n\u00eb munges\u00ebn e nj\u00eb strategjie p\u00ebr \u00a0zhvillimin e kultur\u00ebs n\u00eb k\u00ebt\u00eb qytet,\u00a0 t\u00eb cil\u00ebn\u00a0 \u00ebsht\u00eb dashur ta ken\u00eb q\u00eb moti autoritetet vendore dhe ato t\u00eb Minsitris\u00eb s\u00eb Kultur\u00ebs. Normalisht, kur mungon strategjia,\u00a0 at\u00ebher\u00eb mungon\u00a0 edhe zhvillimi. \u00a0Pa sajimin e nj\u00eb strategjie p\u00ebr kultur\u00ebn \u00e7do gj\u00eb tjet\u00ebr \u00ebsht\u00eb e padobishme. Ky \u00ebsht\u00eb hapi i par\u00eb\u00a0 i ndryshimit t\u00eb politikave dhe qasjes ndaj institucioneve kulturore n\u00eb k\u00ebt\u00eb qytet. N\u00eb k\u00ebt\u00eb rrafsh institucionet vendore dhe q\u00ebndrore duhet t\u00eb punojn\u00eb m\u00eb shum\u00eb n\u00ebse mendojn\u00eb ta ndryshojn\u00eb fotografin\u00eb e p\u00ebrgjthshme t\u00eb\u00a0 zymt\u00eb t\u00eb kultur\u00ebs, p\u00ebrfshir\u00eb k\u00ebtu edhe kinematografin\u00eb.<\/p>\n<p style=\"text-align: left;\">\u00cbsht\u00eb p\u00ebr t\u00eb ardhur keq q\u00eb, \u00a0n\u00eb munges\u00eb t\u00eb kinemas\u00eb e teatrit, vakumi i aktiviteteve kulturore \u00ebsht\u00eb mbushur me kafenet\u00eb,\u00a0 \u00a0loj\u00ebrat e fatit dhe lotot sportive, t\u00eb cilat jo vet\u00ebm nuk kontribuojn\u00eb n\u00eb emancipimin qytetar, por hapin plag\u00eb edhe m\u00eb t\u00eb thella sociale, \u00a0p\u00ebr t\u00eb gjtha shtresat e shoq\u00ebris\u00eb\u00a0 dhe godasin sidomos rininin\u00eb. M\u00eb shum\u00eb se kurr\u00eb\u00a0 t\u00eb rinjt\u00eb \u00a0kan\u00eb nevoj\u00eb t\u00eb ulen pran\u00eb nj\u00ebri-tjetrit, t\u00eb flasin\u00a0 dhe t\u00eb d\u00ebgjojn\u00eb nj\u00ebri-tjetrin, nd\u00ebrsa kinemaja \u00ebsht\u00eb\u00a0 mediumi m\u00eb i mir\u00eb p\u00ebr t\u00eb arritur k\u00ebt\u00eb.\u00a0 Prandaj \u00a0do t\u00eb ishte mir\u00eb q\u00eb Ulqini t\u00eb ket\u00eb kinema ku do t\u00eb shfaqeshin dokumentar\u00eb edukativ\u00eb, kulturor\u00eb e t\u00eb tjer\u00eb, nga t\u00eb cil\u00ebt t\u00eb rinjt\u00eb do t\u00eb p\u00ebrfitonin m\u00eb\u00a0 shum\u00eb se sa \u00a0nga kafenet\u00eb dhe \u00a0rrjetet sociale.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shkruan Gjek\u00eb Gjonaj N\u00eb vitet\u00a0 gjasht\u00ebdhjet\u00eb-shtat\u00ebdhjet\u00eb \u00a0t\u00eb shekullit t\u00eb kaluar\u00a0 kinemat\u00eb\u00a0 kan\u00eb qen\u00eb pik\u00eb q\u00ebndrore n\u00eb jet\u00ebn kulturore t\u00eb Ulqinit. Ato kan\u00eb p\u00ebrfaq\u00ebsuar kujtes\u00ebn e p\u00ebrbashk\u00ebt dhe identitetin kulturor t\u00eb banor\u00ebve t\u00eb k\u00ebtij qyteti, respektivisht \u00a0\u00a0kan\u00eb qen\u00eb dhe kan\u00eb mbetur pjes\u00eb e kujtes\u00ebs\u00a0 kolektive t\u00eb qytetar\u00ebve t\u00eb tij. Me nj\u00eb fjal\u00eb ishin simbol krenarie t\u00eb [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14508,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2,12],"tags":[180,774],"class_list":["post-14507","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","category-opinione","tag-gjeke-gjonaj","tag-kinmema-ulqin"],"_links":{"self":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/14507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14507"}],"version-history":[{"count":1,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/14507\/revisions"}],"predecessor-version":[{"id":14509,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/posts\/14507\/revisions\/14509"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=\/wp\/v2\/media\/14508"}],"wp:attachment":[{"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ulqini-online.com\/sajti\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}